On Aesthetics in Chinese Calligraphy of Qin, Han, Wei and Jin Dynasties

Jun Dong

International Journal of Culture and History, 2022, vol. 9, issue 2, 76

Abstract: Different historical periods in China had different artistic and cultural pursuits, as did calligraphy. Calligraphers of all ages practiced diligently, diligently pursuing a higher level of calligraphy art training, I can lament that this time in china is different from the past, in today's increasingly advanced science and technology, people have long forgotten to write this skill. Calligraphy has also sadly lost her dazzling glory of the times, there are now few calligraphy practitioners in the crowd. Therefore, with the passing of a group of modern calligraphy, there is no calligraphy in China for a hundred years to lead the times, it is really lamentable. In order to find the aesthetics in calligraphy, I had to start with ancient Chinese calligraphy. This paper will discuss the aesthetic features of Chinese calligraphy in Qin, Han, Wei and Jin dynasties.

Date: 2022
References: View complete reference list from CitEc
Citations:

Downloads: (external link)
https://www.macrothink.org/journal/index.php/ijch/article/download/20212/15763 (application/pdf)
https://www.macrothink.org/journal/index.php/ijch/article/view/20212 (text/html)

Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.

Export reference: BibTeX RIS (EndNote, ProCite, RefMan) HTML/Text

Persistent link: https://EconPapers.repec.org/RePEc:mth:ijch88:v:9:y:2022:i:2:p:76

Access Statistics for this article

International Journal of Culture and History is currently edited by Bill Johnson

More articles in International Journal of Culture and History from Macrothink Institute
Bibliographic data for series maintained by Technical Support Office ().