Journal of Cultural Economics

1996 - 2025

Current editor(s): Federico Etro and Douglas Noonan

From:
Springer
The Association for Cultural Economics International
Contact information at EDIRC.
Bibliographic data for series maintained by Sonal Shukla () and Springer Nature Abstracting and Indexing ().

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Collecting as a Paradigm of Consumption pp. 275-289: Marina Bianchi
Cultural Convergence in Historical Cultural Space-Time pp. 291-305: Gordon Burt
Optimal Pricing of Museum Admission pp. 307-333: Faye Steiner
Generalised Cost Functions for Producers of Performing Arts – Allocative Inefficiencies and Scale Economies in Theatres pp. 335-353: Mervi Taalas
Bernard Casey, Rachael Dunlop and Sara Selwood. Culture as Commodity? The Economics of the Arts and Built Heritage in the U.K pp. 355-360: Ruth Towse

Art Markets and Economics: Introduction pp. 165-173: Bruno Frey
A Price Index for Art Market Auctions pp. 175-196: G. Candela and Antonello Scorcu
Are Multiple Art Markets Rational? pp. 197-218: Leslie Singer and Gary Lynch
Land Artists and Art Markets pp. 219-228: Victor Ginsburgh and A.-F. Penders
Picasso Paintings at Auction, 1963–1994 pp. 229-247: Corinna Czujack
The Impact of Museum Purchase on the Auction Prices of Paintings pp. 249-271: Werner Pommerehne and Lars Feld

Credibility and Economic Value in the Visual Arts pp. 103-118: Holger Bonus and Dieter Ronte
Demand for Ballet: A Non-Parametric Analysis of the 1995 Royal Ballet Summer Season pp. 119-127: Jörg Schimmelpfennig
Evidence on the Performance of Canada/Europe Co-productions in Television and Film pp. 129-138: Colin Hoskins, Stuart McFadyen, Adam Finn and Anne Jackel
Pricing as the Key to Attracting Students to the Performing Arts pp. 139-146: Bonita Kolb
The Monopolies and Mergers Commission's Investigation of the U.K. Music Market pp. 147-151: R. Towse
Rosanne Martorella (ed.), Art and Business: An International Perspective on Sponsorship pp. 153-156: J. Schuster
Stuart Plattner, High Art Down Home: An Economic Ethnography of a Local Art Market pp. 156-158: Martin Shubik
Simon Frith, Performing Rites: On the Value of Popular Music pp. 158-159: Michael Rushton
Carla Bodo and Rod Fisher (in co-operation with Sabina Addamiano), Harmony or Confusion for Culture in Europe? The Impact of the Single Market and of the Maastricht Treaty pp. 159-161: Michele Trimarchi
Bernard Rouget and Dominique Sagot-Duvaroux, Economie des Arts Plastiques - Une Analise de la Méditation Culturelle pp. 161-163: Walter Santagata

The Willingness-to-Pay for the Royal Theatre in Copenhagen as a Public Good pp. 1-28: Trine Hansen
The Competition between High Culture and Popular Culture as Seen in the New York Times pp. 29-40: James Heilbrun
Beyond Rock and Roll: The Economic Impact of the Grateful Dead on a Local Economy pp. 41-55: Ricardo Gazel and R. Schwer
Cinema Demand in Spain: A Cointegration Analysis pp. 57-75: VÍctor Blanco and José Baños
Cost Structure and Product Mix of Local Public Theatres pp. 77-86: Roberto Fazioli and Massimo Filippini

The impact of cultural economics on economic theory pp. 263-268: Michael Hutter
Access to and participation in the arts: The case of those with low incomes/educational attainment pp. 269-282: John O’Hagan
Growth, accessibility and the distribution of arts activity in the United States: 1980 to 1990 pp. 283-296: James Heilbrun
Cultural determinants of economic growth: Theory and evidence pp. 297-320: Oliver Dieckmann
Cultural entrepreneurship and the Banff Television Festival pp. 321-339: Keith Acheson, Christopher Maule and Elizabet Filleul
Does public support make a difference, and for whom? pp. 341-358: Merja Heikkinen and Paula Karhunen
Financial returns, price determinants, and genre effects in American art investment pp. 359-383: Richard Agnello and Renée Pierce

Introduction to the plenary session on the 30th anniversary of The performing arts: An economic dilemma by Baumol and Bowen — Ninth International Conference on Cultural Economics Boston 8–11 May 1996 pp. 181-181: Mark Blaug
Children of performing arts, the economic dilemma: The climbing costs of health care and education pp. 183-206: William Baumol
Why I do not believe in the cost-disease pp. 207-214: Tyler Cowen
The “Manifest Destiny” of the Performing Arts pp. 215-224: Alan Peacock
Economic circumstances of the performing artist: Baumol and Bowen thirty years on pp. 225-240: David Throsby
The “manifest destiny” of the performing arts by A. Peacock pp. 241-244: Stefan Kesenne
Comments on David Throsby’s paper pp. 245-247: Ruth Towse
Final comments on the plenary session on Baumol and Bowen pp. 249-250: Mark Blaug

Why women succeed, and fail, in the arts pp. 93-113: Tyler Cowen
Is increased public spending for the preservation of historic monuments inevitable? The French case pp. 115-131: Francoise Benhamou
Nonprofit pricing of services under cost uncertainty pp. 133-144: Amresh Hanchate
The dynamics of product differentiation in the British record industry pp. 145-164: Andrew Burke
The interaction between artists’ professional training and employment in the field of Finnish theatre pp. 165-175: Paula Karhunen
Book review pp. 177-179: Keith Acheson

The relevance of hedonic price indices pp. 1-24: Olivier Chanel, Louis-André Gérard-Varet and Victor Ginsburgh
A microeconometric study of theatre demand pp. 25-50: Louis Lévy-Garboua and Claude Montmarquette
How effective are international copyright conventions in the music industry? pp. 51-66: Andrew Burke
Sources of “value for money” for museum visitors: Some survey evidence pp. 67-83: John Ashworth and Peter Johnson
Book review pp. 85-86: Frank Puffelen