A cultural interpretation of the world's two most tragic dramas: Romeo and Juliet and The Flower Princess
Fu-Lai Tony Yu and
Diana S. Kwan
International Journal of Pluralism and Economics Education, 2024, vol. 15, issue 1, 33-53
Abstract:
This paper highlights cultural differences between Romeo and Juliet, Shakespeare's celebrated play, and The Flower Princess, the most well-known Cantonese opera in Hong Kong and South China. We shall argue that Romeo and Juliet reflects Anglo-American culture which is based on individualism, Christianity, and the liberal order. The Flower Princess reflects Chinese culture which is embedded in collectivism, familism, and Confucianism. For the Chinese, emperor and family come first. Chinese offspring are required to comply with authoritative rules and social norms when pursuing their future. The dramatic effects between the two plays are compared and highlighted in cultural terms. This paper illustrates multidisciplinary materials for research and pedagogy covering not only the social sciences but also the humanities disciplines such as literature, opera, fiction, and arts.
Keywords: Shakespeare; Romeo and Juliet; Tong Dik Sang; The Flower Princess; cultural comparison; USA; China. (search for similar items in EconPapers)
Date: 2024
References: Add references at CitEc
Citations:
Downloads: (external link)
http://www.inderscience.com/link.php?id=141786 (text/html)
Access to full text is restricted to subscribers.
Related works:
This item may be available elsewhere in EconPapers: Search for items with the same title.
Export reference: BibTeX
RIS (EndNote, ProCite, RefMan)
HTML/Text
Persistent link: https://EconPapers.repec.org/RePEc:ids:ijplur:v:15:y:2024:i:1:p:33-53
Access Statistics for this article
More articles in International Journal of Pluralism and Economics Education from Inderscience Enterprises Ltd
Bibliographic data for series maintained by Sarah Parker ().