 Art Works: Rendering the Absence Present by Bearing Witness at the National Memorial for Peace and JusticePerry L. Carter Annals of the American Association of Geographers, 2024, vol. 114, issue 3, 555-573 Abstract: This article concerns material art, the atmospheres they create, and the affects they engender in their audiences. It is about how the works of art at the National Memorial for Peace and Justice (NMPJ) in Montgomery, Alabama, work to create an atmosphere that enrolls its visitors as empathetic witnesses to the lynchings documented throughout the memorial. The NMPJ is an affecting landscape where visitors learn of the ugly extralegal history of lethal violence against African Americans in the United States. Through a textual analysis of Web-posted Google reviews of the NMPJ, the affecting work that art performs on its viewers is revealed. The NMPJ compels its visitors to both feel and think about a brutal U.S. past and in so doing, it presences the absented victims of lynchings. The NMPJ is not only a place of remembering, but it is a place of re-membering—a reattaching of the lost dead into the narrative body of the U.S. story. Date: 2024 Downloads: (external link) Related works: Export reference: BibTeX RIS (EndNote, ProCite, RefMan) HTML/Text Persistent link: https://EconPapers.repec.org/RePEc:taf:raagxx:v:114:y:2024:i:3:p:555-573 Ordering information: This journal article can be ordered from DOI: 10.1080/24694452.2023.2284285 Access Statistics for this article Annals of the American Association of Geographers is currently edited by Jennifer Cassidento More articles in Annals of the American Association of Geographers from Taylor & Francis Journals |
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