Atmospheric creating and innovating

Margot Leclair ()
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Margot Leclair: LEST - Laboratoire d'Economie et de Sociologie du Travail - AMU - Aix Marseille Université - CNRS - Centre National de la Recherche Scientifique, InCIAM - Institut de Créativité et d'Innovation - AMU - Aix Marseille Université

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Abstract: Recognizing the role of materials and bodies in creative and innovative processes is crucial for understanding how affect is generated and embedded in such processes. The interplay between materials and bodies infuses the atmosphere with emotions and sensations, transforming the creative body into an indispensable component within a multifaceted environment. Whether it is the tactile sensation of an artist's brush on a canvas or the resonance of musical instruments in a studio, the affective dimensions of these interactions permeate the creative space, shaping the outcomes. By adopting an atmospheric approach, we can uncover the complex connections between individuals, materials, and the environment in which creativity thrives. Organizations, in particular, provide a fertile ground for exploring such atmospheric constitution of creativity. The physical spaces, objects, and social interactions within an organization contribute to the atmospheric qualities that stimulate creative processes.

Date: 2025-02-01
Note: View the original document on HAL open archive server: https://hal.science/hal-05135800v1
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Published in Päivi Eriksson; Tero Montonen; Pikka-Maaria Laine; Anna Hannula. Elgar Encyclopedia of Innovation Management, Edward Elgar, pp.146-148, 2025, Business 2025, 9781035306442. ⟨10.4337/9781035306459.00047⟩

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Persistent link: https://EconPapers.repec.org/RePEc:hal:journl:hal-05135800

DOI: 10.4337/9781035306459.00047

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