Journal of Cultural Economics

1996 - 2025

Current editor(s): Federico Etro and Douglas Noonan

From:
Springer
The Association for Cultural Economics International
Contact information at EDIRC.
Bibliographic data for series maintained by Sonal Shukla () and Springer Nature Abstracting and Indexing ().

Access Statistics for this journal.
Is something missing from the series or not right? See the RePEc data check for the archive and series.

The cultural entrepreneur and the creative industries: beginning in Vienna pp. 243-261: Richard Swedberg
Cultural goods creation, cultural capital formation, provision of cultural services and cultural atmosphere accumulation pp. 263-286: Sao-Wen Cheng
Combining the travel cost and contingent behavior methods to value cultural heritage sites: Evidence from Armenia pp. 287-304: Anna Alberini and Alberto Longo
Willingness to pay: individual or household? pp. 305-309: Liam Delaney and Francis O’Toole
Tyler Cowen, Good & Plenty: The Creative Successes of American Arts Funding pp. 311-316: J. Schuster
John Carey: What Good are the Arts? pp. 317-319: Michael Rushton

Optimal pricing and grant policies for museums pp. 169-181: Juan Prieto-Rodriguez and Víctor Fernández-Blanco
Selection models in the music industry: How a prior independent experience may affect chart success pp. 183-200: Andrea Ordanini
Distributors and film critics: does it take two to Tango? pp. 201-218: S. Ravid, John Wald and Suman Basuroy
Demand for and productivity analysis of Turkish public theater pp. 219-231: Sacit Akdede and John King
Cultural Diversity and International Economic Integration: The Global Governance of the Audio-Visual Sector pp. 233-235: Anna Herold
Iain Robertson, Understanding International Art Markets and Management, Routledge, London and New York, 280 pp., 2005, ISBN 0:41533957X pp. 237-238: Silvia Bagdadli
A Concise Handbook of Movie Industry Economics pp. 239-241: Chris Hand

Creativity and Life Cycles of Artists pp. 91-107: Victor Ginsburgh and Sheila Weyers
Estimating the real growth effects of blockbuster art exhibits: A time series approach pp. 109-125: Sarah Skinner
The welfare and equity implications of competition in television broadcasting: the role of viewer tastes pp. 127-140: Yong Liu, Daniel Putler and Charles Weinberg
The Demand for Books Estimated by Means of Consumer Survey Data pp. 141-155: Vidar Ringstad and Knut Løyland
Mapping State Cultural Policy: The State of Washington pp. 157-160: Margaret Wyszomirski
The Economy of Prestige: Prizes, Awards, and the Circulation of Cultural Value pp. 161-163: Nachoem Wijnberg
Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art pp. 165-168: Calin Valsan

An Artistic Production Function: Theory and an Application to Australian Visual Artists pp. 1-14: David Throsby
Assessing Quality in Cultural Goods: The Hedonic Value of Originality in Rembrandt's Prints pp. 15-40: Elisabetta Lazzaro
The Government's Choice of Bureaucratic Organisation: An Application to Italian State Museums pp. 41-72: Silvia Fedeli and Michele Santoni
A Note on Financial Risk, Return and Asset Pricing in Australian Modern and Contemporary Art pp. 73-84: Andrew Worthington and Helen Higgs
Institutional Economics and the Formation of Preferences. The Advent of Pop Music pp. 85-89: Simon Frith

Competition, Concentration and Diversity in European Television Markets pp. 249-275: Richard Wurff
The Role of Competition in the Rise of Baroque and Renaissance Music pp. 277-297: Roland Vaubel
French Decentralisation of the Performing Arts and Regional Economic Disparities pp. 299-312: Daniel Urrutiaguer
Public Library Fees in Germany pp. 313-324: Lilo Locher
Are There Too Many Revivals on Broadway? A Stochastic Dominance Approach pp. 325-334: David Maddison
Obituary pp. 335-336: Mark Blaug

For Oscar Glory Or Oscar Money? pp. 159-176: Eva Deuchert, Kossi Adjamah and Florian Pauly
Modeling Movie Success When ‘Nobody Knows Anything’: Conditional Stable-Distribution Analysis Of Film Returns pp. 177-190: W. Walls
The Performance of German Motion Pictures, Profits and Subsidies: Some Empirical Evidence pp. 191-212: Christian Jansen
Cinema Demand In Germany pp. 213-231: Ralf Dewenter and Michael Westermann
Hollywood Economics: How Extreme Uncertainty Shapes The Film Industry pp. 233-237: Darlene Chisholm
The Big Picture: The New Logic Of Money And Power In Hollywood pp. 239-242: S. Ravid
On Hollywood: The Place, The Industry pp. 243-245: Michael Pokorny

Editorial pp. 81-81: Günther Schulze and J. Schuster
Learning-by-Consuming and the Dynamics of the Demand and Prices of Cultural Goods pp. 83-106: Paulo Brito and Carlos Barros
Art for the Masses? Justification for the Public Support of the Arts in Developing Countries – Two Arts Festivals in South Africa pp. 107-125: J. Snowball
The Market for Picasso Prints: A Hybrid Model Approach pp. 127-136: Marilena Biey and Roberto Zanola
Bayesian Learning from Arts Goods? – A Comment pp. 137-141: Carlos Ulibarri
Quarter Notes and Banknotes. The Economics of Music Composition in the Eighteenth and Nineteenth Centuries pp. 143-146: Peter Tschmuck
Kreativität und Innovation in der Musikindustrie (Creativity and Innovation in the Music Industry pp. 146-148: Michael Getzner
Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity pp. 148-152: Michael O’Hare
Terry Nichols Clark: 2004, The City as an Entertainment Machine, Research in Urban Policy, Vol. 9, Elsevier – JAI Press, Amsterdam, ISBN 0-76231-060-X pp. 152-155: Roland Kushner

Languages, Genes, and Cultures pp. 1-17: Victor Ginsburgh
Employing Travel Time to Compare the Value of Competing Cultural Organizations pp. 19-33: Jaap Boter, Jan Rouwendal and Michel Wedel
State Subsidies and Repertoire Conventionality in the Non-Profit English Theatre Sector: An Econometric Analysis pp. 35-57: John O’Hagan and Adriana Neligan
Expert Judgment Versus Public Opinion – Evidence from the Eurovision Song Contest pp. 59-78: Marco Haan, S. Dijkstra and Peter Dijkstra
Call for Papers pp. 79-79: Patricia Dewey and Laura Young