The Rodat Ensemble in Modern Malaysia: Ethnomusicological Insights into its Manifest Functions and Cultural Significance

Mohd Azam Sulong, Mohd Hassan Abdullah, Mohd Nizam Nasrifan and Suflan Faidzal Arshad
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Mohd Azam Sulong: Faculty of Music and Performing Art, Universiti Pendidikan Sultan Idris, 35900, Tanjong Malim, Perak, Malaysia
Mohd Hassan Abdullah: Universiti Pendidikan Sultan Idris, Malaysia
Mohd Nizam Nasrifan: Universiti Pendidikan Sultan Idris, Malaysia
Suflan Faidzal Arshad: Universiti Pendidikan Sultan Idris, Malaysia

International Journal of Research and Innovation in Social Science, 2025, vol. 9, issue 7, 2227-2245

Abstract: The Rodat ensemble, a traditional art form rooted in the Malay-Muslim communities of Terengganu, reflects deep Islamic values and a strong sense of communal celebration. However, it faces increasing threats from globalization, modernization, and declining interest among younger generations. This ethnomusicological study explores the diverse roles of Rodat across social, spiritual, aesthetic, and educational domains. Drawing on ethnographic methods including field observations, interviews, and performance documentation the research applies Cultural Identity Theory, Social Function Theory, and Ritual Theory to examine its significance. The findings highlight that Rodat is more than just a musical performance; it serves as a cultural archive, a ritual practice, and a powerful symbol of community identity underscoring the urgent need for its preservation. The paper also calls for the adoption of contemporary strategies, such as the DAKEN 2021 cultural policy and digital media initiatives, to help revitalize Rodat for future generations. Ultimately, this study contributes to the broader discourse on cultural sustainability, offering a practical framework for safeguarding traditional art forms in the face of changing socio-cultural landscapes.

Date: 2025
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