Poetics now?
Margaret Davies-Mitchell
European Review, 1994, vol. 2, issue 3, 177-192
Abstract:
This study of the problems which, in the light of developing literary theory, still confront the critic of poetry, concentrates on the lyric. Its close relationship to music throughout its evolution leads to an analysis—with examples—of the way in which sound and thought patterns combine both in the making of the poem and in its effects on the reader. In this context I indicate possibilities for future studies in the nature of reader reception and suggest that benefit might be derived from interdisciplinary research involving cognitive scientists. Throughout, I stress the obligation for the critic to take into account the holistic nature of the poem.
Date: 1994
References: Add references at CitEc
Citations:
Downloads: (external link)
https://www.cambridge.org/core/product/identifier/ ... type/journal_article link to article abstract page (text/html)
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:cup:eurrev:v:2:y:1994:i:03:p:177-192_00
Access Statistics for this article
More articles in European Review from Cambridge University Press Cambridge University Press, UPH, Shaftesbury Road, Cambridge CB2 8BS UK.
Bibliographic data for series maintained by Kirk Stebbing ().