Journal of Cultural Economics

1996 - 2025

Current editor(s): Federico Etro and Douglas Noonan

From:
Springer
The Association for Cultural Economics International
Contact information at EDIRC.
Bibliographic data for series maintained by Sonal Shukla () and Springer Nature Abstracting and Indexing ().

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Volume 43, issue 4, 2019

Cultural economics, books and reading pp. 517-526

Samuel Cameron

Economics and novels: good, evil and becoming better people pp. 527-544

Dwight R. Lee and Cecil Bohanon

The economics of the modern American comic book market pp. 545-578

Jerry Hionis and YoungHa Ki

Unraveling the effect of extrinsic reading on reading with intrinsic motivation pp. 579-605

Sara Suárez-Fernández and David Boto-García

Don’t judge a book by its cover: examining digital disruption in the book industry using a stated preference approach pp. 607-637

Paul Crosby

More than a good book: contingent valuation of public library services in England pp. 639-666

Daniel Fujiwara, Ricky N. Lawton and Susana Mourato

Volume 43, issue 3, 2019

Ticket resale, bots, and the fair price ticketing curse pp. 345-363

Pascal Courty

Creativity and the city: testing the attenuation of agglomeration economies in Barcelona pp. 365-395

Eva Coll-Martínez

Estimating preferences for the performing arts from referendum votes pp. 397-419

Katharina Hofer

Measuring changes in subjective well-being from engagement in the arts, culture and sport pp. 421-442

Daniel Wheatley and Craig Bickerton

Artworks without names: an insight into the market for anonymous paintings pp. 443-483

Anne-Sophie V. E. Radermecker

Modelling museum efficiency in producing inter-reliant outputs pp. 485-512

María José Barrio-Tellado and Luis César Herrero

The value of taste: auction prices and the evolution of taste in Dutch and Flemish golden age painting 1642–2011 by Peter Carpreau pp. 513-515

Kim Oosterlinck

Volume 43, issue 2, 2019

Cultural and economic value: a critical review pp. 173-188

Francesco Angelini and Massimiliano Castellani

The next wave of digital technological change and the cultural industries pp. 189-210

Christian Peukert

Measuring emotion through quality: evaluating the musical repertoires of Spanish symphony orchestras pp. 211-245

Mafalda Gómez-Vega and Luis César Herrero

Star power and box office revenues: evidence from China pp. 247-278

Fei Peng, Lili Kang, Sajid Anwar and Li Xue

Art and gender: market bias or selection bias? pp. 279-307

Laurie Cameron, William Goetzmann and Milad Nozari

Relationships between artistic movements and careers of modern artists: evidence from hedonic regressions with auction data pp. 309-337

Douglas J. Hodgson and Christiane Hellmanzik

Book review for JCEC pp. 339-343

Trine Bille

Volume 43, issue 1, 2019

Television singing competitions create stars? Empirical evidence from the digital music chart in South Korea pp. 1-20

Daegon Cho, Seok Ho Lee, Yeawon Yoo and Hyo-Youn Chu

A new perspective on the cultural heritage–development nexus: the role of creativity pp. 21-56

Silvia Cerisola

“The Master of …”: creating names for art history and the art market pp. 57-95

Kim Oosterlinck and Anne-Sophie Radermecker

Measuring technical efficiency and marginal costs in the performing arts: the case of the municipal theatres of Warsaw pp. 97-119

Víctor Fernández-Blanco, Ana Rodriguez-Alvarez and Aleksandra Wiśniewska

On the allocation of talents in the contemporary art market pp. 121-143

Luigi Di Gaetano, Isidoro Mazza and Anna Mignosa

Do consumer and expert reviews affect the length of time a film is kept on screens in the USA? pp. 145-171

Thaís L. D. Souza, Marislei Nishijima and Ana Fava

Volume 42, issue 4, 2018

Charity and public libraries: Does government funding crowd out donations? pp. 525-542

Amir Borges Ferreira Neto

Cultural participation in major Chinese cities pp. 543-592

Pascal Courty and Fenghua Zhang

The geography of music preferences pp. 593-618

Charlotta Mellander, Richard Florida, Peter J. Rentfrow and Jeff Potter

Ownership, organization structure and public service provision: the case of museums pp. 619-643

Enrico Bertacchini, Chiara Dalle Nogare and Raffaele Scuderi

Cross-border circulation of films and cultural diversity in the EU pp. 645-676

Georgios Alaveras, Estrella Gómez-Herrera and Bertin Martens

Revenue and attendance simultaneous optimization in performing arts organizations pp. 677-700

Andrea Baldin, Trine Bille, Andrea Ellero and Daniela Favaretto

American beauty: trade flows and export costs of US movies pp. 701-716

Gianpiero Meloni, Dimitri Paolini and Juan de Dios Tena

Bruno Frey and Jana Gallus: Honours versus money. The economics of awards pp. 717-719

Elisabetta Lazzaro

Volume 42, issue 3, 2018

The authenticity of the museum experience in the digital age: the case of the Louvre pp. 353-363

Yves Evrard and Anne Krebs

Music in the air: estimating the social return to cultural amenities pp. 365-391

Oliver Falck, Michael Fritsch, Stephan Heblich and Anne Otto

Do cultural differences affect the trade of cultural goods? A study in trade of music pp. 393-417

Yuki Takara

Netflix: global hegemon or facilitator of frictionless digital trade? pp. 419-445

Luis Aguiar and Joel Waldfogel

The performance of global film franchises: installment effects and extension decisions pp. 447-467

Darren Filson and James H. Havlicek

Demand for culture in Spain and the 2012 VAT rise pp. 469-506

Javier García-Enríquez and Cruz A. Echevarría

Determinants of sales and price at auction for three Australian Indigenous artists: to pool or not to pool? pp. 507-520

Lisa Farrell, Jane Fry and Tim Fry

M. Bianchi’s and R. Patalano’s: Storytelling and Choice pp. 521-523

Erwin Dekker

Volume 42, issue 2, 2018

European cultural statistics in a comparative perspective: index of economic and social condition of culture for the EU countries pp. 163-199

Andrej Srakar, Vesna Čopič and Miroslav Verbič

The drowned and the saved: the determinants of success in the Italian temporary art and cultural exhibitions market pp. 201-211

Antonello Scorcu and Roberto Zanola

Rain and museum attendance: Are daily data fine enough? pp. 213-241

Harold E. Cuffe

Multiple creative talents and their determinants at the local level pp. 243-269

Silvia Cerisola

Do the arts make you happy? A quantile regression approach pp. 271-286

Chris Hand

“Let’s make lots of money”: the determinants of performance in the recorded music sector pp. 287-307

Juan D. Montoro-Pons and Manuel Cuadrado-García

Fiscal and economic aspects of book consumption in the European Union pp. 309-339

Karol Borowiecki and Trilce Navarrete

Blockbusters and market expansion: evidence from the motion picture industry pp. 341-352

Jordi Mckenzie and Vladimir Smirnov

Volume 42, issue 1, 2018

Strategic timing of entry: evidence from video games pp. 1-22

Benjamin Engelstätter and Michael R. Ward

Artistic education matters: survival in the arts occupations pp. 23-43

Trine Bille and Søren Jensen

On the relationship between reserve prices and low estimates in art auctions pp. 45-56

Massimiliano Castellani, Pierpaolo Pattitoni and Antonello Scorcu

Evaluating three decades of the European Capital of Culture programme: a difference-in-differences approach pp. 57-73

Pedro Gomes and Alejandro Librero-Cano

To preserve or enhance precious memories: a segmented market analysis of the history museum in Singapore pp. 75-89

Sharon Chang and Renuka Mahadevan

Measuring allocative efficiency in Cultural Economics: the case of “Fundación Princesa de Asturias” (The Princess of Asturias Foundation) pp. 91-110

Víctor Fernández-Blanco and Ana Rodriguez-Alvarez

The role of cultural heritage in attracting skilled individuals pp. 111-138

Mikaela Backman and Pia Nilsson

Effects of the “Gangnam Style Syndrome” on the South Korean stock market pp. 139-161

Hyun Joung Jin and Jang-Chul Kim