Cultural sectors and Social economy: what collective forms of organization?

Secteurs culturels et ESS: quelles formes collectives d’organisation ?

Basile Michel () and Josselin Le Claire
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Basile Michel: ESO - Espaces et Sociétés - UNICAEN - Université de Caen Normandie - NU - Normandie Université - UM - Le Mans Université - UA - Université d'Angers - AGROCAMPUS OUEST - UR2 - Université de Rennes 2 - CNRS - Centre National de la Recherche Scientifique - IGARUN - Institut de Géographie et d'Aménagement Régional de l'Université de Nantes - UN - Université de Nantes, MRTE - EA 4112 - Laboratoire Mobilités, Réseaux, Territoires, Environnements - CY - CY Cergy Paris Université
Josselin Le Claire: ESO - Espaces et Sociétés - UNICAEN - Université de Caen Normandie - NU - Normandie Université - UM - Le Mans Université - UA - Université d'Angers - AGROCAMPUS OUEST - UR2 - Université de Rennes 2 - CNRS - Centre National de la Recherche Scientifique - IGARUN - Institut de Géographie et d'Aménagement Régional de l'Université de Nantes - UN - Université de Nantes

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Abstract: The main objective of this chapter is to question the types of organization of the cultural players of the Social economy. What are the collective forms of organization of these players? Why and how do they choose Social economy? Qualitative surveys were conducted with cultural players of Social economy located in the cultural or creative district of Les Olivettes in Nantes. These surveys highlight in particular two scales of collective organization of the cultural players of the Social economy: associative collectives of artists and the collaborative network in the district. The use of these collective forms can be explained first of all by the need to act collectively to survive economically, in particular by having access to professional offices and networks, but also by a collective culture rooted in certain artistic milieus and both spatial and affective proximity which bind the cultural players. Through the legal statuses (associative mainly) and values ​​(sharing, mutualisation, mutual support...), many cultural players are part of the Social economy, although most of them do not claim to be part of it, or even are not aware of belonging to it, justifying the interest of developing research that crosses Social economy and cultural sectors.

Keywords: Social economy; culture; artists; cultural players; place; sharing; network; proximity; Olivettes district; Nantes; économie sociale et solidaire; artistes; acteurs culturels; territoire; mutualisation; réseau; proximité; quartier des Olivettes (search for similar items in EconPapers)
Date: 2019
Note: View the original document on HAL open archive server: https://shs.hal.science/halshs-02365241v2
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Published in Presses universitaires de Grenoble. Culture & économie sociale et solidaire, , pp.97-105, 2019, 9782706143250. ⟨10.3917/pug.delfa.2019.01.0097⟩

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Persistent link: https://EconPapers.repec.org/RePEc:hal:journl:halshs-02365241

DOI: 10.3917/pug.delfa.2019.01.0097

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