Journal of Cultural Economics

1996 - 2025

Current editor(s): Federico Etro and Douglas Noonan

From:
Springer
The Association for Cultural Economics International
Contact information at EDIRC.
Bibliographic data for series maintained by Sonal Shukla () and Springer Nature Abstracting and Indexing ().

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Volume 28, issue 4, 2004

Convention on Cultural Diversity pp. 243-256

Keith Acheson and Christopher Maule

Comment pp. 257-261

Frederick (Rick) van der Ploeg

Comment pp. 263-266

Francoise Benhamou

Comment pp. 267-273

Lelio Iapadre

Do People Really Care About the Arts for Future Generations? pp. 275-284

Arthur Brooks

Price Indices for Artists – A Proposal pp. 285-302

Guido Candela, Paolo Figini and Antonello Scorcu

Government Grants to Private Cultural Institutions–The Effects of a Change in the Italian Legislation pp. 303-315

Bruno Bises and Fabio Padovano

Michael F. Brown: 2003, Who Owns Native Culture?, Harvard University Press, Cambridge, MA, 315 pp., ISBN 0-67401-171-6 pp. 317-323

Tyler Cowen

Niva Elkin-Koren and Neil Weinstock Netanel (eds.): 2002, The Commodification of Information, Kluwer Law International, The Hague, ISBN 9-041-19876-8 pp. 320-323

Ruth Towse

Volume 28, issue 3, 2004

Competition and the Non-Profit Arts: The Lost Industrial Organization Agenda pp. 167-193

Bruce Seaman

A Quantitative Approach to Evaluate the Relative Efficiency of Museums pp. 195-216

Antonella Basso and Stefania Funari

Travel Cost Analysis of a Cultural Heritage Site: The Case of Historic St. Mary's City of Maryland pp. 217-229

P. Poor and Jamie Smith

Ruth Towse (ed.): 2003, A Handbook of Cultural Economics pp. 231-234

Trine Bille

Xavier Greffe: 2002, Arts and Artists from an Economic Perspective pp. 235-236

Walter Santagata

Ilde Rizzo and Ruth Towse (eds.): 2002, The Economics of Heritage. A Study in the Political Economy of Culture in Sicily pp. 236-238

Michael Hutter

Hans Abbing, Why Are Artists Poor? The Exceptional Economy of the Arts pp. 239-241

David Throsby

Volume 28, issue 2, 2004

Causality and Museum Subsidies pp. 89-108

David Maddison

Quality in the Performing Arts: Aggregating and Rationalizing Expert Opinion pp. 109-124

Stefan Tobias

Art Auctions and Bidding Rings: Empirical Evidence from German Auction Data pp. 125-141

Michael Beckmann

Are Small Recipients Overlooked by Sponsors? An Empirical Note pp. 143-156

Björn Frank and Kurt Geppert

Ruth Towse: 2001, Creativity, Incentive and Reward. An Economic Analysis of Copyright and Culture in the Information Age pp. 157-160

Francoise Benhamou

Joëlle Farchy: 2003, Internet et le droit d'auteur – La culture Napster pp. 160-163

Ejan Mackaay

Volume 28, issue 1, 2004

Beyond the Dogma of the Fixed Book Price Agreement pp. 1-20

Frederick (Rick) van der Ploeg

The Impact of the National Endowment for the Arts in the United States: Institutional and Sectoral Effects on Private Funding pp. 21-36

Francesca Borgonovi and Michael O'Hare

Two-Part Share Contracts, Risk, and the Life Cycle of Stars: Some Empirical Results from Motion Picture Contracts pp. 37-56

Darlene Chisholm

How Relevant is Transaction Cost Economics to Inter-Firm Relationships in the Music Industry? pp. 57-79

Jonathan Gander and Alison Rieple

Tyler Cowen: 2002, Creative Destruction: How Globalization is Changing the World's Cultures pp. 81-83

Michael Rushton

J. Mark Schuster: 2002, Informing Cultural Policy: The Research and Information Infrastructure pp. 83-88

Steven Tepper

Volume 27, issue 3, 2003

Contingent Valuation and Cultural Resources: A Meta-Analytic Review of the Literature pp. 159-176

Douglas Noonan

Valuing the Canadian Broadcasting Corporation pp. 177-192

Adam Finn, Stuart McFadyen and Colin Hoskins

Can People Value the Aesthetic and Use Services of Urban Sites? Evidence from a Survey of Belfast Residents pp. 193-213

Anna Alberini, Patrizia Riganti and Alberto Longo

Using Stated-Preference Questions to Investigate Variations in Willingness to Pay for Preserving Marble Monuments: Classic Heterogeneity, Random Parameters, and Mixture Models pp. 215-229

Edward Morey and Kathleen Greer Rossmann

Willingness to Pay for Submerged Maritime Cultural Resources pp. 231-240

John Whitehead and Suzanne Finney

Contingent Valuation and Semiparametric Methods: A Case Study of the National Museum of Sculpture in Valladolid, Spain pp. 241-257

José Sanz, Luis César Herrero and Ana Bedate

The Regrettable Necessity of Contingent Valuation pp. 259-274

Richard Epstein

Determining the Value of Cultural Goods: How Much (or How Little) Does Contingent Valuation Tell Us? pp. 275-285

David Throsby

Ståle Navrud and Richard C. Ready (eds.): 2002, Valuing Cultural Heritage: Applying Environmental Valuation Techniques to Historic Buildings, Monuments and Artifacts pp. 287-290

Lesley Hitchens

Gillian Doyle: 2002, Media Ownership – The Economics and Politics of Convergence and Concentration in the U.K. and European Media pp. 290-293

Lesley Hitchens

Kevin McCarthy, Arthur Brooks, Julia Lowell and Laura Zakaras: 2001, The Performing Arts in a New Era pp. 294-298

Neil Alper

John Sedgwick: 2001, Popular Filmgoing in 1930s Britain: A Choice of Pleasures pp. 298-301

W. Walls

Volume 27, issue 2, 2003

Editorial pp. 79-79

Günther Schulze and J. Schuster

Cultural and Sport Economics: Conceptual Twins? pp. 81-126

Bruce Seaman

Expert Opinion and Gastronomy: The Recipe for Success pp. 127-141

Véronique Chossat and Olivier Gergaud

Chin-tao Wu, Privatising Culture: Corporate Art Intervention since the 1980s pp. 143-146

J. Schuster

Ruth Towse (ed.), Copyright in the Cultural Industries pp. 146-149

Andrew Burke

Michael Benedikt (ed.), Value, 1 & 2 (Center 10 & 11). Architecture and Design in America pp. 149-151

Arjo Klamer

John Trumpbour, Selling Hollywood to the World: U.S. and European Struggles for Mastery of the Global Film Industry, 1920–1950 pp. 151-153

John Sedgwick

Volume 27, issue 1, 2003

Editorial pp. 1-1

J. Schuster

Farewell Editorial pp. 3-7

Ruth Towse

The Economic Dimension of the Culture and Leisure Industry in Spain: National, Sectoral and Regional Analysis pp. 9-30

María García, Yolanda Fernández and José Zofío

Public Broadcasting in Europe: Rationale, Licence Fee and Other Issues pp. 31-56

John O'Hagan and Michael Jennings

What Becomes of Undergraduate Dance Majors? pp. 57-71

Sarah Montgomery and Michael Robinson

David Throsby: 2001, Economics and Culture (Book Review) pp. 73-75

Paul DiMaggio