Swings and roundabouts: Swedish music copyrights 1980–2009

Staffan Albinsson ()

Journal of Cultural Economics, 2013, vol. 37, issue 2, 175-184

Abstract: For this study, data from the annual reports of the STIM (the Swedish Performing Right Society) (By Swedes it is read as a word: ‘stim’ and not as four separate initials S.T.I.M.) were collected and analysed. If the general hypothesis that a digital technology shift has resulted in illegal downloading holds true, there should be a decrease in total revenues for composers from record sales. This is what the STIM data show. There has, however, been a simultaneous growth in income from other sources, which compensates for the loss from record royalties. This study also includes a unique data set from the STIM showing revenues for individual music IPR owners. The general finding is that a very small group of composers receives a very large share of the copyright revenues. Music as a ‘winner-takes-all’ arena is apparent. Copyright Springer Science+Business Media New York 2013

Keywords: Intellectual property rights; Music copyrights; Business history (search for similar items in EconPapers)
Date: 2013
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Citations: View citations in EconPapers (2)

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DOI: 10.1007/s10824-012-9176-4

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