Journal of Cultural Economics

1996 - 2025

Current editor(s): Federico Etro and Douglas Noonan

From:
Springer
The Association for Cultural Economics International
Contact information at EDIRC.
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An Economic Analysis of the Droit de Suite pp. 209-226: John Solow
Public Orchestra Funding in Germany – An Empirical Investigation pp. 227-247: Günther Schulze and Anselm Rose
Movie Stars and the Distribution of Financially Successful Films in the Motion Picture Industry pp. 249-270: Steven Albert
Marketing and the Fine Arts – Inventory of a Controversial Relationship pp. 271-283: Jörn-Axel Meyer and Ralf Even
V. A. Ginsburgh and P.-M. Menger (eds.), Economics of the Arts: Selected Essays pp. 285-287: Alexander Tabarrok
Michael H. Kater, The Twisted Muse: Musicians and Their Music in the Third Reich pp. 287-289: Bryan Caplan
Grantland Rice, The Transformation of Authorship in America pp. 289-292: Andrew Levy
Ruth Towse (ed.), Baumol's Cost Disease: The Arts and Other Victims pp. 292-293: Alan Peacock

Acknowledgements pp. 73-73: Peter Johnson and Barry Thomas
The Economics of Museums: A Research Perspective pp. 75-85: Peter Johnson and Barry Thomas
Hope for the Future? Early Exposure to the Arts and Adult Visits to Art Museums pp. 87-98: Charles Gray
Communication Productivity: A Major Cause for the Changing Output of Art Museums pp. 99-112: Michael Hutter
Superstar Museums: An Economic Analysis pp. 113-125: Bruno Frey
Neither Public Nor Private: The Hybridization of Museums pp. 127-150: J. Schuster
Museums in the U.K.: Some Evidence on Scale and Activities pp. 151-165: Stephen Creigh-Tyte and Sara Selwood
Charging for Admission to Museums and Galleries: A Framework for Analysing the Impact on Access pp. 167-177: Stephen Bailey and Peter Falconer
Is Charging Economic? pp. 179-187: R.G.W. Anderson
Some Simple Analytics of Access and Revenue Targets pp. 189-196: Adrian Darnell
Art Museums: Collections, Deaccessioning and Donations pp. 197-207: John O'Hagan

Entrance Fees as a Subjective Barrier to Visiting Museums pp. 1-13: Volker Kirchberg
The Moral Rights of Artists: Droit Moral ou Droit Pécuniaire? pp. 15-32: Michael Rushton
Estimates, Bias and “No Sales” in Latin-American Art Auctions, 1977–1996 pp. 33-42: Robert Ekelund, Rand Ressler and John Watson
Roger Fry: Art and Commerce pp. 43-47: Craufurd Goodwin
Art and Commerce pp. 49-59: Roger Fry
Marian Fitzgibbon, Anne Kelly (eds.), From Maestro to Manager: Critical Issues in Arts & Culture Management pp. 61-62: Alice Goldfarb Marquis
Arjo Klamer (ed.), The Value of Culture: On the Relationship between Economics and Arts pp. 63-65: David Levy
Mark S. Rosentraub, Major League Losers: The Real Cost of Sports and Who's Paying for It pp. 65-67: Daniel Sutter
Ruth Towse, Cultural Economics: The Arts, the Heritage and the Media Industries pp. 67-69: Tyler Cowen
Joyce Piell Wexler, Who Paid for Modernism?: Art, Money, and the Fiction of Conrad, Joyce, and Lawrence pp. 70-71: Marvin Becker

Collecting as a Paradigm of Consumption pp. 275-289: Marina Bianchi
Cultural Convergence in Historical Cultural Space-Time pp. 291-305: Gordon Burt
Optimal Pricing of Museum Admission pp. 307-333: Faye Steiner
Generalised Cost Functions for Producers of Performing Arts – Allocative Inefficiencies and Scale Economies in Theatres pp. 335-353: Mervi Taalas
Bernard Casey, Rachael Dunlop and Sara Selwood. Culture as Commodity? The Economics of the Arts and Built Heritage in the U.K pp. 355-360: Ruth Towse

Art Markets and Economics: Introduction pp. 165-173: Bruno Frey
A Price Index for Art Market Auctions pp. 175-196: G. Candela and Antonello Scorcu
Are Multiple Art Markets Rational? pp. 197-218: Leslie Singer and Gary Lynch
Land Artists and Art Markets pp. 219-228: Victor Ginsburgh and A.-F. Penders
Picasso Paintings at Auction, 1963–1994 pp. 229-247: Corinna Czujack
The Impact of Museum Purchase on the Auction Prices of Paintings pp. 249-271: Werner Pommerehne and Lars Feld

Credibility and Economic Value in the Visual Arts pp. 103-118: Holger Bonus and Dieter Ronte
Demand for Ballet: A Non-Parametric Analysis of the 1995 Royal Ballet Summer Season pp. 119-127: Jörg Schimmelpfennig
Evidence on the Performance of Canada/Europe Co-productions in Television and Film pp. 129-138: Colin Hoskins, Stuart McFadyen, Adam Finn and Anne Jackel
Pricing as the Key to Attracting Students to the Performing Arts pp. 139-146: Bonita Kolb
The Monopolies and Mergers Commission's Investigation of the U.K. Music Market pp. 147-151: R. Towse
Rosanne Martorella (ed.), Art and Business: An International Perspective on Sponsorship pp. 153-156: J. Schuster
Stuart Plattner, High Art Down Home: An Economic Ethnography of a Local Art Market pp. 156-158: Martin Shubik
Simon Frith, Performing Rites: On the Value of Popular Music pp. 158-159: Michael Rushton
Carla Bodo and Rod Fisher (in co-operation with Sabina Addamiano), Harmony or Confusion for Culture in Europe? The Impact of the Single Market and of the Maastricht Treaty pp. 159-161: Michele Trimarchi
Bernard Rouget and Dominique Sagot-Duvaroux, Economie des Arts Plastiques - Une Analise de la Méditation Culturelle pp. 161-163: Walter Santagata

The Willingness-to-Pay for the Royal Theatre in Copenhagen as a Public Good pp. 1-28: Trine Hansen
The Competition between High Culture and Popular Culture as Seen in the New York Times pp. 29-40: James Heilbrun
Beyond Rock and Roll: The Economic Impact of the Grateful Dead on a Local Economy pp. 41-55: Ricardo Gazel and R. Schwer
Cinema Demand in Spain: A Cointegration Analysis pp. 57-75: VÍctor Blanco and José Baños
Cost Structure and Product Mix of Local Public Theatres pp. 77-86: Roberto Fazioli and Massimo Filippini