Imagining the Name of the Rose with Deleuze: Organizational and Self World-Making on the Screen

François-Xavier de Vaujany ()
Additional contact information
François-Xavier de Vaujany: DRM - Dauphine Recherches en Management - Université Paris Dauphine-PSL - PSL - Université Paris Sciences et Lettres - CNRS - Centre National de la Recherche Scientifique

Post-Print from HAL

Abstract: In this research, the process of world-making at stake in movie direction and movie images is explored. Following Deleuze and Bergson, I investigate how the process of designing and experimenting with images contributes to a prelinguistic world-making process from which multiple selves can happen. With and from an autoethnography of my experience of the movie The Name of the Rose, I develop a cinematographic language that can describe organizing actions in coherence with an ontology of becoming. By watching and rewatching the movie and exploring my memory of its images, I identify three modalities of visual and sound organizing at the heart of processual world-making. As visual and sonic events lived and relived, these modalities contribute to the happening of multiple pasts, presents and futures selves interwoven with organizational world-making.

Keywords: Organizing; World-making; Deleuze; Bergson; images; temporality; self; subjectivation; process philosophy (search for similar items in EconPapers)
Date: 2022
References: Add references at CitEc
Citations: View citations in EconPapers (2)

Published in Culture and Organization, 2022

There are no downloads for this item, see the EconPapers FAQ for hints about obtaining it.

Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.

Export reference: BibTeX RIS (EndNote, ProCite, RefMan) HTML/Text

Persistent link: https://EconPapers.repec.org/RePEc:hal:journl:hal-03879372

Access Statistics for this paper

More papers in Post-Print from HAL
Bibliographic data for series maintained by CCSD ().