Journal of Cultural Economics

1996 - 2025

Current editor(s): Federico Etro and Douglas Noonan

From:
Springer
The Association for Cultural Economics International
Contact information at EDIRC.
Bibliographic data for series maintained by Sonal Shukla () and Springer Nature Abstracting and Indexing ().

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Volume 26, issue 4, 2002

More Means Worse: Asymmetric Information, Spatial Displacement and Sustainable Heritage Tourism pp. 245-260

Silvia Caserta and Antonio Russo

Museum Assessment and FDH Technology: Towards a Global Approach pp. 261-286

François Mairesse and Philippe Vanden Eeckaut

Determinants of Public Cultural Expenditures: An Exploratory Time Series Analysis for Austria pp. 287-306

Michael Getzner

Research Note: Iterative Bid Design in Contingent Valuation and the Estimation of the Revenue Maximising Price for a Cultural Good pp. 307-324

K.G. Willis

Book Review: David W. Galenson, Painting outside the Lines: Patterns of Creativity in Modern Art pp. 325-327

Robert Ekelund

Volume 26, issue 3, 2002

Maledizione! or the Perilous Prospects of Beethoven's Patrons pp. 167-184

Hilda Baumol and William Baumol

Quality Judgements and Demand for French Public Theatre pp. 185-202

Daniel Urrutiaguer

Canadian versus American Art: What Pays Off and Why pp. 203-216

Calin Valsan

Demand for Live Theater with Market Segmentation and Seasonality pp. 217-235

Jonathan Corning and Armando Levy

Nathalie Moureau, Analyse économique de la valeur des biens d'art: La peinture contemporaine pp. 237-239

Olivier Chanel

Malcolm Goldstein, Landscape with Figures, a History of Art Dealing in the United States pp. 239-241

Martha White Paas

Ruth B. Phillips and Christopher B. Steiner (eds.), Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds pp. 241-244

Neil De Marchi

Volume 26, issue 2, 2002

Valuing the Arts: A Contingent Valuation Approach pp. 87-113

Eric Thompson, Mark Berger, Glenn Blomquist and Steven Allen

The Consumption of Cultural Products: An Analysis of the Spanish Social Space pp. 115-138

Jordi Sintas and Ercilia Álvarez

Cost-Benefit Analysis Using Economic Surpluses: A Case Study of a Televised Event pp. 139-156

Aliza Fleischer and Daniel Felsenstein

Joni M. Cherbo and Margaret J. Wyszomirski (eds.), The Public Life of the Arts in America pp. 157-160

Bruce Seaman

Gigi Bradford, Michael Gary and Glenn Wallach (eds.), The Politics of Culture – Policy Perspectives for Individuals, Institutions, and Communities pp. 161-163

John O'Hagan

Joseph L. Sax, Playing Darts with a Rembrandt: Public and Private Rights in Cultural Treasures pp. 163-166

J. Schuster

Volume 26, issue 1, 2002

Determinants of Prices for Contemporary Art in Dutch Galleries, 1992–1998 pp. 1-28

Merijn Rengers and Olav Velthuis

The Determinants of Artistic Innovation: Bringing in the Role of Organizations pp. 29-52

Xavier Castañer and Lorenzo Campos

The Distribution and Predictability of Cinema Admissions pp. 53-64

Chris Hand

The Sculpture Market: An Adjacent Year Regression Index pp. 65-78

Marilena Locatelli and Roberto Zanola

Bruno S. Frey, Arts & Economics: Analysis & Cultural Policy pp. 79-81

Stefan Toepler

Richard E. Caves, Creative Industries: Contracts between Art and Commerce pp. 82-84

Michael Rushton

Volume 25, issue 4, 2001

The Law and Economics of Artists' Inalienable Rights pp. 243-257

Michael Rushton

Royalties for Artists versus Royalties for Authors and Composers pp. 259-281

Henry Hansmann and Marina Santilli

What Has the Visual Artist's Rights Act of 1990 Accomplished? pp. 283-306

William Landes

The Evolution of Free-Lance Music Composition, 1650–1900 pp. 307-319

F. Scherer

Volume 25, issue 3, 2001

Stardom and the Profitability of Film Making: Warner Bros. in the 1930s pp. 157-184

Michael Pokorny and John Sedgwick

The Supply of Arts Labour: Towards a Dynamic Approach pp. 185-201

Maurizio Caserta and Tiziana Cuccia

A Model of Translations pp. 203-217

Chr. Hjorth-Andersen

In Search of Stylized Facts on Art Market Prices: Evidence from the Secondary Market for Prints and Drawings in Italy pp. 219-231

Guido Candela and Antonello Scorcu

Peter Boorsma, Annemoon van Hemel, and Niki van der Wielen (eds.): Privatisation and Culture: Experiences in the Arts, Heritage and Cultural Industries in Europe pp. 233-235

Ilde Rizzo

Dennis R. Judd and Susan S. Fainstein (eds.): The Tourist City pp. 235-238

Pascal Tremblay

Volume 25, issue 2, 2001

The Double Public Good: A Conceptual Framework for ``Shared Experience'' Values Associated with Heritage Conservation pp. 77-89

Karin Sable and Robert Kling

Explaining Post-War Cinema Attendance in Great Britain pp. 91-108

Peter Macmillan and Ian Smith

Efficiency and Inefficiency in the Ranking in Competitions: the Case of the Queen Elisabeth Music Contest pp. 109-129

Herbert Glejser and Bruno Heyndels

Valuing the Benefits of Cleaning Lincoln Cathedral pp. 131-148

Marilena Pollicino and David Maddison

A Correction to Hilda and William Baumol's paper The Future of the Theatre and the Cost Disease of the Arts pp. 149-150

James Heilbrun

Tyler Cowen, What Price Fame? pp. 151-154

Sherwin Rosen

Neil de Marchi and Crauford D.W. Goodwin (eds.), Economic Engagements with Art pp. 154-155

Mark Blaug

Volume 25, issue 1, 2001

Private or Public? pp. 1-20

Merijn Rengers and Erik Plug

Patronage and Market in the Creation of Opera Before the Institution of Intellectual Property pp. 21-45

Timothy King

The Court's System of Incentives and the Socio-Economic Status of Court Musicians in the Late 16th Century pp. 47-62

Peter Tschmuck

Empirical Evidence of a Decline in Repertory Diversity among American Opera Companies 1991/92 to 1997/98 pp. 63-72

James Heilbrun

Frances Stonor Saunders (ed.): The Cultural Cold War: The CIA and the World of Arts and Letters pp. 73-75

William Baumol and Hilda Baumol

Volume 24, issue 4, 2000

Public Funding of Controversial Art pp. 267-282

Michael Rushton

The ``Death-Effect'' in Art Prices: A Demand-Side Exploration pp. 283-300

Robert Ekelund, Rand Ressler and John Watson

The Opposition between Two Models of Labour Market Adjustment: The Case of Audiovisual and Performing Arts Activities in France and Great Britain over a Ten Year Period pp. 301-319

Francoise Benhamou

Market Concentration Levels in the U.S. Consumer Book Industry: 1995–1996 pp. 321-336

Albert Greco

Colin George Hoskins, Stuart McFadyen, and Adam Finn: 1998, Global Television and Film: An Introduction to the Economics of the Business pp. 337-340

Keith Acheson

Keith Acheson and Christopher Maule: 1999, Much Ado About Culture: North American Trade Disputes pp. 340-342

Steven Globerman

James T. Hamilton: 1998, Channeling Violence: The Economic Market for Violent Television Programming pp. 342-343

Stuart McFadyen

Volume 24, issue 3, 2000

Contingent Valuation of a Cultural Public Good and Policy Design: The Case of ``Napoli Musei Aperti'' pp. 181-204

Walter Santagata and Giovanni Signorello

Why Do Companies Sponsor Arts Events? Some Evidence and a Proposed Classification pp. 205-224

John O'Hagan and Denice Harvey

Corporate Support for Artistic and Cultural Activities: What Determines the Distribution of Corporate Giving? pp. 225-241

Mark LeClair and Kelly Gordon

Win, Place or Show: Gauging the Economic Success of the Renoir and Barnes Art Exhibits pp. 243-255

Dick Stanley, Judy Rogers, Sandra Smeltzer and Luc Perron

Sir Alan Peacock (ed.), Does The Past Have a Future? The Political Economy of Heritage; Michael Hutter and Ilde Rizzo (eds.), Economic Perspectives on Cultural Heritage pp. 257-260

Rosemary Clarke

J. Mark Schuster with John de Monchaux and Charles A. Riley II (eds.), Preserving the Built Heritage: Tools for Implementation pp. 260-262

Peter Johnson

Steven J. Ross, Working-Class Hollywood: Silent Film and the Shaping of Class in America pp. 262-265

Sheila Petty

Volume 24, issue 2, 2000

The Careers of Modern Artists pp. 87-112

David Galenson

The Dynamics of Chart Success in the U.K. Pre-Recorded Popular Music Industry pp. 113-134

Eric Strobl and Clive Tucker

Rational Philanthropy and Cultural Capital pp. 135-146

Carlos Ulibarri

Are Popular and Classical Music Listeners the Same People? pp. 147-164

Juan Prieto-Rodriguez and Víctor Fernández-Blanco

John W. O'Hagan, The State and the Arts: An Analysis of Key Economic Policy Issues in Europe and the United States pp. 165-167

Michael Rushton

Andrew L. Pincus, Tanglewood: The Clash Between Tradition and Change pp. 167-170

Arthur Brooks

Volume 24, issue 1, 2000

The Economics of Monomedia and Cross-Media Expansion: A Study of the Case Favouring Deregulation of TV and Newspaper Ownership in the U.K pp. 1-26

Gillian Doyle

A Model of the Danish Book Market pp. 27-43

Chr. Hjorth-Andersen

Programmatic Risk-Taking by American Opera Companies pp. 45-63

J. Pierce

The One-Man Band by the Quick Lunch Stand: Modeling Audience Response to Street Performance pp. 65-77

Roland Kushner and Arthur Brooks

John Pick and Malcolm Anderton, Building Jerusalem. Art, Industry and the British Millennium pp. 79-82

Sara Selwood

Peter Goodwin, Television under the Tories. Broadcasting Policy 1979–1997 pp. 82-84

Sir Peacock