‘The contagion of the throng’: absorbing violence in the Roman world

Kathleen Coleman

European Review, 1997, vol. 5, issue 4, 401-417

Abstract: This essay examines the spectacles of the Roman amphitheatre—gladiatorial combat, displays involving animals, and the execution of criminals—as an example of orchestrated violence integral to the functioning of society, and tries to account for their spectator-appeal. The evidence of literary, epigraphic, and artistic sources from the Roman Empire suggests a range of important factors: the ubiquity of violent crime in Antiquity, and of its corollary, public punishment; the social status of gladiators and the expertise required of them; the view of Nature as a spectacle provided for mankind; the loss of inhibition among spectators through crowd-identity and emotional stimuli; the provision of spectacles as a function of patronage; the role of spectacle in the Roman economy; and the ‘imperial imperative’ whereby the dominant power has to assert its physical and moral superiority in order to sustain its ideology and control its subject peoples. © 1997 by John Wiley & Sons, Ltd.

Date: 1997
References: Add references at CitEc
Citations:

Downloads: (external link)
https://www.cambridge.org/core/product/identifier/ ... type/journal_article link to article abstract page (text/html)

Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.

Export reference: BibTeX RIS (EndNote, ProCite, RefMan) HTML/Text

Persistent link: https://EconPapers.repec.org/RePEc:cup:eurrev:v:5:y:1997:i:04:p:401-417_00

Access Statistics for this article

More articles in European Review from Cambridge University Press Cambridge University Press, UPH, Shaftesbury Road, Cambridge CB2 8BS UK.
Bibliographic data for series maintained by Kirk Stebbing ().