Ordinary Economic Practices in Music and Performing Arts (17th-20th Centuries)

Pratiques économiques ordinaires de la musique et du spectacle (XVIIe-XXe siècle)

Anne-Madeleine Goulet ()
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Anne-Madeleine Goulet: CESR - Centre d'études supérieures de la Renaissance UMR 7323 - MCC - Ministère de la Culture et de la Communication - UT - Université de Tours - CNRS - Centre National de la Recherche Scientifique

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Abstract: This issue explores, from an historical perspective, the relationships between the performing arts and the economy between the seventeenth and twentieth centuries. The articles analyse practices of agents in charge of organizing and marketing cultural production, although they had no particular skills in the economic field. In the background, they developed tools to organize the economic realities to which they were confronted. Drawing on three areas of artistic practice (labour, finance, and production), the case studies gathered here shed light on the way in which new skills emerged from everyday activities and ordinary artistic practices.

Keywords: Performing Arts Economics; Performing Arts; Economic Activities; Music (search for similar items in EconPapers)
Date: 2025
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Published in Biens Symboliques = Symbolic Goods, 16, 2025, ⟨10.4000/14by0⟩

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Persistent link: https://EconPapers.repec.org/RePEc:hal:journl:hal-05214604

DOI: 10.4000/14by0

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