Journal of Cultural Economics

1996 - 2024

Current editor(s): Federico Etro and Douglas Noonan

From:
Springer
The Association for Cultural Economics International
Contact information at EDIRC.
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Volume 48, issue 4, 2024

Spatial dimensions of cultural economics pp. 497-498

Silvia Cerisola and Christiane Hellmanzik

The spatial dimensions of cultural consumption: how distance influences consumption levels in a spatial setting pp. 499-525

Lorenzo Biferale, Maria Giovanna Brandano, Alessandro Crociata and Hygor P. M. Melo

The countervailing effects of spatial competition in the performing arts: examining local versus traded market performance pp. 527-574

Richard Briesch, Ernan Haruvy, Glenn B. Voss and Zannie Giraud Voss

The impact of cultural amenities on inter-urban location: a discrete choice experiment on French students pp. 575-614

Olivier Mouate and Muriel Travers

Assessing complementarity and substitution effects of cultural events in rural communities: insights from a Mediterranean island pp. 615-644

Marta Meleddu and Manuela Pulina

Cashing in on culture: local employment effects from art and cultural district designation pp. 645-684

Gary A. Wagner and Javier E. Portillo

“Innovators” by David W. Galenson pp. 685-687

Riccardo Puglisi

Correction: Core functions, visitor friendliness and digitalisation: a comparative analysis of corporate museums’ performance pp. 689-690

Chiara Dalle Nogare and Monika Murzyn-Kupisz

Volume 48, issue 3, 2024

The “Bloomington Issue” pp. 335-337

Douglas Noonan and Federico Etro

Joke economics: the low profile of comedy in the economics of arts and culture pp. 339-346

Alan Collins

The values of cultural goods and cultural capital externalities: state of the art and future research prospects pp. 347-365

Trine Bille

Health insurance access and the career choices of college graduates with majors in the arts: evidence from the affordable care act’s dependent coverage expansion pp. 367-385

Richard J. Paulsen and Rajendra Dulal

Attracting new audiences to high culture: an analysis of live broadcasted performing arts at cinema theaters pp. 387-404

Fernanda Gutierrez-Navratil, Maria J. Perez-Villadoniga and Juan Prieto-Rodriguez

Core functions, visitor friendliness and digitalisation: a comparative analysis of corporate museums’ performance pp. 405-437

Chiara Dalle Nogare and Monika Murzyn-Kupisz

Rethinking royalties: alternative payment systems on music streaming platforms pp. 439-462

Frederik Juul Jensen

Front row or backstage? Evidence on concert ticket preferences from a discrete choice experiment pp. 463-491

Dylan Thompson

The moral foundations of public funding for the arts. Michael Rushton. Palgrave MacMillan pp. 493-495

Samuel Cameron

Volume 48, issue 2, 2024

Why the Impressionists did not create Impressionism pp. 171-198

Liesbeth Strooper and Erwin Dekker

The impact of social media activities on theater demand pp. 199-220

Andrea Baldin, Trine Bille, Raghava Rao Mukkamala and Ravi Vatrapu

Originality, influence, and success: a model of creative style pp. 221-258

Karol Borowiecki and Caterina Adelaide Mauri

The global impact of public and private funding on cultural and economic movie success: evidence from German film funding pp. 259-283

Nicolas R. Weber, André Marchand and Reinhard E. Kunz

Preference formation in demand for live theatre pp. 285-310

David Throsby, John R. Severn and Katya Petetskaya

The rule of tome? Longer novels are more likely to win literary awards pp. 311-329

Féidhlim P. McGowan

Erwin Dekker and Valeria Morea: Realizing the values of art: making space for cultural civil society pp. 331-334

Jason Potts

Volume 48, issue 1, 2024

Intermediary liability and trade in follow-on innovation pp. 1-42

Alexander Cuntz and Matthias Sahli

Displacement and complementarity in the recorded music industry: evidence from France pp. 43-94

Marc Ivaldi, Ambre Nicolle, Frank Verboven and Jiekai Zhang

Student loan debt and the career choices of college graduates with majors in the arts pp. 95-115

Richard J. Paulsen

Foreign pop-culture and backlash: the case of non-fan K-pop Subreddits during the pandemic pp. 117-143

Byunghwan Son

For those about to rock… is stability a determinant of rock bands success? pp. 145-166

Etienne Farvaque

Arturo Cifuentes and Ventura Carlin: the worth of art. Financial tools for the art market. New York, Columbia University Press, 2023 pp. 167-170

Kim Oosterlinck

Volume 47, issue 4, 2023

The “Great Lockdown” and cultural consumption in the UK pp. 555-587

Hasan Bakhshi, Salvatore Novo and Giorgio Fazio

Reluctantly independent: motivations for self-employed artistic work pp. 589-607

Tal Feder and Joanna Woronkowicz

How does urban violence impact choices of cultural participation? The case of the Maré favela complex in Rio de Janeiro pp. 609-641

Luisa Iachan, François Moreau, Paul Heritage, Leandro Valiati and Eliana Sousa Silva

Live and digital engagement with the visual arts pp. 643-692

Victoria Ateca-Amestoy and Concetta Castiglione

Work satisfaction and job permanence in artistic careers: the case of musicians in Belo Horizonte, Brazil pp. 693-718

Jonas Silva Henrique, Ana Machado and Mariangela Furlan Antigo

Hans Abbing: The economies of serious and popular art: how they diverged and reunited pp. 719-722

Bronwyn Coate and Ellen Loots

Jimmyn Parc and Patrick A. Messerlin: The untold story of the Korean film industry: a global business and economic perspective pp. 723-726

Roya Hayatina Latua-Silawane and Emy Rosiana

Volume 47, issue 3, 2023

The economics of art history pp. 355-358

Federico Etro and David Galenson

Valuing European tapestry: from riches to rags pp. 359-406

Anne-Sophie V. Radermecker and Koenraad Brosens

Measuring nepotism and sexism in artistic recognition: the awarding of medals at the Paris Salon, 1850–1880 pp. 407-436

Claire Dupin Beyssat, Diana Seave Greenwald and Kim Oosterlinck

How Monet became a millionaire: the importance of the artist’s account books pp. 437-460

Simon Kelly

The rise and fall and rise again of the contemporary art market pp. 461-488

Robert Jensen

Two old masters and a young genius: the creativity of Francis Bacon, Lucian Freud, and Jean-Michel Basquiat pp. 489-511

David Galenson and Simone Lenzu

Residual variance and asset pricing in the art market pp. 513-545

Jianping Mei, Michael Moses and Yi Zhou

Risky business? A review of Jonathan Nelson & Richard Zeckhauser’s Risk in Renaissance Art: Production, Purchase and Reception pp. 547-554

Ennio E. Piano

Volume 47, issue 2, 2023

Music preferences as an instrument of emotional self-regulation along the business cycle pp. 181-204

Juan Lucio and Marco Palomeque

An empirical approach to measure unobserved cultural relations using music trade data pp. 205-245

Yuki Takara and Shingo Takagi

The Eurovision Song Contest: voting rules, biases and rationality pp. 247-277

Victor Ginsburgh and Juan Moreno-Ternero

Empirical evidence of anchoring and loss aversion from art auctions pp. 279-301

Kathryn Graddy, Lara Loewenstein, Jianping Mei, Mike Moses and Rachel Pownall

Knocking on Hell’s door: dismantling hate with cultural consumption pp. 303-349

Daria Denti, Alessandro Crociata and Alessandra Faggian

Amy Whitaker: Economics of visual art: market practice and market resistance pp. 351-353

Joanna Woronkowicz

Volume 47, issue 1, 2023

Workers’ access to Swedish opera houses and concert halls, 1898–2019 pp. 1-30

Staffan Albinsson

Globalization and the rise of action movies in hollywood pp. 31-69

Tin Cheuk Leung and Shi Qi

More is worse: the evolution of quality of the UNESCO World Heritage List and its determinants pp. 71-96

Martina Dattilo, Fabio Padovano and Yvon Rocaboy

Eppur si muove: an evaluation of museum policy reform in Italy pp. 97-131

Maria Rosaria Alfano, Anna Laura Baraldi and Claudia Cantabene

Financing the cultural and creative industries through crowdfunding: the role of national cultural dimensions and policies pp. 133-175

Antonella Francesca Cicchiello, Serena Gallo and Stefano Monferrà

Linda Essig: creative infrastructures. Artists, money, and entrepreneurial action pp. 177-179

Hans Abbing