Artificial intelligence and cultural creation

Joëlle Farchy () and Juliette Denis
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Joëlle Farchy: UP1 - Université Paris 1 Panthéon-Sorbonne, CES - Centre d'économie de la Sorbonne - UP1 - Université Paris 1 Panthéon-Sorbonne - CNRS - Centre National de la Recherche Scientifique, Ecole des Médias et du Numérique de la Sorbonne (EMNS) - UP1 UFR02 - Université Paris 1 Panthéon-Sorbonne - École d'économie de la Sorbonne - UP1 - Université Paris 1 Panthéon-Sorbonne

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Abstract: Artificial intelligence (AI) has experienced unprecedented growth since the 2010s, due to the combined effects of the rise in computing capacity and scientific research, and is the subject of public debate. Cultural industries have been amongst those impacted by the explosion of data available to feed artificial intelligence algorithms. At the initiative of researchers, artists, start-ups or large groups, artificial intelligence has indeed been used at all levels of the value chain. Whether to simplify the creative process, push creativity or generate new creations without the need for a human author, the various recent experiments of artificial intelligence in creation as well as the economic and legal implications are highlighted in this chapter.

Keywords: Artificial intelligence AI; Cultural industries; Algorithms; Intelligence artificielle; IA; Industrie culturelle; Industrie culturelle et numérique; Algorithmes; Chaire PcEn; Chaire Pluralisme culturel et Éthique du numérique (search for similar items in EconPapers)
Date: 2020-02-06
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Published in Teaching Cultural Economics, Edward Elgar Publishing, pp.198-203, 2020, 9781788970730. ⟨10.4337/9781788970747.00037⟩

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Persistent link: https://EconPapers.repec.org/RePEc:hal:journl:halshs-04006748

DOI: 10.4337/9781788970747.00037

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