Journal of Cultural Economics

1996 - 2025

Current editor(s): Federico Etro and Douglas Noonan

From:
Springer
The Association for Cultural Economics International
Contact information at EDIRC.
Bibliographic data for series maintained by Sonal Shukla () and Springer Nature Abstracting and Indexing ().

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Public Funding of Controversial Art pp. 267-282: Michael Rushton
The ``Death-Effect'' in Art Prices: A Demand-Side Exploration pp. 283-300: Robert Ekelund, Rand Ressler and John Watson
The Opposition between Two Models of Labour Market Adjustment: The Case of Audiovisual and Performing Arts Activities in France and Great Britain over a Ten Year Period pp. 301-319: Francoise Benhamou
Market Concentration Levels in the U.S. Consumer Book Industry: 1995–1996 pp. 321-336: Albert Greco
Colin George Hoskins, Stuart McFadyen, and Adam Finn: 1998, Global Television and Film: An Introduction to the Economics of the Business pp. 337-340: Keith Acheson
Keith Acheson and Christopher Maule: 1999, Much Ado About Culture: North American Trade Disputes pp. 340-342: Steven Globerman
James T. Hamilton: 1998, Channeling Violence: The Economic Market for Violent Television Programming pp. 342-343: Stuart McFadyen

Contingent Valuation of a Cultural Public Good and Policy Design: The Case of ``Napoli Musei Aperti'' pp. 181-204: Walter Santagata and Giovanni Signorello
Why Do Companies Sponsor Arts Events? Some Evidence and a Proposed Classification pp. 205-224: John O'Hagan and Denice Harvey
Corporate Support for Artistic and Cultural Activities: What Determines the Distribution of Corporate Giving? pp. 225-241: Mark LeClair and Kelly Gordon
Win, Place or Show: Gauging the Economic Success of the Renoir and Barnes Art Exhibits pp. 243-255: Dick Stanley, Judy Rogers, Sandra Smeltzer and Luc Perron
Sir Alan Peacock (ed.), Does The Past Have a Future? The Political Economy of Heritage; Michael Hutter and Ilde Rizzo (eds.), Economic Perspectives on Cultural Heritage pp. 257-260: Rosemary Clarke
J. Mark Schuster with John de Monchaux and Charles A. Riley II (eds.), Preserving the Built Heritage: Tools for Implementation pp. 260-262: Peter Johnson
Steven J. Ross, Working-Class Hollywood: Silent Film and the Shaping of Class in America pp. 262-265: Sheila Petty

The Careers of Modern Artists pp. 87-112: David Galenson
The Dynamics of Chart Success in the U.K. Pre-Recorded Popular Music Industry pp. 113-134: Eric Strobl and Clive Tucker
Rational Philanthropy and Cultural Capital pp. 135-146: Carlos Ulibarri
Are Popular and Classical Music Listeners the Same People? pp. 147-164: Juan Prieto-Rodriguez and Víctor Fernández-Blanco
John W. O'Hagan, The State and the Arts: An Analysis of Key Economic Policy Issues in Europe and the United States pp. 165-167: Michael Rushton
Andrew L. Pincus, Tanglewood: The Clash Between Tradition and Change pp. 167-170: Arthur Brooks

The Economics of Monomedia and Cross-Media Expansion: A Study of the Case Favouring Deregulation of TV and Newspaper Ownership in the U.K pp. 1-26: Gillian Doyle
A Model of the Danish Book Market pp. 27-43: Chr. Hjorth-Andersen
Programmatic Risk-Taking by American Opera Companies pp. 45-63: J. Pierce
The One-Man Band by the Quick Lunch Stand: Modeling Audience Response to Street Performance pp. 65-77: Roland Kushner and Arthur Brooks
John Pick and Malcolm Anderton, Building Jerusalem. Art, Industry and the British Millennium pp. 79-82: Sara Selwood
Peter Goodwin, Television under the Tories. Broadcasting Policy 1979–1997 pp. 82-84: Sir Peacock

The Determinants of Motion Picture Box Office Performance: Evidence from Movies Produced in Italy pp. 237-256: Michele Bagella and Leonardo Becchetti
Segmentation of Cinema Audiences: An Exploratory Study Applied to Young Consumers pp. 257-267: Manuel Cuadrado and Marta Frasquet
On the Perceived Quality of Movies pp. 269-283: Victor Ginsburgh and Sheila Weyers
Uncertainty in the Movie Industry: Does Star Power Reduce the Terror of the Box Office? pp. 285-318: Arthur De Vany and W. Walls
Movie Stars and the Distribution of Financially Successful Films in the Motion Picture Industry pp. 319-323: John Sedgwick and Michael Pokorny
Movie Stars and the Distribution of Financially Successful Films in the Motion Picture Industry pp. 325-329: Steven Albert
Tyler Cowen, In Praise of Commercial Culture pp. 331-332: Dick Netzer
Paul Kearns, The Legal Concept of Art pp. 333-334: Michael Rushton

Methodological Individualism and Cultural Economics pp. 137-146: Michael Rushton
Willingness to Pay for Domestic Television Programming pp. 147-164: Franco Papandrea
Network Externalities and Government Restrictions on Satellite Broadcasting of Key Sporting Events pp. 165-179: Anthony Boardman and Shaun Hargreaves-Heap
The Returns to Picasso's Prints and to Traditional Financial Assets, 1977 to 1996 pp. 181-190: James Pesando and Pauline Shum
Long- and Short-Term Portfolio Choices of Paintings pp. 191-208: Renato Flôres, Victor Ginsburgh and Philippe Jeanfils
Investment in Paintings: A Short-Run Price Index pp. 209-219: Marilena Locatelli and Roberto Zanola
The Adoption of the Compact Disk Player: An Event History Analysis for the Netherlands pp. 221-232: Harrie Hansman, Clara Mulder and René Verhoeff

Introduction pp. 1-2: J. Schuster
Cultural Capital pp. 3-12: David Throsby
Culture and Commerce pp. 13-30: Martin Shubik
A Tribute to Dick Netzer and The Subsidized Muse pp. 31-32: Mark Blaug
The Subsidized Muse: Government and the Arts in Western Europe and the United States pp. 33-49: Annette Zimmer and Stefan Toepler
The Other Side of the Subsidized Muse: Indirect Aid Revisited pp. 51-70: J. Schuster
State Support and Creativity in the Arts: Some New Considerations pp. 71-85: Bruno Frey
Should Cultural Goods Be Treated Differently? pp. 87-93: Andreu Mas-Colell
Implications of the Agreement on Trade Related Aspects of Intellectual Property Rights for Cultural Dimensions of National Copyright Laws pp. 95-107: Pamela Samuelson
International Trade in Art pp. 109-136: Günther Schulze