Journal of Cultural Economics

1996 - 2023

Current editor(s): Federico Etro and Douglas Noonan

From:
Springer
The Association for Cultural Economics International
Contact information at EDIRC.
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Volume 47, issue 4, 2023

The “Great Lockdown” and cultural consumption in the UK pp. 555-587

Hasan Bakhshi, Salvatore Novo and Giorgio Fazio

Reluctantly independent: motivations for self-employed artistic work pp. 589-607

Tal Feder and Joanna Woronkowicz

How does urban violence impact choices of cultural participation? The case of the Maré favela complex in Rio de Janeiro pp. 609-641

Luisa Iachan, François Moreau, Paul Heritage, Leandro Valiati and Eliana Sousa Silva

Live and digital engagement with the visual arts pp. 643-692

Victoria Ateca-Amestoy and Concetta Castiglione

Work satisfaction and job permanence in artistic careers: the case of musicians in Belo Horizonte, Brazil pp. 693-718

Jonas Silva Henrique, Ana Flávia Machado and Mariangela Furlan Antigo

Hans Abbing: The economies of serious and popular art: how they diverged and reunited pp. 719-722

Bronwyn Coate and Ellen Loots

Jimmyn Parc and Patrick A. Messerlin: The untold story of the Korean film industry: a global business and economic perspective pp. 723-726

Roya Hayatina Latua-Silawane and Emy Rosiana

Volume 47, issue 3, 2023

The economics of art history pp. 355-358

Federico Etro and David Galenson

Valuing European tapestry: from riches to rags pp. 359-406

Anne-Sophie V. Radermecker and Koenraad Brosens

Measuring nepotism and sexism in artistic recognition: the awarding of medals at the Paris Salon, 1850–1880 pp. 407-436

Claire Dupin Beyssat, Diana Seave Greenwald and Kim Oosterlinck

How Monet became a millionaire: the importance of the artist’s account books pp. 437-460

Simon Kelly

The rise and fall and rise again of the contemporary art market pp. 461-488

Robert Jensen

Two old masters and a young genius: the creativity of Francis Bacon, Lucian Freud, and Jean-Michel Basquiat pp. 489-511

David Galenson and Simone Lenzu

Residual variance and asset pricing in the art market pp. 513-545

Jianping Mei, Michael Moses and Yi Zhou

Risky business? A review of Jonathan Nelson & Richard Zeckhauser’s Risk in Renaissance Art: Production, Purchase and Reception pp. 547-554

Ennio E. Piano

Volume 47, issue 2, 2023

Music preferences as an instrument of emotional self-regulation along the business cycle pp. 181-204

Juan Lucio and Marco Palomeque

An empirical approach to measure unobserved cultural relations using music trade data pp. 205-245

Yuki Takara and Shingo Takagi

The Eurovision Song Contest: voting rules, biases and rationality pp. 247-277

Victor Ginsburgh and Juan Moreno-Ternero

Empirical evidence of anchoring and loss aversion from art auctions pp. 279-301

Kathryn Graddy, Lara Loewenstein, Jianping Mei, Mike Moses and Rachel A. J. Pownall

Knocking on Hell’s door: dismantling hate with cultural consumption pp. 303-349

Daria Denti, Alessandro Crociata and Alessandra Faggian

Amy Whitaker: Economics of visual art: market practice and market resistance pp. 351-353

Joanna Woronkowicz

Volume 47, issue 1, 2023

Workers’ access to Swedish opera houses and concert halls, 1898–2019 pp. 1-30

Staffan Albinsson

Globalization and the rise of action movies in hollywood pp. 31-69

Tin Cheuk Leung and Shi Qi

More is worse: the evolution of quality of the UNESCO World Heritage List and its determinants pp. 71-96

Martina Dattilo, Fabio Padovano and Yvon Rocaboy

Eppur si muove: an evaluation of museum policy reform in Italy pp. 97-131

Maria Rosaria Alfano, Anna Laura Baraldi and Claudia Cantabene

Financing the cultural and creative industries through crowdfunding: the role of national cultural dimensions and policies pp. 133-175

Antonella Francesca Cicchiello, Serena Gallo and Stefano Monferrà

Linda Essig: creative infrastructures. Artists, money, and entrepreneurial action pp. 177-179

Hans Abbing

Volume 46, issue 4, 2022

Cultural expenditure of those who enter (or exit) unemployment pp. 571-596

Javier Gardeazabal and Eduardo Polo-Muro

Some economics of movie exhibition: increasing returns and Imax revenue premium pp. 597-634

Dapeng Liu and Pascal Courty

Arts majors and the Great Recession: a cross-sectional analysis of educational choices and employment outcomes pp. 635-658

Richard J. Paulsen

Specialization and the firm in Renaissance Italian art pp. 659-697

Ennio E. Piano

Socio-economic and spatial determinants of municipal cultural spending pp. 699-722

Michael Getzner

From Bilbao to Bodø: how cultural flagships are transforming local cultural life pp. 723-746

Hanna Nyborg Storm

David Challis: foreign currency volatility and the market for French modernist art; studies in the history of collecting & art markets, Vol.12 Brill, Leiden, 2021 pp. 747-750

Kim Oosterlinck

Volume 46, issue 3, 2022

First impression biases in the performing arts: taste-based discrimination and the value of blind auditioning pp. 391-437

Jasmin Droege

Women artists: gender, ethnicity, origin and contemporary prices pp. 439-481

Abigail LeBlanc and Stephen Sheppard

Preferences for perceived attractiveness in modern dance pp. 483-517

Rachel Lau and Brooke Krause

Career challenges facing musicians in the United States pp. 519-540

Ying Zhen

Correction to: Career challenges facing musicians in the United States pp. 541-541

Ying Zhen

An empirical analysis of price differences for male and female artists in the global art market pp. 543-565

Fabian Y. R. P. Bocart, Marina Gertsberg and Rachel A. J. Pownall

Luis César Herrero Prieto, Juan Prieto Rodríguez (Eds.): La Economía de la Cultura. Una disciplina joven: Estudios en homenaje al profesor Víctor Fernández Blanco pp. 567-569

María J. Pérez-Villadóniga

Volume 46, issue 2, 2022

New forms of finance and funding in the cultural and creative industries. Introduction to the special issue pp. 205-230

Ellen Loots, Diana Betzler, Trine Bille, Karol Borowiecki and Boram Lee

Beyond the realm of cash: street performers and payments in the online world pp. 231-248

Meg Elkins and Tim R. L. Fry

The art of crowdfunding arts and innovation: the cultural economic perspective pp. 249-284

Christian Handke and Carolina Dalla Chiesa

Correction to: The art of crowdfunding arts and innovation: the cultural economic perspective pp. 285-285

Christian Handke and Carolina Dalla Chiesa

From the Artist’s Contract to the blockchain ledger: new forms of artists’ funding using equity and resale royalties pp. 287-315

Lauren Haaften-Schick and Amy Whitaker

Uncovering potential barriers of using initial coin offerings to finance artistic projects pp. 317-344

Manuel Knott, Franz Strich, Kim Strunk and Anne-Sophie Mayer

Starving the golden goose? Access to finance for innovators in the creative industries pp. 345-386

Salvatore Di Novo, Giorgio Fazio, Jonathan Sapsed and Josh Siepel

Peter Tschmuck: The economics of music, 2nd edition pp. 387-389

Patrik Wikstrom

Volume 46, issue 1, 2022

For a new cultural economics pp. 1-2

Federico Etro and Douglas Noonan

The behavioural economics of culture pp. 3-26

Bronwyn Coate and Robert Hoffmann

Brace yourselves, pirates are coming! the effects of Game of Thrones leak on TV viewership pp. 27-55

Wojciech Hardy

Drivers of cultural participation of immigrants: evidence from an Italian survey pp. 57-100

E. Bertacchini, A. Venturini and R. Zotti

Donating money and time to cultural heritage: evidence from the European Union pp. 101-133

Victoria Ateca-Amestoy and Arantza Gorostiaga

The China museum visit boom: Government or demand driven? pp. 135-163

Fenghua Zhang and Pascal Courty

The value of digital archive film history: willingness to pay for film online heritage archival access pp. 165-197

Ricky N. Lawton, Daniel Fujiwara and Ulrike Hotopp

Elisabetta Lazzaro, Nathalie Moureau, Adriana Turpin (Eds): Researching art markets. Past, present and tools for the future Routledge (Routledge Research in the Creative and Cultural Industries), Oxon, 2021 pp. 199-203

Anne-Sophie V. Radermecker