A marking model for immersive exhibitions
Vincent Poussou
Economia della Cultura, 2023, issue 3-4, 549-554
Abstract:
Major museum establishments in the world have launched immersive exhibitions. Such is the case of RMN-GP in France. This is an important initiative, but one that raises a number of questions regarding many, different sides: do the immersive technologies modify the museums economic model and to what extent? are the technologies private players subjects of a new production chain of creative and cultural industries? and if which is their relations with the existents? are new publics growing up at national and world levels?
Keywords: museums exhibitions; immersive technologies; CCI' production chains; new publics at national and world levels (search for similar items in EconPapers)
Date: 2023
References: Add references at CitEc
Citations:
Downloads: (external link)
https://www.rivisteweb.it/download/article/10.1446/113251 (application/pdf)
https://www.rivisteweb.it/doi/10.1446/113251 (text/html)
Access to full text is restricted to subscribers
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:mul:jkrece:doi:10.1446/113251:y:2023:i:3-4:p:549-554
Access Statistics for this article
Economia della Cultura is currently edited by Paolo Leon
More articles in Economia della Cultura from Società editrice il Mulino
Bibliographic data for series maintained by ().