Cultural Studies in China: towards closing the gap between elite culture and popular culture
Wang Ning
European Review, 2003, vol. 11, issue 2, 183-191
Abstract:
This essay deals with cultural studies, including elite culture and its products (literature and the performing arts), as well as studies of film and TV and other expressions of popular culture in the mainland of China. It lays particular emphasis on the currently prevailing concept of Cultural Studies introduced from the West at the beginning of the 1990s. The author addresses the following issues: how Cultural Studies was introduced into the Chinese context, how it was integrated with existing practices of cultural history and comparative literature studies, how it was institutionalized in China, and how it was developing into a position from where it can engage in a dialogue with Western scholarship against the background of increasing globalization. According to the author, Cultural Studies has much in common with literary studies, especially in the Chinese context. Therefore, these two branches of learning should not necessarily be seen as opposed to one another. Literary and cultural studies are complementary rather than exclusionary towards each other.
Date: 2003
References: Add references at CitEc
Citations:
Downloads: (external link)
https://www.cambridge.org/core/product/identifier/ ... type/journal_article link to article abstract page (text/html)
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:cup:eurrev:v:11:y:2003:i:02:p:183-191_00
Access Statistics for this article
More articles in European Review from Cambridge University Press Cambridge University Press, UPH, Shaftesbury Road, Cambridge CB2 8BS UK.
Bibliographic data for series maintained by Kirk Stebbing ().