 Interpretation of the Poetic Views of the Period in Mutribi Tazkiras (Essays)I.I. Adizova () SPAST Reports, 2024, vol. 1, issue 1 Abstract: This article is devoted to the history of the tazkira genre, which reached its zenith in the 16th century in Eastern classical literature. Under the influence of Alisher Navoi's tazkira "Majolis un-nafais", dozens of works were created in the subsequent centuries. Their scope broadened, starting to assume an encyclopaedic character. Nowadays, a tazkira is not merely a niche genre that provides information about creators, but encapsulates the literary process of its time, the history of literary and aesthetic perspectives, issues of poetics, the foundations of Sufism, and the expression of the national mindset in literature. Numerous issues related to this genre await exploration. Among them, issues such as illuminating the literary process of the period, the history and development of poetics, and the reflection of the period's literary theory in the tazkiras are particularly pertinent. This article addresses one of these significant problems: the manifestation of the poetic views of the period in the tazkiras. Given the breadth of the scope, Sultan Muhammed Mutribi's work "Tazkirat ush-shuaro" was selected as a representative sample from the tazkiras. Keywords: Literary works; Hashiya; tazkira; Genre; Rhyme; Lingustics (search for similar items in EconPapers) Downloads: (external link) Related works: Export reference: BibTeX RIS (EndNote, ProCite, RefMan) HTML/Text Persistent link: https://EconPapers.repec.org/RePEc:bps:jspath:v:1:y:2024:i:1:id:4610 Access Statistics for this article SPAST Reports is currently edited by Srinesh Singh Thakur More articles in SPAST Reports from SPAST Foundation |
Is your work missing from RePEc? Here is how to contribute.
Questions or problems? Check the EconPapers FAQ or send mail to .
EconPapers is hosted by the
School of Business at Örebro University.