Journal of Cultural Economics

1996 - 2025

Current editor(s): Federico Etro and Douglas Noonan

From:
Springer
The Association for Cultural Economics International
Contact information at EDIRC.
Bibliographic data for series maintained by Sonal Shukla () and Springer Nature Abstracting and Indexing ().

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Competition, Concentration and Diversity in European Television Markets pp. 249-275: Richard Wurff
The Role of Competition in the Rise of Baroque and Renaissance Music pp. 277-297: Roland Vaubel
French Decentralisation of the Performing Arts and Regional Economic Disparities pp. 299-312: Daniel Urrutiaguer
Public Library Fees in Germany pp. 313-324: Lilo Locher
Are There Too Many Revivals on Broadway? A Stochastic Dominance Approach pp. 325-334: David Maddison
Obituary pp. 335-336: Mark Blaug

For Oscar Glory Or Oscar Money? pp. 159-176: Eva Deuchert, Kossi Adjamah and Florian Pauly
Modeling Movie Success When ‘Nobody Knows Anything’: Conditional Stable-Distribution Analysis Of Film Returns pp. 177-190: W. Walls
The Performance of German Motion Pictures, Profits and Subsidies: Some Empirical Evidence pp. 191-212: Christian Jansen
Cinema Demand In Germany pp. 213-231: Ralf Dewenter and Michael Westermann
Hollywood Economics: How Extreme Uncertainty Shapes The Film Industry pp. 233-237: Darlene Chisholm
The Big Picture: The New Logic Of Money And Power In Hollywood pp. 239-242: S. Ravid
On Hollywood: The Place, The Industry pp. 243-245: Michael Pokorny

Editorial pp. 81-81: Günther Schulze and J. Schuster
Learning-by-Consuming and the Dynamics of the Demand and Prices of Cultural Goods pp. 83-106: Paulo Brito and Carlos Barros
Art for the Masses? Justification for the Public Support of the Arts in Developing Countries – Two Arts Festivals in South Africa pp. 107-125: J. Snowball
The Market for Picasso Prints: A Hybrid Model Approach pp. 127-136: Marilena Biey and Roberto Zanola
Bayesian Learning from Arts Goods? – A Comment pp. 137-141: Carlos Ulibarri
Quarter Notes and Banknotes. The Economics of Music Composition in the Eighteenth and Nineteenth Centuries pp. 143-146: Peter Tschmuck
Kreativität und Innovation in der Musikindustrie (Creativity and Innovation in the Music Industry pp. 146-148: Michael Getzner
Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity pp. 148-152: Michael O’Hare
Terry Nichols Clark: 2004, The City as an Entertainment Machine, Research in Urban Policy, Vol. 9, Elsevier – JAI Press, Amsterdam, ISBN 0-76231-060-X pp. 152-155: Roland Kushner

Languages, Genes, and Cultures pp. 1-17: Victor Ginsburgh
Employing Travel Time to Compare the Value of Competing Cultural Organizations pp. 19-33: Jaap Boter, Jan Rouwendal and Michel Wedel
State Subsidies and Repertoire Conventionality in the Non-Profit English Theatre Sector: An Econometric Analysis pp. 35-57: John O’Hagan and Adriana Neligan
Expert Judgment Versus Public Opinion – Evidence from the Eurovision Song Contest pp. 59-78: Marco Haan, S. Dijkstra and Peter Dijkstra
Call for Papers pp. 79-79: Patricia Dewey and Laura Young

Convention on Cultural Diversity pp. 243-256: Keith Acheson and Christopher Maule
Comment pp. 257-261: Frederick (Rick) van der Ploeg
Comment pp. 263-266: Francoise Benhamou
Comment pp. 267-273: Lelio Iapadre
Do People Really Care About the Arts for Future Generations? pp. 275-284: Arthur Brooks
Price Indices for Artists – A Proposal pp. 285-302: Guido Candela, Paolo Figini and Antonello Scorcu
Government Grants to Private Cultural Institutions–The Effects of a Change in the Italian Legislation pp. 303-315: Bruno Bises and Fabio Padovano
Michael F. Brown: 2003, Who Owns Native Culture?, Harvard University Press, Cambridge, MA, 315 pp., ISBN 0-67401-171-6 pp. 317-323: Tyler Cowen
Niva Elkin-Koren and Neil Weinstock Netanel (eds.): 2002, The Commodification of Information, Kluwer Law International, The Hague, ISBN 9-041-19876-8 pp. 320-323: Ruth Towse

Competition and the Non-Profit Arts: The Lost Industrial Organization Agenda pp. 167-193: Bruce Seaman
A Quantitative Approach to Evaluate the Relative Efficiency of Museums pp. 195-216: Antonella Basso and Stefania Funari
Travel Cost Analysis of a Cultural Heritage Site: The Case of Historic St. Mary's City of Maryland pp. 217-229: P. Poor and Jamie Smith
Ruth Towse (ed.): 2003, A Handbook of Cultural Economics pp. 231-234: Trine Bille
Xavier Greffe: 2002, Arts and Artists from an Economic Perspective pp. 235-236: Walter Santagata
Ilde Rizzo and Ruth Towse (eds.): 2002, The Economics of Heritage. A Study in the Political Economy of Culture in Sicily pp. 236-238: Michael Hutter
Hans Abbing, Why Are Artists Poor? The Exceptional Economy of the Arts pp. 239-241: David Throsby

Causality and Museum Subsidies pp. 89-108: David Maddison
Quality in the Performing Arts: Aggregating and Rationalizing Expert Opinion pp. 109-124: Stefan Tobias
Art Auctions and Bidding Rings: Empirical Evidence from German Auction Data pp. 125-141: Michael Beckmann
Are Small Recipients Overlooked by Sponsors? An Empirical Note pp. 143-156: Björn Frank and Kurt Geppert
Ruth Towse: 2001, Creativity, Incentive and Reward. An Economic Analysis of Copyright and Culture in the Information Age pp. 157-160: Francoise Benhamou
Joëlle Farchy: 2003, Internet et le droit d'auteur – La culture Napster pp. 160-163: Ejan Mackaay

Beyond the Dogma of the Fixed Book Price Agreement pp. 1-20: Frederick (Rick) van der Ploeg
The Impact of the National Endowment for the Arts in the United States: Institutional and Sectoral Effects on Private Funding pp. 21-36: Francesca Borgonovi and Michael O'Hare
Two-Part Share Contracts, Risk, and the Life Cycle of Stars: Some Empirical Results from Motion Picture Contracts pp. 37-56: Darlene Chisholm
How Relevant is Transaction Cost Economics to Inter-Firm Relationships in the Music Industry? pp. 57-79: Jonathan Gander and Alison Rieple
Tyler Cowen: 2002, Creative Destruction: How Globalization is Changing the World's Cultures pp. 81-83: Michael Rushton
J. Mark Schuster: 2002, Informing Cultural Policy: The Research and Information Infrastructure pp. 83-88: Steven Tepper