Salome: a fin de siècle legend

Barbara Wright

European Review, 1994, vol. 2, issue 3, 233-238

Abstract: The Salome legend developed as John the Baptist became the object of increased veneration. It was profoundly modified in the medieval and Renaissance periods. Well suited to Schopenhauerian misogyny and to the burgeoning interest in Freudian psychoanalysis, it became central to the fin de siècle in Western Europe. An instrument of self-reflection as well as of parody, the Salome legend has shown itself, in both the 19th and the 20th centuries, to be capable of ironic criticism and fertile pastiche, as well as of enigmatic mystery and deep psychological exploration.

Date: 1994
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