Producción de largometrajes de ficción en Uruguay: Aproximación desde la Teoría General Del Costo
Fiction feature films production in Uruguay: Approach from the General Cost´s Theory
Juan F. Rodriguez
MPRA Paper from University Library of Munich, Germany
Abstract:
The subject of the paper is the analysis of the fiction feature films production and the production inputs, and the financing and marketing of these products too. The theoretical framework is the General Cost's Theory, linking it with Arts Economics, or Cultural Economics The research is based in the study of fiction feature films, between 2009 and 2015. The results shown that with the current level of ticket sales, Uruguayan feature films can hardly be economically viable without significant support from public funds or sales abroad.
Keywords: films; costs; production; movie (search for similar items in EconPapers)
JEL-codes: D24 M2 M21 (search for similar items in EconPapers)
Date: 2016-10
References: View complete reference list from CitEc
Citations:
Downloads: (external link)
https://mpra.ub.uni-muenchen.de/105885/1/MPRA_paper_105885.pdf original version (application/pdf)
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:pra:mprapa:105885
Access Statistics for this paper
More papers in MPRA Paper from University Library of Munich, Germany Ludwigstraße 33, D-80539 Munich, Germany. Contact information at EDIRC.
Bibliographic data for series maintained by Joachim Winter ().