Journal of Cultural Economics

1996 - 2025

Current editor(s): Federico Etro and Douglas Noonan

From:
Springer
The Association for Cultural Economics International
Contact information at EDIRC.
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The Determinants of Motion Picture Box Office Performance: Evidence from Movies Produced in Italy pp. 237-256: Michele Bagella and Leonardo Becchetti
Segmentation of Cinema Audiences: An Exploratory Study Applied to Young Consumers pp. 257-267: Manuel Cuadrado and Marta Frasquet
On the Perceived Quality of Movies pp. 269-283: Victor Ginsburgh and Sheila Weyers
Uncertainty in the Movie Industry: Does Star Power Reduce the Terror of the Box Office? pp. 285-318: Arthur De Vany and W. Walls
Movie Stars and the Distribution of Financially Successful Films in the Motion Picture Industry pp. 319-323: John Sedgwick and Michael Pokorny
Movie Stars and the Distribution of Financially Successful Films in the Motion Picture Industry pp. 325-329: Steven Albert
Tyler Cowen, In Praise of Commercial Culture pp. 331-332: Dick Netzer
Paul Kearns, The Legal Concept of Art pp. 333-334: Michael Rushton

Methodological Individualism and Cultural Economics pp. 137-146: Michael Rushton
Willingness to Pay for Domestic Television Programming pp. 147-164: Franco Papandrea
Network Externalities and Government Restrictions on Satellite Broadcasting of Key Sporting Events pp. 165-179: Anthony Boardman and Shaun Hargreaves-Heap
The Returns to Picasso's Prints and to Traditional Financial Assets, 1977 to 1996 pp. 181-190: James Pesando and Pauline Shum
Long- and Short-Term Portfolio Choices of Paintings pp. 191-208: Renato Flôres, Victor Ginsburgh and Philippe Jeanfils
Investment in Paintings: A Short-Run Price Index pp. 209-219: Marilena Locatelli and Roberto Zanola
The Adoption of the Compact Disk Player: An Event History Analysis for the Netherlands pp. 221-232: Harrie Hansman, Clara Mulder and René Verhoeff

Introduction pp. 1-2: J. Schuster
Cultural Capital pp. 3-12: David Throsby
Culture and Commerce pp. 13-30: Martin Shubik
A Tribute to Dick Netzer and The Subsidized Muse pp. 31-32: Mark Blaug
The Subsidized Muse: Government and the Arts in Western Europe and the United States pp. 33-49: Annette Zimmer and Stefan Toepler
The Other Side of the Subsidized Muse: Indirect Aid Revisited pp. 51-70: J. Schuster
State Support and Creativity in the Arts: Some New Considerations pp. 71-85: Bruno Frey
Should Cultural Goods Be Treated Differently? pp. 87-93: Andreu Mas-Colell
Implications of the Agreement on Trade Related Aspects of Intellectual Property Rights for Cultural Dimensions of National Copyright Laws pp. 95-107: Pamela Samuelson
International Trade in Art pp. 109-136: Günther Schulze

An Economic Analysis of the Droit de Suite pp. 209-226: John Solow
Public Orchestra Funding in Germany – An Empirical Investigation pp. 227-247: Günther Schulze and Anselm Rose
Movie Stars and the Distribution of Financially Successful Films in the Motion Picture Industry pp. 249-270: Steven Albert
Marketing and the Fine Arts – Inventory of a Controversial Relationship pp. 271-283: Jörn-Axel Meyer and Ralf Even
V. A. Ginsburgh and P.-M. Menger (eds.), Economics of the Arts: Selected Essays pp. 285-287: Alexander Tabarrok
Michael H. Kater, The Twisted Muse: Musicians and Their Music in the Third Reich pp. 287-289: Bryan Caplan
Grantland Rice, The Transformation of Authorship in America pp. 289-292: Andrew Levy
Ruth Towse (ed.), Baumol's Cost Disease: The Arts and Other Victims pp. 292-293: Alan Peacock

Acknowledgements pp. 73-73: Peter Johnson and Barry Thomas
The Economics of Museums: A Research Perspective pp. 75-85: Peter Johnson and Barry Thomas
Hope for the Future? Early Exposure to the Arts and Adult Visits to Art Museums pp. 87-98: Charles Gray
Communication Productivity: A Major Cause for the Changing Output of Art Museums pp. 99-112: Michael Hutter
Superstar Museums: An Economic Analysis pp. 113-125: Bruno Frey
Neither Public Nor Private: The Hybridization of Museums pp. 127-150: J. Schuster
Museums in the U.K.: Some Evidence on Scale and Activities pp. 151-165: Stephen Creigh-Tyte and Sara Selwood
Charging for Admission to Museums and Galleries: A Framework for Analysing the Impact on Access pp. 167-177: Stephen Bailey and Peter Falconer
Is Charging Economic? pp. 179-187: R.G.W. Anderson
Some Simple Analytics of Access and Revenue Targets pp. 189-196: Adrian Darnell
Art Museums: Collections, Deaccessioning and Donations pp. 197-207: John O'Hagan

Entrance Fees as a Subjective Barrier to Visiting Museums pp. 1-13: Volker Kirchberg
The Moral Rights of Artists: Droit Moral ou Droit Pécuniaire? pp. 15-32: Michael Rushton
Estimates, Bias and “No Sales” in Latin-American Art Auctions, 1977–1996 pp. 33-42: Robert Ekelund, Rand Ressler and John Watson
Roger Fry: Art and Commerce pp. 43-47: Craufurd Goodwin
Art and Commerce pp. 49-59: Roger Fry
Marian Fitzgibbon, Anne Kelly (eds.), From Maestro to Manager: Critical Issues in Arts & Culture Management pp. 61-62: Alice Goldfarb Marquis
Arjo Klamer (ed.), The Value of Culture: On the Relationship between Economics and Arts pp. 63-65: David Levy
Mark S. Rosentraub, Major League Losers: The Real Cost of Sports and Who's Paying for It pp. 65-67: Daniel Sutter
Ruth Towse, Cultural Economics: The Arts, the Heritage and the Media Industries pp. 67-69: Tyler Cowen
Joyce Piell Wexler, Who Paid for Modernism?: Art, Money, and the Fiction of Conrad, Joyce, and Lawrence pp. 70-71: Marvin Becker