The Illusion of Mirrors: Velázquez's Las Meninas

Simon Altmann

European Review, 2013, vol. 21, issue 1, 1-9

Abstract: There have been dozens of interpretations of Las Meninas but most critics assume that either the Royal couple, or their portrait in the Velazquez's large canvas shown in the picture, is actually reflected on a back mirror. I shall provide evidence, however, to support the view that this mirror never existed. And there is no evidence whatsoever that the double portrait was ever painted. In view of these facts I shall make a new proposal about the way the picture was painted and about the painter's intentions. I shall show evidence that the king was adamant that he did not want his portrait painted, since he did not want to show his age (he was more than double the age of his queen). It is thus reasonable to assume that Velázquez, in order to assuage the King's qualms, created the mirror, thus allowing him to produce a very diffuse picture of the royal couple, where no evidence of aging could possibly be discerned.

Date: 2013
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