‘Project 1990’ as an Anti-Monument in Bucharest and the Aestheticisation of Memory
Preda Caterina ()
Additional contact information
Preda Caterina: Department of Political Science, University of Bucharest, Negru Voda 3, 030774 Bucharest
Comparative Southeast European Studies, 2016, vol. 64, issue 3, 307-324
Abstract:
This article analyses ‘Project 1990’ (2010–2014) as an example of ‘art of memorialisation’. The project included twenty temporary artistic interventions on the empty pedestal of the former statue of Lenin in Bucharest. The author compares this example of art of memorialisation to other memory strategies found in the Romanian public space after 1990. Building on James Young’s concept of anti-monument, ‘Project 1990’ questioned the ways in which communism is remembered in Romania, and how the transition to democracy, in the opinion of many of the exhibiting artists, failed. This curatorial project is a good example of the aestheticisation of memory—that is the anti-nostalgic and ironic treatment of symbols of the past, among which Lenin himself.
Date: 2016
References: Add references at CitEc
Citations:
Downloads: (external link)
https://doi.org/10.1515/soeu-2016-0027 (text/html)
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:bpj:soeuro:v:64:y:2016:i:3:p:307-324:n:3
DOI: 10.1515/soeu-2016-0027
Access Statistics for this article
Comparative Southeast European Studies is currently edited by Sabine Rutar
More articles in Comparative Southeast European Studies from De Gruyter
Bibliographic data for series maintained by Peter Golla ().