Jews and Muslims in Dante’s Vision

Jesper Hede

European Review, 2008, vol. 16, issue 1, 101-114

Abstract: Dante’s attitude towards Jews and Muslims in the Divine Comedy has been a controversial issue in literary studies of the medieval period. This article outlines the most central questions in this regard and argues that the treatment of the issue has often been misleading due to exaggeration and overstatement. Dante has been seen, respectively, as a summarizer of medieval culture and mentalities, as a medieval intellectual who was more open for non-Christian influences than his fellow Christians, and as a highly prejudiced conservative. In considering the constituents of Dante’s worldview, the article that follows argues that Dante should rather be seen as a medieval Christian whose cultural horizon was limited, whose political theory of world government was narrowly focused on a specific problem within European Christendom, and whose vision of redemption, although complex and original in various respects, could not but embrace all human beings as either righteous or corrupted Christians.

Date: 2008
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