Experiencing vulnerability between frontstage and backstage identities: the vulnerable ‘I’s in creative writing workshops
Manon Vignaud
Additional contact information
Manon Vignaud: DRM - Dauphine Recherches en Management - Université Paris Dauphine-PSL - PSL - Université Paris Sciences et Lettres - CNRS - Centre National de la Recherche Scientifique
Post-Print from HAL
Abstract:
In the context of creative writing groups, this paper explores how the affective experience of vulnerability as a basis for driving more reciprocal and interdependent caring relations involves articulating orientations towards individuality and orientations towards relationality. I examine this experience of vulnerability as an ambivalent embodied condition shaped by sociocultural norms and expectations by drawing on Goffman's theorisation of frontstage and backstage identities. I suggest that vulnerability is experienced differently between the level of frontstage identity (as writer-listeners) and the more intimate level of backstage identity. Throughout my writing, I embody the story I tell by interweaving experiences of vulnerability in the collective context of creative writing workshops and in the co-writing experience of the academic review process.
Keywords: Vulnerability; care; writing; academia; identity (search for similar items in EconPapers)
Date: 2024
References: Add references at CitEc
Citations:
Published in Culture and Organization, 2024
There are no downloads for this item, see the EconPapers FAQ for hints about obtaining it.
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:hal:journl:hal-04842578
Access Statistics for this paper
More papers in Post-Print from HAL
Bibliographic data for series maintained by CCSD ().