TIME AND FILM PROGRAMMING IN MOSCOW CINEMA THEATERS, 1946-1955

Kristina Tanis () and Anastasiia Balykova ()
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Kristina Tanis: National Research University Higher School of Economics
Anastasiia Balykova: National Research University Higher School of Economics

HSE Working papers from National Research University Higher School of Economics

Abstract: This paper is devoted to the Soviet film market during the first half of the twentieth century. In particular, it consist of introductory text and database on film programming in Moscow cinema theaters between 1946 and 1955. Based on the intersection of two methodological approaches, anthropology of time and new cinema history, this paper traces the multifunctionality and heterogeneity of Soviet time on the example of contracting adopted in the USSR between distributors and different actors of cinema networks. While the database on film programming of Moscow cinema theaters contributes to the issue of cinema audience studies and the known dominant models of film distribution and exhibition, placing the Soviet case into international context

Keywords: big data; film distribution and exhibition; temporal turn; new cinema history; film programming; USSR (search for similar items in EconPapers)
JEL-codes: Z11 (search for similar items in EconPapers)
Pages: 13 pages
Date: 2022
New Economics Papers: this item is included in nep-cis, nep-cul and nep-his
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Published in WP BRP Series: Humanities / HUM, November 2022, pages 13

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Persistent link: https://EconPapers.repec.org/RePEc:hig:wpaper:209/hum/2022

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