‘Georgian Film Is a Completely Unique Phenomenon.’ A Film Scene with History, or Georgian Cinema in the Emancipation Loop
Buder Bernd ()
Additional contact information
Buder Bernd: FilmFestival Cottbus, Karl-Marx-Str. 69, 03044, CottbusGermany
Comparative Southeast European Studies, 2018, vol. 66, issue 3, 426-440
Abstract:
With a view of Georgian cinema under the current spotlights of various international film festivals, the author reviews the state of the art of Georgian film production, linking it to the impressively long history of Georgia’s cinematographic production. Recently, a targeted film promotion policy has focused on international co-productions and on fostering cooperative ventures with European partners. Among the young filmmakers a remarkably large proportion are female.
Date: 2018
References: Add references at CitEc
Citations:
Downloads: (external link)
https://doi.org/10.1515/soeu-2018-0032 (text/html)
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:bpj:soeuro:v:66:y:2018:i:3:p:426-440:n:2
DOI: 10.1515/soeu-2018-0032
Access Statistics for this article
Comparative Southeast European Studies is currently edited by Sabine Rutar
More articles in Comparative Southeast European Studies from De Gruyter
Bibliographic data for series maintained by Peter Golla ().