Opera Houses: Order and Diversity

Philippe Agid and Jean-Claude Tarondeau

Chapter 1 in The Management of Opera, 2010, pp 5-43 from Palgrave Macmillan

Abstract: Abstract This chapter is to our book what the overture of an opera often is for its audience. It introduces the dominant themes, constructs the whole and sets things in motion. The overture of an opera, sometimes substantial, sometimes brief and introductory, gives the spectator or listener their first impression of where the opera will take them.

Keywords: Occupancy Rate; Production Policy; Public Subsidy; Ticket Price; Opus House (search for similar items in EconPapers)
Date: 2010
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Persistent link: https://EconPapers.repec.org/RePEc:pal:palchp:978-0-230-29927-6_2

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DOI: 10.1057/9780230299276_2

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