In the mood for technology ?
Pierre-Jean Benghozi (),
Elisa Salvador and
Jean-Paul Simon
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Pierre-Jean Benghozi: CRG I3 - Centre de recherche en gestion i3 - X - École polytechnique - IP Paris - Institut Polytechnique de Paris - Université Paris-Saclay - I3 - Institut interdisciplinaire de l’innovation - CNRS - Centre National de la Recherche Scientifique, GSEM - Geneva School of Economics and Management
Jean-Paul Simon: JPS Public Policy Consulting
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Abstract:
The development of digital technology has been attended by profound changes in the cultural industries as in all other industries. More often than not, it is presented as a revolution in consumption patterns (de-linearization and dematerialization), forms of monetization (free, subscription) and value chains. But it is also a revolution in the organization of the industry, where the vectors of change are not only new Internet platforms but also new technical intermediaries that are integrated at all levels of the value chain thanks to investments, equipment and skills that are new in the world of cinema, whether in production, post-production or distribution. The article is based on several emblematic cases from around the world (Weta Digital, DreamWorks, Ymagis, Bollywood and UFO Moviez) that show how new forms of technology-led intervention challenge the deep-rooted operating modes of cultural industries as much as their profile.
Keywords: ecosystems; intermediaries; spectial effects; Bollywood; film economy; technical industries; innovation; R&D; digital economy; digital technologies; value chain; Economie du cinéma; industries techniques; Economique numérique; technologies numériques; chaîne de la valeur; écosystèmes; intermédiaires; effets spéciaux (search for similar items in EconPapers)
Date: 2019
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Published in Réseaux : communication, technologie, société, 2019, Le cinéma fait-il son cinéma ?, 217 (5), pp.47-77. ⟨10.3917/res.217.0047⟩
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Persistent link: https://EconPapers.repec.org/RePEc:hal:journl:hal-02369426
DOI: 10.3917/res.217.0047
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