Rockonomics: The Economics of Popular Music
Marie Connolly and
Alan Krueger
No 878, Working Papers from Princeton University, Department of Economics, Industrial Relations Section.
Abstract:
This paper considers economic issues and trends in the rock and roll industry, broadly defined. The analysis focuses on concert revenues, the main source of performers' income. Issues considered include: price measurement; concert price acceleration in the 1990s; the increased concentration of revenue among performers; reasons for the secondary ticket market; methods for ranking performers; copyright protection; and technological change.
Keywords: Rockonomics; concerts; superstars (search for similar items in EconPapers)
JEL-codes: L82 O34 Z10 (search for similar items in EconPapers)
Date: 2005-04
References: View references in EconPapers View complete reference list from CitEc
Citations: View citations in EconPapers (17)
Downloads: (external link)
https://dataspace.princeton.edu/bitstream/88435/dsp01xs55mc05g/1/499.pdf
Our link check indicates that this URL is bad, the error code is: 500 Internal Server Error
Related works:
Chapter: Rockonomics: The Economics of Popular Music (2006) 
Working Paper: Rockonomics: The Economics of Popular Music (2005) 
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:pri:indrel:499
Access Statistics for this paper
More papers in Working Papers from Princeton University, Department of Economics, Industrial Relations Section. Contact information at EDIRC.
Bibliographic data for series maintained by Bobray Bordelon ().