The Toulouse salons: a regional counterweight to the Parisian art scene? (1861–1939)

Léa Saint-Raymond ()
Additional contact information
Léa Saint-Raymond: ENS-PSL - École normale supérieure - Paris - PSL - Université Paris Sciences et Lettres

Post-Print from HAL

Abstract: This paper analyses the functioning of the primary art market for living artists in the periphery of France, in a context where there was no secondary market nor intermediaries such as art dealers. It is based on a historical data set constituted manually, regarding the Toulouse Salons—the Union artistique de Toulouse (UAT) between 1861 and 1909, and the Société des Artistes méridionaux (SAM), between 1907 and 1939. These exhibitions, which were intended to give artists a regional alternative to the Parisian academic and dealer-critic systems, failed at emancipating the local artists from the domination of the capital.

Keywords: art market; Toulouse; exhibitions; regional art market (search for similar items in EconPapers)
Date: 2023-01-18
References: Add references at CitEc
Citations:

Published in European Review of Economic History, 2023, ⟨10.1093/ereh/heac020⟩

There are no downloads for this item, see the EconPapers FAQ for hints about obtaining it.

Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.

Export reference: BibTeX RIS (EndNote, ProCite, RefMan) HTML/Text

Persistent link: https://EconPapers.repec.org/RePEc:hal:journl:hal-03977045

DOI: 10.1093/ereh/heac020

Access Statistics for this paper

More papers in Post-Print from HAL
Bibliographic data for series maintained by CCSD ().