EconPapers    
Economics at your fingertips  
 

Material Objects and Aura: Popular Culture Images against and for War

David Toohey

Review of Policy Research, 2007, vol. 24, issue 6, 609-626

Abstract: Surrealism, altered to fit the politics of marginalized people, helps to analyze popular culture's response to war and terrorism. Metaphors from surrealist art and sources from popular culture, including Fahrenheit 9/11 and the apocalyptic, violent, dispensationalist, Left Behind novel series, reveal many discussions of U.S. policy that are currently occurring. This article asks how political agendas are communicated and framed to society via images and how this influences debate over war. The overall conclusion is that the prowar movement uses images that dissuade U.S. society from critical thought and debate on foreign policy issues. While surrealist imagery provides metaphors for the analytic framework, imagery in support of war uses less thought and more violence, which is appropriately analyzed using German Romantic film as a metaphor.

Date: 2007
References: Add references at CitEc
Citations:

Downloads: (external link)
https://doi.org/10.1111/j.1541-1338.2007.00302.x

Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.

Export reference: BibTeX RIS (EndNote, ProCite, RefMan) HTML/Text

Persistent link: https://EconPapers.repec.org/RePEc:bla:revpol:v:24:y:2007:i:6:p:609-626

Ordering information: This journal article can be ordered from
http://www.wiley.com/bw/subs.asp?ref=1541-132x

Access Statistics for this article

Review of Policy Research is currently edited by Christopher Gore

More articles in Review of Policy Research from Policy Studies Organization Contact information at EDIRC.
Bibliographic data for series maintained by Wiley Content Delivery ().

 
Page updated 2025-03-19
Handle: RePEc:bla:revpol:v:24:y:2007:i:6:p:609-626