Journal of Cultural Economics

1996 - 2025

Current editor(s): Federico Etro and Douglas Noonan

From:
Springer
The Association for Cultural Economics International
Contact information at EDIRC.
Bibliographic data for series maintained by Sonal Shukla () and Springer Nature Abstracting and Indexing ().

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Volume 37, issue 4, 2013

The market for paintings in the Venetian Republic from Renaissance to Rococò pp. 391-415

Federico Etro and Laura Pagani

Estimating demand for opera using sales system data: the case of Finnish National Opera pp. 417-432

Jani-Petri Laamanen

It’s not the economy, stupid! External effects on the supply and demand of cinema entertainment pp. 433-455

M. Rimscha

Marina Van Geenhuizen and Peter Nijkamp (eds): Creative knowledge cities: myths, visions and realities pp. 457-459

Walter Santagata

Volume 37, issue 3, 2013

“Selling less of more?” The impact of digitization on record companies pp. 327-346

Marc Bourreau, Michel Gensollen, François Moreau and Patrick Waelbroeck

Impact of war on individual life-cycle creativity: tentative evidence in relation to composers pp. 347-358

Karol Borowiecki and John O’Hagan

Learning about movies: the impact of movie release types on the nationwide box office pp. 359-386

Xinlei Chen, Yuxin Chen and Charles Weinberg

Jason Potts (2011): Creative industries and economic evolution pp. 387-390

Paul Stoneman

Volume 37, issue 2, 2013

The creative instability hypothesis pp. 153-173

Peter Earl and Jason Potts

Swings and roundabouts: Swedish music copyrights 1980–2009 pp. 175-184

Staffan Albinsson

Peer effects on youth screen media consumption in Catalonia (Spain) pp. 185-201

Josep-Oriol Escardibul, Toni Mora and Anna Villarroya

Visual autocorrelation of prices pp. 203-223

Ünsal Özdilek

The happy artist: an empirical application of the work-preference model pp. 225-246

Lasse Steiner and Lucian Schneider

Australian films at the Australian box office: performance, distribution, and subsidies pp. 247-269

Jordi Mckenzie and W. Walls

The pricing of soft and hard information: economic lessons from screenplay sales pp. 271-307

William Goetzmann, S. Ravid and Ronald Sverdlove

Performing arts attendance in Taiwan: who and how often? pp. 309-325

Wei-Jen Wen and Tsung-Chi Cheng

Volume 37, issue 1, 2013

Preface pp. 1-1

Kathryn Graddy

Municipal elections and cultural expenditure pp. 3-32

Bernardino Benito, Francisco Bastida and Cristina Vicente

Black notes and white noise: a hedonic approach to auction prices of classical music manuscripts pp. 33-60

Patrick Georges and Aylin Seckin

Diversity in teams and the success of cultural products pp. 61-86

Brinja Meiseberg and Thomas Ehrmann

Determinants of cultural and popular celebration attendance: the case study of Seville Spring Fiestas pp. 87-107

María Palma, Luis Palma and Luis Fernando Aguado Quintero

Effects of culture on firm risk-taking: a cross-country and cross-industry analysis pp. 109-151

Roxana Mihet

Volume 36, issue 4, 2012

Tribal art market: signs and signals pp. 289-308

Guido Candela, Massimiliano Castellani and Pierpaolo Pattitoni

An hedonic analysis of American collectable comic-book prices pp. 309-326

John Wyburn and Paul Roach

Toward a political economy of World Heritage pp. 327-352

Enrico Bertacchini and Donatella Saccone

Cindy Hing-Yuk Wong: Film festivals: culture, people, and power on the global screen pp. 353-356

Mar Diestro-Dópido

Volume 36, issue 3, 2012

Competition among movie theaters: an empirical investigation of the Toho–Subaru antitrust case pp. 179-206

Mitsuru Sunada

Spatial competition and market share: an application to motion pictures pp. 207-225

Darlene Chisholm and George Norman

The effects of having more than one good reputation on distributor investments in the film industry pp. 227-248

Joris Ebbers and Nachoem Wijnberg

The relationship between reviewer judgments and motion picture success: re-analysis and extension pp. 249-283

Thorsten Hennig-Thurau, André Marchand and Barbara Hiller

Brian Moeran and Jesper Strandgaard Pedersen (eds): Negotiating values in the creative industries: fairs, festivals and competitive events pp. 285-288

Samuel Cameron

Volume 36, issue 2, 2012

A count data travel cost model of theatre demand using aggregate theatre booking data pp. 91-112

K. Willis, J. Snowball, C. Wymer and José Grisolía

A latent class model of theatre demand pp. 113-139

José Grisolía and Kenneth Willis

Movie stars and box office revenues: an empirical analysis pp. 141-166

Randy Nelson and Robert Glotfelty

Mark Blaug (1927–2011) pp. 167-170

William Baumol

Steven J. Tepper: Not here, not now, not that! Protest over art and culture in America pp. 171-174

Kim Oosterlinck

Richard T. Carson: Contingent valuation: a comprehensive bibliography and history pp. 175-177

Jen Snowball

Volume 36, issue 1, 2012

Cultural goods, cultivation of taste, satisfaction and increasing marginal utility during vacations pp. 1-26

Marco Alderighi and Eleonora Lorenzini

Recognition and renown, the structure of cultural markets: evidence from French poetry pp. 27-48

Sébastien Dubois

Lead–lag relationship between household cultural expenditures and business cycles pp. 49-65

Masaki Katsuura

The value of a good reputation online: an application to art auctions pp. 67-85

José Canals-Cerdá

Lambert Zuidervaart: Art in public: politics, economics, and a democratic culture pp. 87-90

Byung-Hee Soh

Volume 35, issue 4, 2011

How cultural organizations’ size and funding influence innovation and performance: the case of museums pp. 247-266

Carmen Camarero, Garrido Mª and Eva Vicente

DVD sales and the R-rating puzzle pp. 267-286

David Lang, David Switzer and Brandon Swartz

Age–price profiles for Canadian painters at auction pp. 287-308

Douglas Hodgson

Noah Horowitz: Art of the deal: contemporary art in a global financial market pp. 309-313

Benjamin Mandel

Lucien Karpik: Valuing the unique. The economics of singularities pp. 315-317

Michael Hutter

Victor Ginsburgh and Shlomo Weber: How many languages do we need? The economics of linguistic diversity pp. 319-321

C. Hjorth-Andersen

Volume 35, issue 3, 2011

Factors that influence programming decisions of US symphony orchestras pp. 167-184

Jeffrey Pompe, Lawrence Tamburri and Johnathan Munn

Baumol’s cost disease, efficiency, and productivity in the performing arts: an analysis of german public theaters pp. 185-201

Anne-Kathrin Last and Heike Wetzel

The political economy of cultural spending: evidence from Italian cities pp. 203-231

Chiara Dalle Nogare and Matteo Galizzi

James O. Young: Cultural appropriation and the arts pp. 233-236

Marianna Bicskei

David Throsby: The economics of cultural policy pp. 237-240

Lyudmila Petrova

Paul Stoneman: Soft innovation: economics, product aesthetics and creative industries pp. 241-245

Stuart Cunningham

Volume 35, issue 2, 2011

The impact of the Droit de Suite in the UK: an empirical analysis pp. 81-100

Chanont Banternghansa and Kathryn Graddy

Demand analysis of hit music in Japan pp. 101-117

Sumiko Asai

Critic power or star power? The influence of hallmarks of quality of motion pictures: an experimental approach pp. 119-135

Ana Vázquez

A test of Rosen’s and Adler’s theories of superstars pp. 137-161

Nela Filimon, Jordi López-Sintas and Carlos Padrós-Reig

Ruth Towse: A textbook of cultural economics pp. 163-166

Julia Lowell

Volume 35, issue 1, 2011

Analysis of the consumption of artistic-cultural goods and services in Brazil pp. 1-18

Sibelle Diniz and Ana Machado

Live and prerecorded popular music consumption pp. 19-48

Juan Montoro-Pons and Manuel Cuadrado-García

Evaluating individual preferences for the British Museum pp. 49-75

Shabbar Jaffry and Alexandros Apostolakis

Anthony S. Rausch: Cultural commodities in Japanese rural revitalization; Tsugaru Nuri Lacquerware and Tsugaru Shamisen pp. 77-80

Robert Kloosterman