Journal of Cultural Economics

1996 - 2025

Current editor(s): Federico Etro and Douglas Noonan

From:
Springer
The Association for Cultural Economics International
Contact information at EDIRC.
Bibliographic data for series maintained by Sonal Shukla () and Springer Nature Abstracting and Indexing ().

Access Statistics for this journal.
Is something missing from the series or not right? See the RePEc data check for the archive and series.

Volume 35, issue 4, 2011

How cultural organizations’ size and funding influence innovation and performance: the case of museums pp. 247-266

Carmen Camarero, Garrido Mª and Eva Vicente

DVD sales and the R-rating puzzle pp. 267-286

David Lang, David Switzer and Brandon Swartz

Age–price profiles for Canadian painters at auction pp. 287-308

Douglas Hodgson

Noah Horowitz: Art of the deal: contemporary art in a global financial market pp. 309-313

Benjamin Mandel

Lucien Karpik: Valuing the unique. The economics of singularities pp. 315-317

Michael Hutter

Victor Ginsburgh and Shlomo Weber: How many languages do we need? The economics of linguistic diversity pp. 319-321

C. Hjorth-Andersen

Volume 35, issue 3, 2011

Factors that influence programming decisions of US symphony orchestras pp. 167-184

Jeffrey Pompe, Lawrence Tamburri and Johnathan Munn

Baumol’s cost disease, efficiency, and productivity in the performing arts: an analysis of german public theaters pp. 185-201

Anne-Kathrin Last and Heike Wetzel

The political economy of cultural spending: evidence from Italian cities pp. 203-231

Chiara Dalle Nogare and Matteo Galizzi

James O. Young: Cultural appropriation and the arts pp. 233-236

Marianna Bicskei

David Throsby: The economics of cultural policy pp. 237-240

Lyudmila Petrova

Paul Stoneman: Soft innovation: economics, product aesthetics and creative industries pp. 241-245

Stuart Cunningham

Volume 35, issue 2, 2011

The impact of the Droit de Suite in the UK: an empirical analysis pp. 81-100

Chanont Banternghansa and Kathryn Graddy

Demand analysis of hit music in Japan pp. 101-117

Sumiko Asai

Critic power or star power? The influence of hallmarks of quality of motion pictures: an experimental approach pp. 119-135

Ana Vázquez

A test of Rosen’s and Adler’s theories of superstars pp. 137-161

Nela Filimon, Jordi López-Sintas and Carlos Padrós-Reig

Ruth Towse: A textbook of cultural economics pp. 163-166

Julia Lowell

Volume 35, issue 1, 2011

Analysis of the consumption of artistic-cultural goods and services in Brazil pp. 1-18

Sibelle Diniz and Ana Machado

Live and prerecorded popular music consumption pp. 19-48

Juan Montoro-Pons and Manuel Cuadrado-García

Evaluating individual preferences for the British Museum pp. 49-75

Shabbar Jaffry and Alexandros Apostolakis

Anthony S. Rausch: Cultural commodities in Japanese rural revitalization; Tsugaru Nuri Lacquerware and Tsugaru Shamisen pp. 77-80

Robert Kloosterman

Volume 34, issue 4, 2010

Why culture attracts and resists economic analysis pp. 245-259

Gillian Doyle

Superstars and heavy tails in recorded entertainment: empirical analysis of the market for DVDs pp. 261-279

W. Walls

Price determinants and genre effects in the Korean art market: a partial linear analysis of size effect pp. 281-297

Joonwoo Nahm

Modeling the appeal of movie features to demographic segments of theatrical demand pp. 299-315

Ignacio Redondo and Morris Holbrook

Volume 34, issue 3, 2010

How do theatrical box office revenues affect DVD retail sales? Australian empirical evidence pp. 159-179

Jordi Mckenzie

Culture-sensitive tourists are more price insensitive pp. 181-195

Juan Nicolau

Expert judgements and the demand for novels in Flanders pp. 197-218

John Ashworth, Bruno Heyndels and Kristien Werck

Superstar effects on royalty income in a performing rights organization pp. 219-236

Ivan Pitt

William A. Jackson: Economics, culture and social theory pp. 237-240

John Davis

Tom O’Malley and Janet Jones (Eds): The Peacock Committee and UK broadcasting policy pp. 241-243

Chris Hand

Volume 34, issue 2, 2010

The efficiency of German public theaters: a stochastic frontier analysis approach pp. 89-110

Anne-Kathrin Last and Heike Wetzel

Attitudes of the cultural tourist: a latent segmentation approach pp. 111-129

Juan Pulido-Fernández and Marcelino Sánchez-Rivero

Product differentiation and film-programming choice: do first-run movie theatres show the same films? pp. 131-145

Darlene Chisholm, Margaret McMillan and George Norman

Kong L. and O’Connor J. (Eds): Creative economies, creative cities, Asian European perspectives pp. 147-150

Roberta Comunian

Marco Bevolo: The golden crossroads—multidisciplinary findings for business success from the worlds of fine arts, design and culture pp. 151-153

Wilfred Dolfsma

David Galenson, Conceptual revolutions in twentieth-century art pp. 155-158

Michael Hutter

Volume 34, issue 1, 2010

Determinants of historic and cultural landmark designation: why we preserve what we preserve pp. 1-26

Douglas Noonan and Douglas Krupka

Moral rights protection for the visual arts pp. 27-44

Melissa Boyle, Stacy Nazzaro and Debra O’Connor

Commercial success and artistic recognition of motion picture projects pp. 45-80

Allègre Hadida

Marjorie Garber, Patronizing the Arts pp. 81-84

Steven Tepper

D. Paul Schafer: Revolution or Renaissance: Making the Transition from an Economic Age to a Cultural Age pp. 85-87

David Throsby

Volume 33, issue 4, 2009

Cultural discount of cinematic achievement: the academy awards and U.S. movies’ East Asian box office pp. 239-263

Francis Lee

American Idol: should it be a singing contest or a popularity contest? pp. 265-277

J. Atsu Amegashie

Revealed word-of-mouth demand and adaptive supply: survival of motion pictures at the Australian box office pp. 279-299

Jordi Mckenzie

Willingness to pay: how stable are the estimates? pp. 301-310

Andy Choi

Stock market response to changes in movies’ opening dates pp. 311-319

Liran Einav and S. Ravid

Alan Peacock and Ilde Rizzo: The heritage game pp. 321-324

Jen Snowball

Volume 33, issue 3, 2009

Investigating how the attributes of live theatre productions influence consumption choices using conjoint analysis: the example of the National Arts Festival, South Africa pp. 167-183

K. Willis and J. Snowball

Economic valuation of a contemporary art museum: correction of hypothetical bias using a certainty question pp. 185-199

Ana Bedate, Luis César Herrero and José Sanz

Artistic styles: revisiting the analysis of modern artists’ careers pp. 201-232

Christiane Hellmanzik

Don Thompson: The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art pp. 233-237

Kathryn Graddy

Volume 33, issue 2, 2009

Full-income and price elasticities of demand for German public theatre pp. 85-108

Marta Zieba

Intellectual property rights and U.S. information goods exports: the role of imitation threat pp. 109-134

Yungho Weng, Chih-Hai Yang and Yi-Ju Huang

Perpetual options: revisiting historical returns on paintings pp. 135-149

Carlos Ulibarri

Edward M. Clift (ed): How Language is Used to do Business: Essays on the Rhetoric of Economics pp. 151-155

Cyril Mbatha

Steven J. Tepper and Bill Ivey (eds), Engaging Art: The Next Great Transformation of American’s Cultural Life pp. 157-160

Thomas Smith

Tania Voon, Cultural Products and the World Trade Organization pp. 161-165

J. Singh

Volume 33, issue 1, 2009

How do class, status, ethnicity, and religiosity shape cultural omnivorousness in Israel? pp. 1-17

Tally Katz-Gerro, Sharon Raz and Meir Yaish

An empirical analysis of political activity in Hollywood pp. 19-47

Todd Kendall

Broadway productions and the value of a Tony Award pp. 49-68

Melissa Boyle and Lesley Chiou

Diana Barrowclough and Zeljka Kozul-Wright (eds): Creative Industries and Developing Countries: Voice, Choice and Economic Growth pp. 69-73

Komlan Agbo

Shepherd, Robert J., When Culture Goes to Market: Space, Place, and Identity in an Urban Marketplace pp. 75-77

James Carrier

Xavier Greffe, Artistes et marchés pp. 79-83

Sophie Ragot