Journal of Cultural Economics

1996 - 2025

Current editor(s): Federico Etro and Douglas Noonan

From:
Springer
The Association for Cultural Economics International
Contact information at EDIRC.
Bibliographic data for series maintained by Sonal Shukla () and Springer Nature Abstracting and Indexing ().

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Volume 27, issue 3, 2003

Contingent Valuation and Cultural Resources: A Meta-Analytic Review of the Literature pp. 159-176

Douglas Noonan

Valuing the Canadian Broadcasting Corporation pp. 177-192

Adam Finn, Stuart McFadyen and Colin Hoskins

Can People Value the Aesthetic and Use Services of Urban Sites? Evidence from a Survey of Belfast Residents pp. 193-213

Anna Alberini, Patrizia Riganti and Alberto Longo

Using Stated-Preference Questions to Investigate Variations in Willingness to Pay for Preserving Marble Monuments: Classic Heterogeneity, Random Parameters, and Mixture Models pp. 215-229

Edward Morey and Kathleen Greer Rossmann

Willingness to Pay for Submerged Maritime Cultural Resources pp. 231-240

John Whitehead and Suzanne Finney

Contingent Valuation and Semiparametric Methods: A Case Study of the National Museum of Sculpture in Valladolid, Spain pp. 241-257

José Sanz, Luis César Herrero and Ana Bedate

The Regrettable Necessity of Contingent Valuation pp. 259-274

Richard Epstein

Determining the Value of Cultural Goods: How Much (or How Little) Does Contingent Valuation Tell Us? pp. 275-285

David Throsby

Ståle Navrud and Richard C. Ready (eds.): 2002, Valuing Cultural Heritage: Applying Environmental Valuation Techniques to Historic Buildings, Monuments and Artifacts pp. 287-290

Lesley Hitchens

Gillian Doyle: 2002, Media Ownership – The Economics and Politics of Convergence and Concentration in the U.K. and European Media pp. 290-293

Lesley Hitchens

Kevin McCarthy, Arthur Brooks, Julia Lowell and Laura Zakaras: 2001, The Performing Arts in a New Era pp. 294-298

Neil Alper

John Sedgwick: 2001, Popular Filmgoing in 1930s Britain: A Choice of Pleasures pp. 298-301

W. Walls

Volume 27, issue 2, 2003

Editorial pp. 79-79

Günther Schulze and J. Schuster

Cultural and Sport Economics: Conceptual Twins? pp. 81-126

Bruce Seaman

Expert Opinion and Gastronomy: The Recipe for Success pp. 127-141

Véronique Chossat and Olivier Gergaud

Chin-tao Wu, Privatising Culture: Corporate Art Intervention since the 1980s pp. 143-146

J. Schuster

Ruth Towse (ed.), Copyright in the Cultural Industries pp. 146-149

Andrew Burke

Michael Benedikt (ed.), Value, 1 & 2 (Center 10 & 11). Architecture and Design in America pp. 149-151

Arjo Klamer

John Trumpbour, Selling Hollywood to the World: U.S. and European Struggles for Mastery of the Global Film Industry, 1920–1950 pp. 151-153

John Sedgwick

Volume 27, issue 1, 2003

Editorial pp. 1-1

J. Schuster

Farewell Editorial pp. 3-7

Ruth Towse

The Economic Dimension of the Culture and Leisure Industry in Spain: National, Sectoral and Regional Analysis pp. 9-30

María García, Yolanda Fernández and José Zofío

Public Broadcasting in Europe: Rationale, Licence Fee and Other Issues pp. 31-56

John O'Hagan and Michael Jennings

What Becomes of Undergraduate Dance Majors? pp. 57-71

Sarah Montgomery and Michael Robinson

David Throsby: 2001, Economics and Culture (Book Review) pp. 73-75

Paul DiMaggio

Volume 26, issue 4, 2002

More Means Worse: Asymmetric Information, Spatial Displacement and Sustainable Heritage Tourism pp. 245-260

Silvia Caserta and Antonio Russo

Museum Assessment and FDH Technology: Towards a Global Approach pp. 261-286

François Mairesse and Philippe Vanden Eeckaut

Determinants of Public Cultural Expenditures: An Exploratory Time Series Analysis for Austria pp. 287-306

Michael Getzner

Research Note: Iterative Bid Design in Contingent Valuation and the Estimation of the Revenue Maximising Price for a Cultural Good pp. 307-324

K.G. Willis

Book Review: David W. Galenson, Painting outside the Lines: Patterns of Creativity in Modern Art pp. 325-327

Robert Ekelund

Volume 26, issue 3, 2002

Maledizione! or the Perilous Prospects of Beethoven's Patrons pp. 167-184

Hilda Baumol and William Baumol

Quality Judgements and Demand for French Public Theatre pp. 185-202

Daniel Urrutiaguer

Canadian versus American Art: What Pays Off and Why pp. 203-216

Calin Valsan

Demand for Live Theater with Market Segmentation and Seasonality pp. 217-235

Jonathan Corning and Armando Levy

Nathalie Moureau, Analyse économique de la valeur des biens d'art: La peinture contemporaine pp. 237-239

Olivier Chanel

Malcolm Goldstein, Landscape with Figures, a History of Art Dealing in the United States pp. 239-241

Martha White Paas

Ruth B. Phillips and Christopher B. Steiner (eds.), Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds pp. 241-244

Neil De Marchi

Volume 26, issue 2, 2002

Valuing the Arts: A Contingent Valuation Approach pp. 87-113

Eric Thompson, Mark Berger, Glenn Blomquist and Steven Allen

The Consumption of Cultural Products: An Analysis of the Spanish Social Space pp. 115-138

Jordi Sintas and Ercilia Álvarez

Cost-Benefit Analysis Using Economic Surpluses: A Case Study of a Televised Event pp. 139-156

Aliza Fleischer and Daniel Felsenstein

Joni M. Cherbo and Margaret J. Wyszomirski (eds.), The Public Life of the Arts in America pp. 157-160

Bruce Seaman

Gigi Bradford, Michael Gary and Glenn Wallach (eds.), The Politics of Culture – Policy Perspectives for Individuals, Institutions, and Communities pp. 161-163

John O'Hagan

Joseph L. Sax, Playing Darts with a Rembrandt: Public and Private Rights in Cultural Treasures pp. 163-166

J. Schuster

Volume 26, issue 1, 2002

Determinants of Prices for Contemporary Art in Dutch Galleries, 1992–1998 pp. 1-28

Merijn Rengers and Olav Velthuis

The Determinants of Artistic Innovation: Bringing in the Role of Organizations pp. 29-52

Xavier Castañer and Lorenzo Campos

The Distribution and Predictability of Cinema Admissions pp. 53-64

Chris Hand

The Sculpture Market: An Adjacent Year Regression Index pp. 65-78

Marilena Locatelli and Roberto Zanola

Bruno S. Frey, Arts & Economics: Analysis & Cultural Policy pp. 79-81

Stefan Toepler

Richard E. Caves, Creative Industries: Contracts between Art and Commerce pp. 82-84

Michael Rushton

Volume 25, issue 4, 2001

The Law and Economics of Artists' Inalienable Rights pp. 243-257

Michael Rushton

Royalties for Artists versus Royalties for Authors and Composers pp. 259-281

Henry Hansmann and Marina Santilli

What Has the Visual Artist's Rights Act of 1990 Accomplished? pp. 283-306

William Landes

The Evolution of Free-Lance Music Composition, 1650–1900 pp. 307-319

F. Scherer

Volume 25, issue 3, 2001

Stardom and the Profitability of Film Making: Warner Bros. in the 1930s pp. 157-184

Michael Pokorny and John Sedgwick

The Supply of Arts Labour: Towards a Dynamic Approach pp. 185-201

Maurizio Caserta and Tiziana Cuccia

A Model of Translations pp. 203-217

Chr. Hjorth-Andersen

In Search of Stylized Facts on Art Market Prices: Evidence from the Secondary Market for Prints and Drawings in Italy pp. 219-231

Guido Candela and Antonello Scorcu

Peter Boorsma, Annemoon van Hemel, and Niki van der Wielen (eds.): Privatisation and Culture: Experiences in the Arts, Heritage and Cultural Industries in Europe pp. 233-235

Ilde Rizzo

Dennis R. Judd and Susan S. Fainstein (eds.): The Tourist City pp. 235-238

Pascal Tremblay

Volume 25, issue 2, 2001

The Double Public Good: A Conceptual Framework for ``Shared Experience'' Values Associated with Heritage Conservation pp. 77-89

Karin Sable and Robert Kling

Explaining Post-War Cinema Attendance in Great Britain pp. 91-108

Peter Macmillan and Ian Smith

Efficiency and Inefficiency in the Ranking in Competitions: the Case of the Queen Elisabeth Music Contest pp. 109-129

Herbert Glejser and Bruno Heyndels

Valuing the Benefits of Cleaning Lincoln Cathedral pp. 131-148

Marilena Pollicino and David Maddison

A Correction to Hilda and William Baumol's paper The Future of the Theatre and the Cost Disease of the Arts pp. 149-150

James Heilbrun

Tyler Cowen, What Price Fame? pp. 151-154

Sherwin Rosen

Neil de Marchi and Crauford D.W. Goodwin (eds.), Economic Engagements with Art pp. 154-155

Mark Blaug

Volume 25, issue 1, 2001

Private or Public? pp. 1-20

Merijn Rengers and Erik Plug

Patronage and Market in the Creation of Opera Before the Institution of Intellectual Property pp. 21-45

Timothy King

The Court's System of Incentives and the Socio-Economic Status of Court Musicians in the Late 16th Century pp. 47-62

Peter Tschmuck

Empirical Evidence of a Decline in Repertory Diversity among American Opera Companies 1991/92 to 1997/98 pp. 63-72

James Heilbrun

Frances Stonor Saunders (ed.): The Cultural Cold War: The CIA and the World of Arts and Letters pp. 73-75

William Baumol and Hilda Baumol