“The Show Must Go On”. Ethnography of the Art Market Facing the COVID-19 Pandemic
Léa Saint-Raymond
Additional contact information
Léa Saint-Raymond: ENS-PSL - École normale supérieure - Paris - PSL - Université Paris Sciences et Lettres
Post-Print from HAL
Abstract:
This paper aims at understanding, from the inside, the impact of the COVID-19 pandemic and the accompanying restrictive administrative measures on the art market. It is based on the interviews and ethnographic surveys made by graduate students from the Ecole du Louvre, from September 2020 to May 2021. This methodology makes it possible to demonstrate that, during the crisis, art market professionals were driven by the motto "the show must go on". On the one hand, they wished to keep a straight face and remain silent on their individual difficulties, preferring to talk about their vocation and the positive effects of the crisis. On the other hand, the commercial activity continued despite everything; if the pandemic accelerated the digital turn of the art market, the physical contact with the works and the collectors remained primordial. The art market thus remained physical but accelerated its digital turn. The proportion of each interactional framework—physical and digital—is still uncertain, difficult to measure today and to predict in the long run.
Date: 2021-09
References: Add references at CitEc
Citations:
Published in Arts, 2021, 10 (3), pp.53. ⟨10.3390/arts10030053⟩
There are no downloads for this item, see the EconPapers FAQ for hints about obtaining it.
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:hal:journl:hal-03319717
DOI: 10.3390/arts10030053
Access Statistics for this paper
More papers in Post-Print from HAL
Bibliographic data for series maintained by CCSD ().