Journal of Cultural Economics

1996 - 2025

Current editor(s): Federico Etro and Douglas Noonan

From:
Springer
The Association for Cultural Economics International
Contact information at EDIRC.
Bibliographic data for series maintained by Sonal Shukla () and Springer Nature Abstracting and Indexing ().

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Two games in town: a comparison of dealer and auction prices in contemporary visual arts markets pp. 247-261: Michael Hutter, Christian Knebel, Gunnar Pietzner and Maren Schäfer
The law of one price, noise and “irrational exuberance”: the auction market for Picasso prints pp. 263-277: James Pesando and Pauline Shum
Bidding and prices for online art auctions: sofa art or investment pp. 279-292: Jannett Highfill and Kevin O’Brien
Fiscal pressures, institutional context, and constituents: a dynamic model of states’ arts agency appropriations pp. 293-310: Douglas Noonan
Assessing cultural values: developing an attitudinal scale pp. 311-335: Andy Choi, Franco Papandrea and Jeffrey Bennett
Fiona MacMillan and Kathy Bowery (eds), New Directions in Copyright Law: Volume 3 pp. 337-341: Mary Riley

Does film criticism affect box office earnings? Evidence from movies released in the U.S. in 2003 pp. 171-186: Timothy King
Determinants of music copyright violations on the university campus pp. 187-204: Eric Chiang and Djeto Assane
A discrete choice model of consumption of cultural goods: the case of music pp. 205-234: Donata Favaro and Carlofilippo Frateschi
Chris Anderson, The Long Tail: How Endless Choice is Creating Unlimited Demand. The New Economics of Culture and Commerce pp. 235-237: Chr. Hjorth-Andersen
Fréderic Martel, De la Culture en Amérique pp. 239-241: Philippe Ravanas
Philippe Agid and Jean Claude Tarondeau, L’Opéra de Paris: Gouverner une grande institution culturelle pp. 243-245: Philippe Ravanas

How should cultural diversity be measured? An application using the French publishing industry pp. 85-107: Francoise Benhamou and Stéphanie Peltier
Geographic clustering of economic activity: The case of prominent western visual artists pp. 109-128: Elish Kelly and John O’Hagan
Quality, service level, or empire: which is the objective of the nonprofit arts firm? pp. 129-142: Arthur Brooks and Jan Ondrich
The effects of gallery and artist reputation on prices in the primary market for art: a note pp. 143-153: Susanne Schönfeld and Andreas Reinstaller
Selection models in the music industry: Comment pp. 155-158: Thomas Smith
Selection models in the music industry: reply pp. 159-162: Andrea Ordanini
Simon Roodhouse, Cultural Quarters: Principles and Practice pp. 163-165: John O’Hagan
Richard A. Lanham, The Economics of Attention: Style and Substance in the Age of Information pp. 167-169: T. Cowen

Editorial pp. 1-1: Michael Rushton
The sales effect of word of mouth: a model for creative goods and estimates for novels pp. 5-23: Jonathan Beck
Programmatic choices and the demand for theatre: the case of Flemish theatres pp. 25-41: Kristien Werck and Bruno Heyndels
The impact of film reviews on the box office performance of art house versus mainstream motion pictures pp. 43-63: Gerda Gemser, Martine Oostrum and Mark Leenders
eBay auctions for Third Eye Blind concert tickets pp. 65-78: Dennis Halcoussis and Timothy Mathews
Tönu Puu: 2006, Arts, Sciences and Economics pp. 79-81: Harry Chartrand
William Faircy Condee: 2005, Coal and Culture: Opera Houses in Appalachia pp. 83-84: Guldem Gokcek

The cultural entrepreneur and the creative industries: beginning in Vienna pp. 243-261: Richard Swedberg
Cultural goods creation, cultural capital formation, provision of cultural services and cultural atmosphere accumulation pp. 263-286: Sao-Wen Cheng
Combining the travel cost and contingent behavior methods to value cultural heritage sites: Evidence from Armenia pp. 287-304: Anna Alberini and Alberto Longo
Willingness to pay: individual or household? pp. 305-309: Liam Delaney and Francis O’Toole
Tyler Cowen, Good & Plenty: The Creative Successes of American Arts Funding pp. 311-316: J. Schuster
John Carey: What Good are the Arts? pp. 317-319: Michael Rushton

Optimal pricing and grant policies for museums pp. 169-181: Juan Prieto-Rodriguez and Víctor Fernández-Blanco
Selection models in the music industry: How a prior independent experience may affect chart success pp. 183-200: Andrea Ordanini
Distributors and film critics: does it take two to Tango? pp. 201-218: S. Ravid, John Wald and Suman Basuroy
Demand for and productivity analysis of Turkish public theater pp. 219-231: Sacit Akdede and John King
Cultural Diversity and International Economic Integration: The Global Governance of the Audio-Visual Sector pp. 233-235: Anna Herold
Iain Robertson, Understanding International Art Markets and Management, Routledge, London and New York, 280 pp., 2005, ISBN 0:41533957X pp. 237-238: Silvia Bagdadli
A Concise Handbook of Movie Industry Economics pp. 239-241: Chris Hand

Creativity and Life Cycles of Artists pp. 91-107: Victor Ginsburgh and Sheila Weyers
Estimating the real growth effects of blockbuster art exhibits: A time series approach pp. 109-125: Sarah Skinner
The welfare and equity implications of competition in television broadcasting: the role of viewer tastes pp. 127-140: Yong Liu, Daniel Putler and Charles Weinberg
The Demand for Books Estimated by Means of Consumer Survey Data pp. 141-155: Vidar Ringstad and Knut Løyland
Mapping State Cultural Policy: The State of Washington pp. 157-160: Margaret Wyszomirski
The Economy of Prestige: Prizes, Awards, and the Circulation of Cultural Value pp. 161-163: Nachoem Wijnberg
Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art pp. 165-168: Calin Valsan

An Artistic Production Function: Theory and an Application to Australian Visual Artists pp. 1-14: David Throsby
Assessing Quality in Cultural Goods: The Hedonic Value of Originality in Rembrandt's Prints pp. 15-40: Elisabetta Lazzaro
The Government's Choice of Bureaucratic Organisation: An Application to Italian State Museums pp. 41-72: Silvia Fedeli and Michele Santoni
A Note on Financial Risk, Return and Asset Pricing in Australian Modern and Contemporary Art pp. 73-84: Andrew Worthington and Helen Higgs
Institutional Economics and the Formation of Preferences. The Advent of Pop Music pp. 85-89: Simon Frith