The Dao of Oshin

Xia Gan, Zhihe Wang, Lan Yu and Rong Hu

American Journal of Economics and Sociology, 2022, vol. 81, issue 1, 91-100

Abstract: TV soap operas are disdained by the elite class in modern society, but some of them are much welcomed by ordinary people. Oshin, a 1983 Japanese serialized morning television drama, captivated both audiences. This series reflects both social transformation and prevailing norms. It also actively participates in the creation of a new social atmosphere and a new concept of womanhood. The characterization of the central heroes and heroines in this series convey the writer’s ideals and anticipation. Through her actions and her demeanor, the eponymous Oshin opens up a new path toward emancipation and a new image of women. To some extent, she shapes her world and that of others. The emergence of thousands of businesswomen has both echoed and responded to this popular, rags‐to‐riches story. This explains why Oshin has met worldwide acclaim. Oshin bravely pursues her personal independence, freedom, and happiness, but she also cares about others and always puts others first. She fights against patriarchy, but she respects men and treats them as partners rather than rivals. She is the integration of Western and Eastern culture and a fruit of the Second Enlightenment. She catches the essence of dao, whose wisdom lies in synthesizing and harmonizing seeming opposites in order to resolve predicaments and move forward. As we face an increasingly severe ecological crisis, such wisdom is urgently needed.

Date: 2022
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