Evaluation of Intertextuality Concept in Photography Through Ugo Mulas’s Artworks
Fulya Betes and
Ugur Kutay
Additional contact information
Fulya Betes: Istanbul Gelisim Univesity, Lecturer
European Journal of Language and Literature Studies Articles, 2018, vol. 4
Abstract:
This research is a summary of the existence, transformation and development of the concept of intertextuality in the contemporary photographic art, which has been talked about in recent years in post-modern thought. In the context of this study, reflections of intertextuality on the photography art is investigated. Italian contemporary photographer Ugo Mulas, who use intertextual approach successfully in photography, has been examined through his works, especially “Verifications†photography series. Mulas’s intertextual transactions, that he used his works, are explained and his works are analyzed in terms of context and style.
Keywords: Photography; Ugo Mulas; Intertextuality; Art; Post-modernism (search for similar items in EconPapers)
Date: 2018
References: View complete reference list from CitEc
Citations:
Downloads: (external link)
https://brucol.be/index.php/ejls/article/view/8521 (text/html)
https://brucol.be/files/articles/ejls_v4_i1_18/Fulya.pdf (application/pdf)
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:eur:ejlsjr:147
DOI: 10.26417/ejls.v10i1.p49-55
Access Statistics for this article
More articles in European Journal of Language and Literature Studies Articles from Revistia Research and Publishing
Bibliographic data for series maintained by Revistia Research and Publishing ().