Dissonance des objectifs dans la chaîne de production des œuvres patrimoniales en réalité virtuelle: trouver le compromis entre transmission des savoirs et expériences émotionnelles

Marie Ballarini () and Charles-Alexandre Delestage ()
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Marie Ballarini: DRM - Dauphine Recherches en Management - Université Paris Dauphine-PSL - PSL - Université Paris Sciences et Lettres - CNRS - Centre National de la Recherche Scientifique
Charles-Alexandre Delestage: MICA - Médiation, Information, Communication, Art - UBM - Université Bordeaux Montaigne, ELLIADD - Edition, Littératures, Langages, Informatique, Arts, Didactique, Discours - UFC (UR 4661) - UFC - Université de Franche-Comté - UBFC - Université Bourgogne Franche-Comté [COMUE]

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Abstract: Dissonance of objectives in the production chain of heritage works in virtual realityWith the development of immersive technologies, virtual reality is gradually being incorporated into museum and heritage mediation systems. While lessons have been learned from other incursions of digital technology into museums, these devices do raise questions about the notion of presence that they evoke. This articulates with a dynamic relating to the question of the emotions of visitors to the exhibitions, that have been explored over the last twenty years or so. Through the study of three systems implemented in major museum and heritage institutions (Louvre, Louvre-Lens, Grotte Chauvet), the article proposes reflection on the negotiation between the different actors involved in these systems, and the conflicting emotional and mediation imperatives involved.

Keywords: Emotions; Immersion; médiation patrimoniale; Musées; Réalité virtuelle (search for similar items in EconPapers)
Date: 2023
Note: View the original document on HAL open archive server: https://hal.science/hal-04380228v1
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Published in Réseaux : communication, technologie, société, 2023, 6 (242), pp.163-202. ⟨10.3917/res.242.0163⟩

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Persistent link: https://EconPapers.repec.org/RePEc:hal:journl:hal-04380228

DOI: 10.3917/res.242.0163

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