Journal of Cultural Economics

1996 - 2025

Current editor(s): Federico Etro and Douglas Noonan

From:
Springer
The Association for Cultural Economics International
Contact information at EDIRC.
Bibliographic data for series maintained by Sonal Shukla () and Springer Nature Abstracting and Indexing ().

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Volume 44, issue 4, 2020

Spatial dependence in museum services: an analysis of the Italian case pp. 535-562

Roberto Cellini, Tiziana Cuccia and Domenico Lisi

An economic valuation of access to cultural institutions: museums, theatres, and cinemas pp. 563-587

Aleksandra Wiśniewska, Wiktor Budzinski and Mikolaj Czajkowski

Voluntary taxation and the arts pp. 589-604

R. Andrew Luccasen and M. Kathleen Thomas

Cultural employment growth in Brazilian municipalities pp. 605-624

Luiz Carlos Santana Ribeiro, Thiago Henrique Carneiro Rios Lopes, Amir Borges Ferreira Neto and Fernanda Rodrigues Santos

How does UNESCO’s Convention on Cultural Diversity affect trade in cultural goods? pp. 625-660

Naoto Jinji and Ayumu Tanaka

Book Review: Jason Potts Innovation Commons: The Origin of Economic Growth, Oxford, UK: Oxford University Press. ISBN: 9780190937508 pp. 661-664

Erwin Dekker

Volume 44, issue 3, 2020

Has financial development benefited the performance of publicly traded cultural and creative firms? Evidence from China pp. 351-395

Yan Li, Md. Main Uddin and Ye An

Motivations and barriers to heritage engagement in Latin America: tangible and intangible dimensions pp. 397-423

Victoria Ateca-Amestoy, Arantza Gorostiaga and Maximo Rossi

Playing a play: online and live performing arts consumers profiles and the role of supply constraints pp. 425-450

Pablo De la Vega, Sara Suarez-Fernández, David Boto-García and Juan Prieto-Rodriguez

Expenditure on cultural events: preferences or opportunities? An analysis of Brazilian consumer data pp. 451-480

Carla Cristina Rosa de Almeida, João Policarpo Rodrigues Lima and Maria Fernanda Freire Gatto

Art investment: hedging or safe haven through financial crises pp. 481-529

Ayse Ozturkkal and Asli Togan

Silvia Cerisola: Cultural heritage, creativity and economic development pp. 531-533

Anna Mignosa

Volume 44, issue 2, 2020

The changing role of education as we move from popular to highbrow culture pp. 189-212

Sara Suarez-Fernandez, Juan Prieto-Rodriguez and Maria Jose Perez-Villadoniga

On the response of household expenditure on cinema and performing arts to changes in indirect taxation: a natural experiment in Spain pp. 213-253

Victoria Ateca-Amestoy, Javier Gardeazabal and Arantza Ugidos

Why would artists favor free streaming? pp. 255-280

Ramadan Aly-Tovar, Maya Bacache-Beauvallet, Marc Bourreau and François Moreau

The determinants of creative goods exports: evidence from Vietnam pp. 281-308

Chung Van Dong and Hoan Quang Truong

Dining out as cultural trade pp. 309-338

Joel Waldfogel

Return on violin and macroeconomic fluctuation pp. 339-346

M. W. Luke Chan, Dan Sabrina Gong and Terry Yip

Jonathan Haskel and Stian Westlake: Capitalism without capital: the rise of the intangible economy pp. 347-350

Ruth Towse

Volume 44, issue 1, 2020

Accumulation of cultural capital at the intersection of socio-demographic features and productive specializations pp. 1-34

Marco Bellandi, Daniela Campus, Alessandro Carraro and Erica Santini

The influence of user-generated content on video game demand pp. 35-56

Christopher S. Brunt, Amanda S. King and John T. King

Is everybody an expert? An investigation into the impact of professional versus user reviews on movie revenues pp. 57-96

Suman Basuroy, S. Abraham Ravid, Richard Gretz and B. J. Allen

The Indian film industry in a changing international market pp. 97-116

Sayantan Ghosh Dastidar and Caroline Elliott

How have recent health insurance expansions affected coverage among artist occupations in the USA? pp. 117-154

Joanna Woronkowicz, Aparna Soni, Seth Freedman and Kosali Simon

ART as meta-credence: authentication and the role of experts pp. 155-171

Robert Ekelund, Richard Higgins and John D. Jackson

‘There are more things in heaven and earth…’ A ‘narrative turn’ in economics? pp. 173-183

Pier Luigi Sacco

S. Cameron (ed.): A research agenda for cultural economics pp. 185-187

Andy C. Pratt

Volume 43, issue 4, 2019

Cultural economics, books and reading pp. 517-526

Samuel Cameron

Economics and novels: good, evil and becoming better people pp. 527-544

Dwight R. Lee and Cecil Bohanon

The economics of the modern American comic book market pp. 545-578

Jerry Hionis and YoungHa Ki

Unraveling the effect of extrinsic reading on reading with intrinsic motivation pp. 579-605

Sara Suárez-Fernández and David Boto-García

Don’t judge a book by its cover: examining digital disruption in the book industry using a stated preference approach pp. 607-637

Paul Crosby

More than a good book: contingent valuation of public library services in England pp. 639-666

Daniel Fujiwara, Ricky N. Lawton and Susana Mourato

Volume 43, issue 3, 2019

Ticket resale, bots, and the fair price ticketing curse pp. 345-363

Pascal Courty

Creativity and the city: testing the attenuation of agglomeration economies in Barcelona pp. 365-395

Eva Coll-Martínez

Estimating preferences for the performing arts from referendum votes pp. 397-419

Katharina Hofer

Measuring changes in subjective well-being from engagement in the arts, culture and sport pp. 421-442

Daniel Wheatley and Craig Bickerton

Artworks without names: an insight into the market for anonymous paintings pp. 443-483

Anne-Sophie V. E. Radermecker

Modelling museum efficiency in producing inter-reliant outputs pp. 485-512

María José Barrio-Tellado and Luis César Herrero

The value of taste: auction prices and the evolution of taste in Dutch and Flemish golden age painting 1642–2011 by Peter Carpreau pp. 513-515

Kim Oosterlinck

Volume 43, issue 2, 2019

Cultural and economic value: a critical review pp. 173-188

Francesco Angelini and Massimiliano Castellani

The next wave of digital technological change and the cultural industries pp. 189-210

Christian Peukert

Measuring emotion through quality: evaluating the musical repertoires of Spanish symphony orchestras pp. 211-245

Mafalda Gómez-Vega and Luis César Herrero

Star power and box office revenues: evidence from China pp. 247-278

Fei Peng, Lili Kang, Sajid Anwar and Li Xue

Art and gender: market bias or selection bias? pp. 279-307

Laurie Cameron, William Goetzmann and Milad Nozari

Relationships between artistic movements and careers of modern artists: evidence from hedonic regressions with auction data pp. 309-337

Douglas J. Hodgson and Christiane Hellmanzik

Book review for JCEC pp. 339-343

Trine Bille

Volume 43, issue 1, 2019

Television singing competitions create stars? Empirical evidence from the digital music chart in South Korea pp. 1-20

Daegon Cho, Seok Ho Lee, Yeawon Yoo and Hyo-Youn Chu

A new perspective on the cultural heritage–development nexus: the role of creativity pp. 21-56

Silvia Cerisola

“The Master of …”: creating names for art history and the art market pp. 57-95

Kim Oosterlinck and Anne-Sophie Radermecker

Measuring technical efficiency and marginal costs in the performing arts: the case of the municipal theatres of Warsaw pp. 97-119

Víctor Fernández-Blanco, Ana Rodriguez-Alvarez and Aleksandra Wiśniewska

On the allocation of talents in the contemporary art market pp. 121-143

Luigi Di Gaetano, Isidoro Mazza and Anna Mignosa

Do consumer and expert reviews affect the length of time a film is kept on screens in the USA? pp. 145-171

Thaís L. D. Souza, Marislei Nishijima and Ana Fava