Journal of Cultural Economics

1996 - 2025

Current editor(s): Federico Etro and Douglas Noonan

From:
Springer
The Association for Cultural Economics International
Contact information at EDIRC.
Bibliographic data for series maintained by Sonal Shukla () and Springer Nature Abstracting and Indexing ().

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Volume 45, issue 4, 2021

Arts, Entrepreneurship, and Innovation pp. 519-526

Joanna Woronkowicz

Who is an artist? Heterogeneity and professionalism among visual artists pp. 527-556

Andrea Baldin and Trine Bille

What Makes an Artrepreneur? pp. 557-576

Robert Hoffmann, Bronwyn Coate, Swee-Hoon Chuah and Pia Arenius

Flocking to the crowd: Cultural entrepreneur mobility guided by homophily, market size, or amenities? pp. 577-611

Douglas Noonan, Shiri M. Breznitz and Sana Maqbool

Economies of scope in artists’ incubator projects pp. 613-631

Amy Whitaker

Direct memberships in foreign copyright collecting societies as an entrepreneurial opportunity for music publishers – needs, challenges, opportunities and solutions pp. 633-670

Stephan Klingner, Mihail Miller, Michael Becker and Frank Schumacher

Do museums foster innovation through engagement with the cultural and creative industries? pp. 671-704

Chiara Dalle Nogare and Monika Murzyn-Kupisz

Innovation and diversity in the digital cultural and creative industries pp. 705-733

Jen Snowball, Delon Tarentaal and Jonathan Sapsed

Diana S. Greenwald: Painting by numbers—data-driven histories of nineteenth-century art, Princeton University Press, 2021 pp. 735-738

Laura Pagani

Volume 45, issue 3, 2021

Public preferences for heritage conservation strategies: a choice modelling approach pp. 333-358

David Throsby, Anita Zednik and Jorge E. Araña

Battle of the ballet household decisions on arts consumption pp. 359-383

Caterina Adelaide Mauri and Alexander Wolf

It takes two, baby! Feature artist collaborations and streaming demand for music pp. 385-408

Jordi Mckenzie, Paul Crosby and Liam Lenten

Cultural Heritage and natural disasters: the insurance choice of the Italian Cathedrals pp. 409-433

Francesco Masi and Donatella Porrini

Oscar awards and foreign language film production: evidence for a panel of countries pp. 435-457

Henry Aray

Similar but special: an econometric analysis of live performing arts attendance in mainland China pp. 459-490

Geng Chen and Pei Tang

The market for meaning: A new entrepreneurial approach to creative industries dynamics pp. 491-511

Yu-Yu Chang, Jason Potts and Hui-Yu Shih

Pommerehne Prize, President’s Prize and Young Researchers Workshop Best Paper Award pp. 513-514

Federico Etro and Douglas Noonan

Christiane Hellmanzik: Cultural Economics. Agenda Publishing, 2020 pp. 515-517

Isidoro Mazza

Volume 45, issue 2, 2021

The Economics of Filmed Entertainment in the Digital Era pp. 157-170

Thorsten Hennig-Thurau, S. Abraham Ravid and Olav Sorenson

Leveraging analytics to produce compelling and profitable film content pp. 171-211

Ronny Behrens, Natasha Zhang Foutz, Michael Franklin, Jannis Funk, Fernanda Gutierrez-Navratil, Julian Hofmann and Ulrike Leibfried

Hollywood studio filmmaking in the age of Netflix: a tale of two institutional logics pp. 213-238

Allègre L. Hadida, Joseph Lampel, W. Walls and Amit Joshi

Technological change and managerial challenges in the movie theater industry pp. 239-262

Charles B. Weinberg, Cord Otten, Barak Orbach, Jordi Mckenzie, Ricard Gil, Darlene C. Chisholm and Suman Basuroy

What does it take to survive in a digital world? Resource-based theory and strategic change in the TV industry pp. 263-293

Ricarda Schauerte, Stéphanie Feiereisen and Alan J. Malter

Content valuation strategies for digital subscription platforms pp. 295-326

Raoul Kübler, Rouven Seifert and Michael Kandziora

Correction to: Content valuation strategies for digital subscription platforms pp. 327-327

Raoul Kübler, Rouven Seifert and Michael Kandziora

Trine Bille, Anna Mignosa, Ruth Towse: Teaching cultural economics. Edward Elgar, 2020 pp. 329-332

Jen Snowball

Volume 45, issue 1, 2021

Gender differences in hammer prices for Australian Indigenous art pp. 1-12

Lisa Farrell, Jane Fry and Tim Fry

Back to the Future: Does the use of information and communication technology enhance the performance of public historical archives? pp. 13-43

Calogero Guccio, Marco Ferdinando Martorana, Isidoro Mazza and Ilde Rizzo

How people vote in contests: new findings from Immortal Songs 2 pp. 45-62

Beomsoo Kim, Sang Soo Park and Yang Zhao

Does music soothe the soul? Evaluating the impact of a music education programme in Medellin, Colombia pp. 63-104

Jonathan Daniel Gómez-Zapata, Luis César Herrero and Beatriz Rodriguez-Prado

Digital piracy and the perception of price fairness: evidence from a field experiment pp. 105-131

Anna Kukla-Gryz, Joanna Tyrowicz and Michał Krawczyk

Crowdfunding a monthly income: an analysis of the membership platform Patreon pp. 133-142

Tobias Regner

To fake or not to fake: An empirical investigation on the fine art market pp. 143-152

Antonello Scorcu, Laura Vici and Roberto Zanola

Hans Abbing: the changing social economy of art, are the arts becoming less exclusive? Palgrave Macmillan, 2019 pp. 153-156

Justin O’Connor

Volume 44, issue 4, 2020

Spatial dependence in museum services: an analysis of the Italian case pp. 535-562

Roberto Cellini, Tiziana Cuccia and Domenico Lisi

An economic valuation of access to cultural institutions: museums, theatres, and cinemas pp. 563-587

Aleksandra Wiśniewska, Wiktor Budzinski and Mikolaj Czajkowski

Voluntary taxation and the arts pp. 589-604

R. Andrew Luccasen and M. Kathleen Thomas

Cultural employment growth in Brazilian municipalities pp. 605-624

Luiz Carlos Santana Ribeiro, Thiago Henrique Carneiro Rios Lopes, Amir Borges Ferreira Neto and Fernanda Rodrigues Santos

How does UNESCO’s Convention on Cultural Diversity affect trade in cultural goods? pp. 625-660

Naoto Jinji and Ayumu Tanaka

Book Review: Jason Potts Innovation Commons: The Origin of Economic Growth, Oxford, UK: Oxford University Press. ISBN: 9780190937508 pp. 661-664

Erwin Dekker

Volume 44, issue 3, 2020

Has financial development benefited the performance of publicly traded cultural and creative firms? Evidence from China pp. 351-395

Yan Li, Md. Main Uddin and Ye An

Motivations and barriers to heritage engagement in Latin America: tangible and intangible dimensions pp. 397-423

Victoria Ateca-Amestoy, Arantza Gorostiaga and Maximo Rossi

Playing a play: online and live performing arts consumers profiles and the role of supply constraints pp. 425-450

Pablo De la Vega, Sara Suarez-Fernández, David Boto-García and Juan Prieto-Rodriguez

Expenditure on cultural events: preferences or opportunities? An analysis of Brazilian consumer data pp. 451-480

Carla Cristina Rosa de Almeida, João Policarpo Rodrigues Lima and Maria Fernanda Freire Gatto

Art investment: hedging or safe haven through financial crises pp. 481-529

Ayse Ozturkkal and Asli Togan

Silvia Cerisola: Cultural heritage, creativity and economic development pp. 531-533

Anna Mignosa

Volume 44, issue 2, 2020

The changing role of education as we move from popular to highbrow culture pp. 189-212

Sara Suarez-Fernandez, Juan Prieto-Rodriguez and Maria Jose Perez-Villadoniga

On the response of household expenditure on cinema and performing arts to changes in indirect taxation: a natural experiment in Spain pp. 213-253

Victoria Ateca-Amestoy, Javier Gardeazabal and Arantza Ugidos

Why would artists favor free streaming? pp. 255-280

Ramadan Aly-Tovar, Maya Bacache-Beauvallet, Marc Bourreau and François Moreau

The determinants of creative goods exports: evidence from Vietnam pp. 281-308

Chung Van Dong and Hoan Quang Truong

Dining out as cultural trade pp. 309-338

Joel Waldfogel

Return on violin and macroeconomic fluctuation pp. 339-346

M. W. Luke Chan, Dan Sabrina Gong and Terry Yip

Jonathan Haskel and Stian Westlake: Capitalism without capital: the rise of the intangible economy pp. 347-350

Ruth Towse

Volume 44, issue 1, 2020

Accumulation of cultural capital at the intersection of socio-demographic features and productive specializations pp. 1-34

Marco Bellandi, Daniela Campus, Alessandro Carraro and Erica Santini

The influence of user-generated content on video game demand pp. 35-56

Christopher S. Brunt, Amanda S. King and John T. King

Is everybody an expert? An investigation into the impact of professional versus user reviews on movie revenues pp. 57-96

Suman Basuroy, S. Abraham Ravid, Richard Gretz and B. J. Allen

The Indian film industry in a changing international market pp. 97-116

Sayantan Ghosh Dastidar and Caroline Elliott

How have recent health insurance expansions affected coverage among artist occupations in the USA? pp. 117-154

Joanna Woronkowicz, Aparna Soni, Seth Freedman and Kosali Simon

ART as meta-credence: authentication and the role of experts pp. 155-171

Robert Ekelund, Richard Higgins and John D. Jackson

‘There are more things in heaven and earth…’ A ‘narrative turn’ in economics? pp. 173-183

Pier Luigi Sacco

S. Cameron (ed.): A research agenda for cultural economics pp. 185-187

Andy C. Pratt