The Fin de Siècles in literature

John Neubauer

European Review, 1994, vol. 2, issue 3, 221-231

Abstract: Jacques Derrida's remark, ‘What is proper to a culture is to not be identical to itself,’ serves as a point of departure for a discussion of artistic and ethnic identities in late-19th and late 20th century literatures. The first part of this paper studies the images of the European and the colonized ‘Other’ in Joseph Conrad's The Heart of Darkness and J. M. Coetzee's Waiting for the Barbarians. The second part examines notions of artistic and ethnic identity in the culture of fin de siècle Vienna. The ‘crisis of liberalism’, which plays a pivotal role in Carl Schorske's study of that culture, gains new and urgent meaning through the ethnic conflicts that arose in the wake of the dissolution of the Soviet empire. Studying artistic identity today, we must distinguish between notions of diffuse identity in post-modern culture and the ethnic identity that writers not infrequently assume in Middle-and Eastern Europe.

Date: 1994
References: Add references at CitEc
Citations:

Downloads: (external link)
https://www.cambridge.org/core/product/identifier/ ... type/journal_article link to article abstract page (text/html)

Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.

Export reference: BibTeX RIS (EndNote, ProCite, RefMan) HTML/Text

Persistent link: https://EconPapers.repec.org/RePEc:cup:eurrev:v:2:y:1994:i:03:p:221-231_00

Access Statistics for this article

More articles in European Review from Cambridge University Press Cambridge University Press, UPH, Shaftesbury Road, Cambridge CB2 8BS UK.
Bibliographic data for series maintained by Kirk Stebbing ().