Dancing to Judgment Day: Apocalyptic and Eschatological Themes in Late 20th-Century Popular Music

Sujong Kim ()
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Sujong Kim: Eastern Christian High School, North Haledon, USA

RAIS Conference Proceedings 2022-2025 from Research Association for Interdisciplinary Studies

Abstract: Popular music has long served as a mirror reflecting societal anxieties, particularly during political uncertainty, technological change, and environmental distress. This paper explores apocalyptic and eschatological themes in late 20th-century popular music. It analyzes how musicians across various genres—punk, metal, hip-hop, and pop—incorporated imagery of global catastrophe, existential fear, and societal collapse into their work. By examining musical techniques, lyrical content, and historical context, this research highlights the persistent influence of apocalyptic narratives in shaping cultural perceptions of crisis. From Cold War tensions to contemporary concerns about artificial intelligence and climate change, apocalyptic music remains a powerful artistic expression of collective fears. This study demonstrates how such music transcends mere entertainment, functioning as a cultural barometer for global anxieties and influencing public discourse on pressing social and political issues.

Keywords: Apocalyptic Music; Eschatology; Popular Music; Societal Anxieties; Cold War; Dystopian Themes (search for similar items in EconPapers)
Pages: 6 pages
Date: 2025-04
New Economics Papers: this item is included in nep-cul and nep-his
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Published in Proceedings of the 39th International RAIS Conference on Social Sciences and Humanities, April 17-18, 2025, pages 177-182

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Persistent link: https://EconPapers.repec.org/RePEc:smo:raiswp:0515

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