Cultural participation and the micro-dynamics of trust: Evidence from a large-scale field study

Giuseppe Attanasi, Giuseppe Ciccarone and Valentina Peruzzi

No 189, CIMEO Working Paper Series from Centre for Investigation and Modelling of Experimental Observations (CIMEO)

Abstract: This paper investigates how collective cultural participation shapes the micro-dynamics of trust formation and its short-term social and economic effects. Using unique microdata from a long-term field study of collective cultural participation, comprising more than 13,000 face-to-face interviews, we examine whether engagement in shared artistic experiences enhances instantaneous social capital, defined as a temporary yet socially meaningful increase in interpersonal trust. Results show that emotional and bodily participation in collective performances significantly increases the likelihood of reporting higher trust toward others. This situational trust, in turn, predicts a greater willingness to volunteer and higher local spending. The findings highlight that cultural events can act as catalysts of both social cohesion and local economic vitality, even within short-lived, non-institutional settings.

Keywords: social capital; trust; cultural participation; field study; prosocial behavior; local development (search for similar items in EconPapers)
JEL-codes: C83 D64 D91 O18 Z13 (search for similar items in EconPapers)
Date: 2025-11
References: Add references at CitEc
Citations:

Downloads: (external link)
https://www.dipecodir.it/wpcom/data/wp_no_189_2025.pdf (application/pdf)

Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.

Export reference: BibTeX RIS (EndNote, ProCite, RefMan) HTML/Text

Persistent link: https://EconPapers.repec.org/RePEc:ter:wpaper:00189

Access Statistics for this paper

More papers in CIMEO Working Paper Series from Centre for Investigation and Modelling of Experimental Observations (CIMEO) Contact information at EDIRC.
Bibliographic data for series maintained by Giovanni Di Bartolomeo ().