Journal of Cultural Economics

1996 - 2025

Current editor(s): Federico Etro and Douglas Noonan

From:
Springer
The Association for Cultural Economics International
Contact information at EDIRC.
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Volume 34, issue 4, 2010

Why culture attracts and resists economic analysis pp. 245-259

Gillian Doyle

Superstars and heavy tails in recorded entertainment: empirical analysis of the market for DVDs pp. 261-279

W. Walls

Price determinants and genre effects in the Korean art market: a partial linear analysis of size effect pp. 281-297

Joonwoo Nahm

Modeling the appeal of movie features to demographic segments of theatrical demand pp. 299-315

Ignacio Redondo and Morris Holbrook

Volume 34, issue 3, 2010

How do theatrical box office revenues affect DVD retail sales? Australian empirical evidence pp. 159-179

Jordi Mckenzie

Culture-sensitive tourists are more price insensitive pp. 181-195

Juan Nicolau

Expert judgements and the demand for novels in Flanders pp. 197-218

John Ashworth, Bruno Heyndels and Kristien Werck

Superstar effects on royalty income in a performing rights organization pp. 219-236

Ivan Pitt

William A. Jackson: Economics, culture and social theory pp. 237-240

John Davis

Tom O’Malley and Janet Jones (Eds): The Peacock Committee and UK broadcasting policy pp. 241-243

Chris Hand

Volume 34, issue 2, 2010

The efficiency of German public theaters: a stochastic frontier analysis approach pp. 89-110

Anne-Kathrin Last and Heike Wetzel

Attitudes of the cultural tourist: a latent segmentation approach pp. 111-129

Juan Pulido-Fernández and Marcelino Sánchez-Rivero

Product differentiation and film-programming choice: do first-run movie theatres show the same films? pp. 131-145

Darlene Chisholm, Margaret McMillan and George Norman

Kong L. and O’Connor J. (Eds): Creative economies, creative cities, Asian European perspectives pp. 147-150

Roberta Comunian

Marco Bevolo: The golden crossroads—multidisciplinary findings for business success from the worlds of fine arts, design and culture pp. 151-153

Wilfred Dolfsma

David Galenson, Conceptual revolutions in twentieth-century art pp. 155-158

Michael Hutter

Volume 34, issue 1, 2010

Determinants of historic and cultural landmark designation: why we preserve what we preserve pp. 1-26

Douglas Noonan and Douglas Krupka

Moral rights protection for the visual arts pp. 27-44

Melissa Boyle, Stacy Nazzaro and Debra O’Connor

Commercial success and artistic recognition of motion picture projects pp. 45-80

Allègre Hadida

Marjorie Garber, Patronizing the Arts pp. 81-84

Steven Tepper

D. Paul Schafer: Revolution or Renaissance: Making the Transition from an Economic Age to a Cultural Age pp. 85-87

David Throsby

Volume 33, issue 4, 2009

Cultural discount of cinematic achievement: the academy awards and U.S. movies’ East Asian box office pp. 239-263

Francis Lee

American Idol: should it be a singing contest or a popularity contest? pp. 265-277

J. Atsu Amegashie

Revealed word-of-mouth demand and adaptive supply: survival of motion pictures at the Australian box office pp. 279-299

Jordi Mckenzie

Willingness to pay: how stable are the estimates? pp. 301-310

Andy Choi

Stock market response to changes in movies’ opening dates pp. 311-319

Liran Einav and S. Ravid

Alan Peacock and Ilde Rizzo: The heritage game pp. 321-324

Jen Snowball

Volume 33, issue 3, 2009

Investigating how the attributes of live theatre productions influence consumption choices using conjoint analysis: the example of the National Arts Festival, South Africa pp. 167-183

K. Willis and J. Snowball

Economic valuation of a contemporary art museum: correction of hypothetical bias using a certainty question pp. 185-199

Ana Bedate, Luis César Herrero and José Sanz

Artistic styles: revisiting the analysis of modern artists’ careers pp. 201-232

Christiane Hellmanzik

Don Thompson: The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art pp. 233-237

Kathryn Graddy

Volume 33, issue 2, 2009

Full-income and price elasticities of demand for German public theatre pp. 85-108

Marta Zieba

Intellectual property rights and U.S. information goods exports: the role of imitation threat pp. 109-134

Yungho Weng, Chih-Hai Yang and Yi-Ju Huang

Perpetual options: revisiting historical returns on paintings pp. 135-149

Carlos Ulibarri

Edward M. Clift (ed): How Language is Used to do Business: Essays on the Rhetoric of Economics pp. 151-155

Cyril Mbatha

Steven J. Tepper and Bill Ivey (eds), Engaging Art: The Next Great Transformation of American’s Cultural Life pp. 157-160

Thomas Smith

Tania Voon, Cultural Products and the World Trade Organization pp. 161-165

J. Singh

Volume 33, issue 1, 2009

How do class, status, ethnicity, and religiosity shape cultural omnivorousness in Israel? pp. 1-17

Tally Katz-Gerro, Sharon Raz and Meir Yaish

An empirical analysis of political activity in Hollywood pp. 19-47

Todd Kendall

Broadway productions and the value of a Tony Award pp. 49-68

Melissa Boyle and Lesley Chiou

Diana Barrowclough and Zeljka Kozul-Wright (eds): Creative Industries and Developing Countries: Voice, Choice and Economic Growth pp. 69-73

Komlan Agbo

Shepherd, Robert J., When Culture Goes to Market: Space, Place, and Identity in an Urban Marketplace pp. 75-77

James Carrier

Xavier Greffe, Artistes et marchés pp. 79-83

Sophie Ragot

Volume 32, issue 4, 2008

Editorial pp. 241-242

Sam Cameron and Michael Rushton

Why has cultural economics ignored copyright? pp. 243-259

Ruth Towse

Why everything has changed: the recent revolution in cultural economics pp. 261-273

Tyler Cowen

Revisiting tax subsidies for cultural institutions pp. 275-279

Alan Feld

Arts policy research for the next 25 years: a trajectory after Patrons Despite Themselves pp. 281-291

Michael O’Hare

Who pays? Who benefits? Who decides? pp. 293-300

Michael Rushton

Failure to meet the reserve price: the impact on returns to art pp. 301-320

Alan Beggs and Kathryn Graddy

Michael Hutter and David Throsby (eds): Beyond Price. Value in Culture, Economics and the Arts pp. 321-324

Olav Velthuis

Volume 32, issue 3, 2008

Social network markets: a new definition of the creative industries pp. 167-185

Jason Potts, Stuart Cunningham, John Hartley and Paul Ormerod

Analyzing repeat consumption of identical cultural goods: some exploratory evidence from moviegoing pp. 187-199

Alan Collins, Chris Hand and Maggie Linnell

Purchasing power parity and cultural convergence: evidence from the global video games market pp. 201-214

Joe Cox

Perverse outcomes of intense competition in the popular arts and its implications for product quality pp. 215-224

Joshua Frank

Jim Heilbrun (1925–2008) pp. 225-226

Charles Gray

Dick Netzer (1929–2008) pp. 227-229

Bruce Seaman

Greg Richards (ed): Cultural Tourism: Global and Local Perspectives pp. 231-236

Bruce Seaman

Philip Cooke and Luciana Lazzeretti (eds): Creative Cities, Cultural Clusters and Local Economic Development pp. 237-240

Frank Oort

Volume 32, issue 2, 2008

Art versus commerce in the movie industry: a Two-Path Model of Motion-Picture Success pp. 87-107

Morris Holbrook and Michela Addis

Can public arts education replace arts subsidization? pp. 109-126

Luc Champarnaud, Victor Ginsburgh and Philippe Michel

Determining heterogeneous behavior for theater attendance pp. 127-151

Victoria Ateca-Amestoy

J. Mark Schuster (1951–2008) pp. 153-154

Lluis Bonet

Elizabeth Currid, The Warhol Economy, How Fashion Art & Music Drive New York City pp. 155-157

Simon Roodhouse

Françoise Benhamou, Les dérèglements de l’exception culturelle pp. 159-162

Pierre-Jean Benghozi

B. T. Hoffman (ed): Art and Cultural Heritage: Law, Policy and Practice pp. 163-166

Lawrence Rothfield

Volume 32, issue 1, 2008

Editorial pp. 1-1

Michael Rushton

Characteristics of Italian art restoration firms and factors influencing their adoption of laser technology pp. 3-34

Chiara Verbano, Karen Venturini, Giorgio Petroni and Anna Nosella

The impact of ‘central places’ on spatial spending patterns: evidence from Flemish local government cultural expenditures pp. 35-58

Kristien Werck, Bruno Heyndels and Benny Geys

Are workers in the cultural industries paid differently? pp. 59-77

Cecile Wetzels

Victor A. Ginsburgh and David Throsby (eds): Handbook of the Economics of Art and Culture, Vol. 1 pp. 79-81

Michael Rushton

Eric L. Jones, Cultures Merging: A Historical and Economic Critique of Culture pp. 83-86

Arthur Webb