(Con)trolling the Web: Social Media User Arrests, State-Supported Vigilantism and Citizen Counter-Forces in Russia
Rashid Gabdulhakov
Global Crime, 2020, vol. 21, issue 3-4, 283-305
Abstract:
This article applies Haggerty and Ericson’s surveillant assemblage concept to the recent wave of social media user arrests in Russia. In doing so, it addresses the legislative frameworks applied to online self-expression, depicts the nuances of legal charges pressed against select social media users, assesses the role of formal law enforcement and vigilant citizens recruited to extend the state’s watchful gaze, and elaborates on citizen counter-forces resisting the tightening state control over the digital domain. The article argues that Russia’s internet users appear to be trolled by the ruling elite through the use of obscure legal frameworks and the stampede of actors and practices where select individuals face legal charges for their activities on social media, while other users face no consequences for the same engagements. Such unpredictability stimulates self-censorship, making the system effective by virtue of its dysfunctionality. Methodologically, the study relies on desk research and field interviews.
Date: 2020
References: Add references at CitEc
Citations: View citations in EconPapers (2)
Downloads: (external link)
http://hdl.handle.net/10.1080/17440572.2020.1719836 (text/html)
Access to full text is restricted to subscribers.
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:taf:fglcxx:v:21:y:2020:i:3-4:p:283-305
Ordering information: This journal article can be ordered from
http://www.tandfonline.com/pricing/journal/FGLC20
DOI: 10.1080/17440572.2020.1719836
Access Statistics for this article
Global Crime is currently edited by Carlo Morselli
More articles in Global Crime from Taylor & Francis Journals
Bibliographic data for series maintained by Chris Longhurst ().