Journal of Cultural Economics

1996 - 2025

Current editor(s): Federico Etro and Douglas Noonan

From:
Springer
The Association for Cultural Economics International
Contact information at EDIRC.
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Editorial pp. 241-242: Sam Cameron and Michael Rushton
Why has cultural economics ignored copyright? pp. 243-259: Ruth Towse
Why everything has changed: the recent revolution in cultural economics pp. 261-273: Tyler Cowen
Revisiting tax subsidies for cultural institutions pp. 275-279: Alan Feld
Arts policy research for the next 25 years: a trajectory after Patrons Despite Themselves pp. 281-291: Michael O’Hare
Who pays? Who benefits? Who decides? pp. 293-300: Michael Rushton
Failure to meet the reserve price: the impact on returns to art pp. 301-320: Alan Beggs and Kathryn Graddy
Michael Hutter and David Throsby (eds): Beyond Price. Value in Culture, Economics and the Arts pp. 321-324: Olav Velthuis

Social network markets: a new definition of the creative industries pp. 167-185: Jason Potts, Stuart Cunningham, John Hartley and Paul Ormerod
Analyzing repeat consumption of identical cultural goods: some exploratory evidence from moviegoing pp. 187-199: Alan Collins, Chris Hand and Maggie Linnell
Purchasing power parity and cultural convergence: evidence from the global video games market pp. 201-214: Joe Cox
Perverse outcomes of intense competition in the popular arts and its implications for product quality pp. 215-224: Joshua Frank
Jim Heilbrun (1925–2008) pp. 225-226: Charles Gray
Dick Netzer (1929–2008) pp. 227-229: Bruce Seaman
Greg Richards (ed): Cultural Tourism: Global and Local Perspectives pp. 231-236: Bruce Seaman
Philip Cooke and Luciana Lazzeretti (eds): Creative Cities, Cultural Clusters and Local Economic Development pp. 237-240: Frank Oort

Art versus commerce in the movie industry: a Two-Path Model of Motion-Picture Success pp. 87-107: Morris Holbrook and Michela Addis
Can public arts education replace arts subsidization? pp. 109-126: Luc Champarnaud, Victor Ginsburgh and Philippe Michel
Determining heterogeneous behavior for theater attendance pp. 127-151: Victoria Ateca-Amestoy
J. Mark Schuster (1951–2008) pp. 153-154: Lluis Bonet
Elizabeth Currid, The Warhol Economy, How Fashion Art & Music Drive New York City pp. 155-157: Simon Roodhouse
Françoise Benhamou, Les dérèglements de l’exception culturelle pp. 159-162: Pierre-Jean Benghozi
B. T. Hoffman (ed): Art and Cultural Heritage: Law, Policy and Practice pp. 163-166: Lawrence Rothfield

Editorial pp. 1-1: Michael Rushton
Characteristics of Italian art restoration firms and factors influencing their adoption of laser technology pp. 3-34: Chiara Verbano, Karen Venturini, Giorgio Petroni and Anna Nosella
The impact of ‘central places’ on spatial spending patterns: evidence from Flemish local government cultural expenditures pp. 35-58: Kristien Werck, Bruno Heyndels and Benny Geys
Are workers in the cultural industries paid differently? pp. 59-77: Cecile Wetzels
Victor A. Ginsburgh and David Throsby (eds): Handbook of the Economics of Art and Culture, Vol. 1 pp. 79-81: Michael Rushton
Eric L. Jones, Cultures Merging: A Historical and Economic Critique of Culture pp. 83-86: Arthur Webb

Two games in town: a comparison of dealer and auction prices in contemporary visual arts markets pp. 247-261: Michael Hutter, Christian Knebel, Gunnar Pietzner and Maren Schäfer
The law of one price, noise and “irrational exuberance”: the auction market for Picasso prints pp. 263-277: James Pesando and Pauline Shum
Bidding and prices for online art auctions: sofa art or investment pp. 279-292: Jannett Highfill and Kevin O’Brien
Fiscal pressures, institutional context, and constituents: a dynamic model of states’ arts agency appropriations pp. 293-310: Douglas Noonan
Assessing cultural values: developing an attitudinal scale pp. 311-335: Andy Choi, Franco Papandrea and Jeffrey Bennett
Fiona MacMillan and Kathy Bowery (eds), New Directions in Copyright Law: Volume 3 pp. 337-341: Mary Riley

Does film criticism affect box office earnings? Evidence from movies released in the U.S. in 2003 pp. 171-186: Timothy King
Determinants of music copyright violations on the university campus pp. 187-204: Eric Chiang and Djeto Assane
A discrete choice model of consumption of cultural goods: the case of music pp. 205-234: Donata Favaro and Carlofilippo Frateschi
Chris Anderson, The Long Tail: How Endless Choice is Creating Unlimited Demand. The New Economics of Culture and Commerce pp. 235-237: Chr. Hjorth-Andersen
Fréderic Martel, De la Culture en Amérique pp. 239-241: Philippe Ravanas
Philippe Agid and Jean Claude Tarondeau, L’Opéra de Paris: Gouverner une grande institution culturelle pp. 243-245: Philippe Ravanas

How should cultural diversity be measured? An application using the French publishing industry pp. 85-107: Francoise Benhamou and Stéphanie Peltier
Geographic clustering of economic activity: The case of prominent western visual artists pp. 109-128: Elish Kelly and John O’Hagan
Quality, service level, or empire: which is the objective of the nonprofit arts firm? pp. 129-142: Arthur Brooks and Jan Ondrich
The effects of gallery and artist reputation on prices in the primary market for art: a note pp. 143-153: Susanne Schönfeld and Andreas Reinstaller
Selection models in the music industry: Comment pp. 155-158: Thomas Smith
Selection models in the music industry: reply pp. 159-162: Andrea Ordanini
Simon Roodhouse, Cultural Quarters: Principles and Practice pp. 163-165: John O’Hagan
Richard A. Lanham, The Economics of Attention: Style and Substance in the Age of Information pp. 167-169: T. Cowen

Editorial pp. 1-1: Michael Rushton
The sales effect of word of mouth: a model for creative goods and estimates for novels pp. 5-23: Jonathan Beck
Programmatic choices and the demand for theatre: the case of Flemish theatres pp. 25-41: Kristien Werck and Bruno Heyndels
The impact of film reviews on the box office performance of art house versus mainstream motion pictures pp. 43-63: Gerda Gemser, Martine Oostrum and Mark Leenders
eBay auctions for Third Eye Blind concert tickets pp. 65-78: Dennis Halcoussis and Timothy Mathews
Tönu Puu: 2006, Arts, Sciences and Economics pp. 79-81: Harry Chartrand
William Faircy Condee: 2005, Coal and Culture: Opera Houses in Appalachia pp. 83-84: Guldem Gokcek