Journal of Cultural Economics

1996 - 2025

Current editor(s): Federico Etro and Douglas Noonan

From:
Springer
The Association for Cultural Economics International
Contact information at EDIRC.
Bibliographic data for series maintained by Sonal Shukla () and Springer Nature Abstracting and Indexing ().

Access Statistics for this journal.
Is something missing from the series or not right? See the RePEc data check for the archive and series.

Volume 46, issue 4, 2022

Cultural expenditure of those who enter (or exit) unemployment pp. 571-596

Javier Gardeazabal and Eduardo Polo-Muro

Some economics of movie exhibition: increasing returns and Imax revenue premium pp. 597-634

Dapeng Liu and Pascal Courty

Arts majors and the Great Recession: a cross-sectional analysis of educational choices and employment outcomes pp. 635-658

Richard J. Paulsen

Specialization and the firm in Renaissance Italian art pp. 659-697

Ennio E. Piano

Socio-economic and spatial determinants of municipal cultural spending pp. 699-722

Michael Getzner

From Bilbao to Bodø: how cultural flagships are transforming local cultural life pp. 723-746

Hanna Nyborg Storm

David Challis: foreign currency volatility and the market for French modernist art; studies in the history of collecting & art markets, Vol.12 Brill, Leiden, 2021 pp. 747-750

Kim Oosterlinck

Volume 46, issue 3, 2022

First impression biases in the performing arts: taste-based discrimination and the value of blind auditioning pp. 391-437

Jasmin Droege

Women artists: gender, ethnicity, origin and contemporary prices pp. 439-481

Abigail LeBlanc and Stephen Sheppard

Preferences for perceived attractiveness in modern dance pp. 483-517

Rachel Lau and Brooke Krause

Career challenges facing musicians in the United States pp. 519-540

Ying Zhen

Correction to: Career challenges facing musicians in the United States pp. 541-541

Ying Zhen

An empirical analysis of price differences for male and female artists in the global art market pp. 543-565

Fabian Y. R. P. Bocart, Marina Gertsberg and Rachel Pownall

Luis César Herrero Prieto, Juan Prieto Rodríguez (Eds.): La Economía de la Cultura. Una disciplina joven: Estudios en homenaje al profesor Víctor Fernández Blanco pp. 567-569

María J. Pérez-Villadóniga

Volume 46, issue 2, 2022

New forms of finance and funding in the cultural and creative industries. Introduction to the special issue pp. 205-230

Ellen Loots, Diana Betzler, Trine Bille, Karol Borowiecki and Boram Lee

Beyond the realm of cash: street performers and payments in the online world pp. 231-248

Meg Elkins and Tim Fry

The art of crowdfunding arts and innovation: the cultural economic perspective pp. 249-284

Christian Handke and Carolina Dalla Chiesa

Correction to: The art of crowdfunding arts and innovation: the cultural economic perspective pp. 285-285

Christian Handke and Carolina Dalla Chiesa

From the Artist’s Contract to the blockchain ledger: new forms of artists’ funding using equity and resale royalties pp. 287-315

Lauren Haaften-Schick and Amy Whitaker

Uncovering potential barriers of using initial coin offerings to finance artistic projects pp. 317-344

Manuel Knott, Franz Strich, Kim Strunk and Anne-Sophie Mayer

Starving the golden goose? Access to finance for innovators in the creative industries pp. 345-386

Salvatore Di Novo, Giorgio Fazio, Jonathan Sapsed and Josh Siepel

Peter Tschmuck: The economics of music, 2nd edition pp. 387-389

Patrik Wikstrom

Volume 46, issue 1, 2022

For a new cultural economics pp. 1-2

Federico Etro and Douglas Noonan

The behavioural economics of culture pp. 3-26

Bronwyn Coate and Robert Hoffmann

Brace yourselves, pirates are coming! the effects of Game of Thrones leak on TV viewership pp. 27-55

Wojciech Hardy

Drivers of cultural participation of immigrants: evidence from an Italian survey pp. 57-100

E. Bertacchini, Alessandra Venturini and Roberto Zotti

Donating money and time to cultural heritage: evidence from the European Union pp. 101-133

Victoria Ateca-Amestoy and Arantza Gorostiaga

The China museum visit boom: Government or demand driven? pp. 135-163

Fenghua Zhang and Pascal Courty

The value of digital archive film history: willingness to pay for film online heritage archival access pp. 165-197

Ricky N. Lawton, Daniel Fujiwara and Ulrike Hotopp

Elisabetta Lazzaro, Nathalie Moureau, Adriana Turpin (Eds): Researching art markets. Past, present and tools for the future Routledge (Routledge Research in the Creative and Cultural Industries), Oxon, 2021 pp. 199-203

Anne-Sophie V. Radermecker

Volume 45, issue 4, 2021

Arts, Entrepreneurship, and Innovation pp. 519-526

Joanna Woronkowicz

Who is an artist? Heterogeneity and professionalism among visual artists pp. 527-556

Andrea Baldin and Trine Bille

What Makes an Artrepreneur? pp. 557-576

Robert Hoffmann, Bronwyn Coate, Swee-Hoon Chuah and Pia Arenius

Flocking to the crowd: Cultural entrepreneur mobility guided by homophily, market size, or amenities? pp. 577-611

Douglas Noonan, Shiri M. Breznitz and Sana Maqbool

Economies of scope in artists’ incubator projects pp. 613-631

Amy Whitaker

Direct memberships in foreign copyright collecting societies as an entrepreneurial opportunity for music publishers – needs, challenges, opportunities and solutions pp. 633-670

Stephan Klingner, Mihail Miller, Michael Becker and Frank Schumacher

Do museums foster innovation through engagement with the cultural and creative industries? pp. 671-704

Chiara Dalle Nogare and Monika Murzyn-Kupisz

Innovation and diversity in the digital cultural and creative industries pp. 705-733

Jen Snowball, Delon Tarentaal and Jonathan Sapsed

Diana S. Greenwald: Painting by numbers—data-driven histories of nineteenth-century art, Princeton University Press, 2021 pp. 735-738

Laura Pagani

Volume 45, issue 3, 2021

Public preferences for heritage conservation strategies: a choice modelling approach pp. 333-358

David Throsby, Anita Zednik and Jorge E. Araña

Battle of the ballet household decisions on arts consumption pp. 359-383

Caterina Adelaide Mauri and Alexander Wolf

It takes two, baby! Feature artist collaborations and streaming demand for music pp. 385-408

Jordi Mckenzie, Paul Crosby and Liam Lenten

Cultural Heritage and natural disasters: the insurance choice of the Italian Cathedrals pp. 409-433

Francesco Masi and Donatella Porrini

Oscar awards and foreign language film production: evidence for a panel of countries pp. 435-457

Henry Aray

Similar but special: an econometric analysis of live performing arts attendance in mainland China pp. 459-490

Geng Chen and Pei Tang

The market for meaning: A new entrepreneurial approach to creative industries dynamics pp. 491-511

Yu-Yu Chang, Jason Potts and Hui-Yu Shih

Pommerehne Prize, President’s Prize and Young Researchers Workshop Best Paper Award pp. 513-514

Federico Etro and Douglas Noonan

Christiane Hellmanzik: Cultural Economics. Agenda Publishing, 2020 pp. 515-517

Isidoro Mazza

Volume 45, issue 2, 2021

The Economics of Filmed Entertainment in the Digital Era pp. 157-170

Thorsten Hennig-Thurau, S. Abraham Ravid and Olav Sorenson

Leveraging analytics to produce compelling and profitable film content pp. 171-211

Ronny Behrens, Natasha Zhang Foutz, Michael Franklin, Jannis Funk, Fernanda Gutierrez-Navratil, Julian Hofmann and Ulrike Leibfried

Hollywood studio filmmaking in the age of Netflix: a tale of two institutional logics pp. 213-238

Allègre L. Hadida, Joseph Lampel, W. Walls and Amit Joshi

Technological change and managerial challenges in the movie theater industry pp. 239-262

Charles B. Weinberg, Cord Otten, Barak Orbach, Jordi Mckenzie, Ricard Gil, Darlene C. Chisholm and Suman Basuroy

What does it take to survive in a digital world? Resource-based theory and strategic change in the TV industry pp. 263-293

Ricarda Schauerte, Stéphanie Feiereisen and Alan J. Malter

Content valuation strategies for digital subscription platforms pp. 295-326

Raoul Kübler, Rouven Seifert and Michael Kandziora

Correction to: Content valuation strategies for digital subscription platforms pp. 327-327

Raoul Kübler, Rouven Seifert and Michael Kandziora

Trine Bille, Anna Mignosa, Ruth Towse: Teaching cultural economics. Edward Elgar, 2020 pp. 329-332

Jen Snowball

Volume 45, issue 1, 2021

Gender differences in hammer prices for Australian Indigenous art pp. 1-12

Lisa Farrell, Jane Fry and Tim Fry

Back to the Future: Does the use of information and communication technology enhance the performance of public historical archives? pp. 13-43

Calogero Guccio, Marco Ferdinando Martorana, Isidoro Mazza and Ilde Rizzo

How people vote in contests: new findings from Immortal Songs 2 pp. 45-62

Beomsoo Kim, Sang Soo Park and Yang Zhao

Does music soothe the soul? Evaluating the impact of a music education programme in Medellin, Colombia pp. 63-104

Jonathan Daniel Gómez-Zapata, Luis César Herrero and Beatriz Rodriguez-Prado

Digital piracy and the perception of price fairness: evidence from a field experiment pp. 105-131

Anna Kukla-Gryz, Joanna Tyrowicz and Michał Krawczyk

Crowdfunding a monthly income: an analysis of the membership platform Patreon pp. 133-142

Tobias Regner

To fake or not to fake: An empirical investigation on the fine art market pp. 143-152

Antonello Scorcu, Laura Vici and Roberto Zanola

Hans Abbing: the changing social economy of art, are the arts becoming less exclusive? Palgrave Macmillan, 2019 pp. 153-156

Justin O’Connor