Journal of Cultural Economics

1996 - 2025

Current editor(s): Federico Etro and Douglas Noonan

From:
Springer
The Association for Cultural Economics International
Contact information at EDIRC.
Bibliographic data for series maintained by Sonal Shukla () and Springer Nature Abstracting and Indexing ().

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Volume 40, issue 4, 2016

The value-based approach to cultural economics pp. 365-373

Arjo Klamer

Determinants of demand and price for best-selling novels in paperback in Japan pp. 375-392

Sumiko Asai

Does the long tail really favor small publishers? pp. 393-412

Stéphanie Peltier, Françoise Benhamou and Mamoudou Touré

City competition for the creative class pp. 413-451

Thiess Buettner and Eckhard Janeba

Autographs and the global art market: the case of hedonic prices for French autographs (1960–2005) pp. 453-485

Pierre-Charles Pradier, François Gardes, Xavier Greffe and Ileana Miranda Mendoza

Local government allocation of cultural services pp. 487-528

Lars Håkonsen and Knut Løyland

Fairness constraints on profit-seeking: evidence from the German club concert industry pp. 529-545

Hendrik Sonnabend

Victor A. Ginsburgh and David Throsby (eds.): Handbook of the economics of art and culture, volume 2 pp. 547-551

Douglas J. Hodgson

Michael Hutter: The rise of the joyful economy: artistic invention and economic growth from Brunelleschi to Murakami pp. 553-555

Jason Potts

Volume 40, issue 1, 2016

Past, present and future: music economics at the crossroads pp. 1-12

Samuel Cameron

Past, present and future: music economics at the crossroads pp. 1-12

Samuel Cameron

How much of the decline in sound recording sales is due to file-sharing? pp. 13-28

Stan Liebowitz

Breaking up is hard to do: the resilience of the rock group as an organizational form for creating music pp. 29-74

Ronnie Phillips and Ian Strachan

The impacts of fundraising periods and geographic distance on financing music production via crowdfunding in Brazil pp. 75-99

Wesley Mendes-Da-Silva, Luciano Rossoni, Bruno Conte, Cristiane Gattaz and Eduardo Francisco

An economic perspective on rock concerts and climate change: Should carbon offsets compensating emissions be included in the ticket price? pp. 101-126

Marie Connolly, Jérôme Dupras and Charles Séguin

An economic perspective on rock concerts and climate change: Should carbon offsets compensating emissions be included in the ticket price? pp. 101-126

Marie Connolly, Jérôme Dupras and Charles Séguin

Volume 39, issue 4, 2015

Two approaches to study the value of art and culture, and the emergence of a third pp. 309-326

Erwin Dekker

Arts education and the high school dropout problem pp. 327-339

M. Kathleen Thomas, Priyanka Singh and Kristin Klopfenstein

Experts’ awards and economic success: evidence from an Italian literary prize pp. 341-367

Michela Ponzo and Vincenzo Scoppa

The impact of music on educational attainment pp. 369-396

Philip Yang

Anna M. Dempster (ed.): Risk and uncertainty in the art world pp. 397-400

Kim Oosterlinck

Volume 39, issue 3, 2015

In memoriam Alan Peacock: a pioneer in cultural economics pp. 225-238

Ilde Rizzo and Ruth Towse

Video games playing: A substitute for cultural consumptions? pp. 239-258

Karol Borowiecki and Juan Prieto-Rodriguez

Innovation, experience and artists’ age-valuation profiles: evidence from eighteenth-century rococo and neoclassical painters pp. 259-275

John Galbraith and Douglas Hodgson

Culture-based development in the USA: culture as a factor for economic welfare and social well-being at a county level pp. 277-303

Annie Tubadji, Brian Osoba and Peter Nijkamp

David Meerman Scott and Brian Halligan: Marketing lessons from the Grateful Dead pp. 305-308

Samuel Cameron

Volume 39, issue 2, 2015

Fair use and fair competition for digitized cultural goods: the case of eBooks pp. 123-131

Françoise Benhamou

Willingness to believe and betrayal aversion: the special role of trust in art exchanges pp. 133-151

Marina Bianchi

The success of art galleries: a dynamic model with competition and information effects pp. 153-176

Aloys Prinz, Jan Piening and Thomas Ehrmann

Educational stratification in cultural participation: cognitive competence or status motivation? pp. 177-203

Natascha Notten, Bram Lancee, Herman Werfhorst and Harry Ganzeboom

Time spent on new songs: word-of-mouth and price effects on teenager consumption pp. 205-218

Noémi Berlin, Anna Bernard and Guillaume Fürst

Michael Rushton (ed.): Creative communities: art works in economic development pp. 219-224

Graeme Evans

Volume 39, issue 1, 2015

Economics of motion pictures: the state of the art pp. 1-13

Darlene Chisholm, Víctor Fernández-Blanco, S. Abraham Ravid and W. Walls

When does it make sense to do it again? An empirical investigation of contingency factors of movie remakes pp. 15-41

Björn Bohnenkamp, Ann-Kristin Knapp, Thorsten Hennig-Thurau and Ricarda Schauerte

The impact of supplier bargaining power on the advertising costs of movie sequels pp. 43-64

Judy Ma, Dongling Huang, M. Kumar and Andrei Strijnev

Theatre allocation as a distributor’s strategic variable over movie runs pp. 65-83

Juan Prieto-Rodriguez, Fernanda Gutierrez-Navratil and Victoria Ateca-Amestoy

Changing patterns of foreign movie imports, tastes, and consumption in Australia pp. 85-98

Sora Park

Local consumers’ reception of imported and domestic movies in the Korean movie market pp. 99-121

Sangkil Moon, Barry Bayus, Youjae Yi and Junhee Kim

Volume 38, issue 4, 2014

Nominees, winners, and losers pp. 291-313

Victor Ginsburgh and Sheila Weyers

On the complementarity between online and offline music consumption: the case of free streaming pp. 315-330

Godefroy Nguyen, Sylvain Dejean and François Moreau

The effect of young children on their parents’ anime-viewing habits: evidence from Japanese microdata pp. 331-349

Eiji Yamamura

The short- and long-term effectiveness of anti-piracy laws and enforcement actions pp. 351-368

Tylor Orme

Prices for superstars can flatten out pp. 369-384

Luc Champarnaud

External and slate financing in motion pictures: a review of “Co-Financing Hollywood Film Productions” pp. 385-389

Darlene Chisholm

Volume 38, issue 3, 2014

The effects of cultural and historical information and contribution threshold on public contributions: an experimental study on the conservation of heritage houses in Penang, Malaysia pp. 207-222

Kean Ch’ng, Suet Khoo and Phaik Chin

Valuing historic battlefields: an application of the travel cost method to three American Civil War battlefields pp. 223-236

Richard Melstrom

Specificities of the artistic cultural labor market in Brazilian metropolitan regions between 2002 and 2010 pp. 237-251

Ana Machado, Alexandre Rabelo and Arthur Moreira

Cultural heritage and the attractiveness of cities: evidence from recreation trips pp. 253-285

Ruben Loon, Tom Gosens and Jan Rouwendal

Charting a new cultural commons research agenda pp. 287-290

Douglas Noonan

Volume 38, issue 2, 2014

The influence of book advertising on sales in the German fiction book market pp. 109-130

Edlira Shehu, Tim Prostka, Christina Schmidt-Stölting, Michel Clement and Eva Blömeke

Copyright infringement as user innovation pp. 131-144

Yasuhiro Arai and Shinya Kinukawa

Music consumption at the dawn of the music industry: the rise of a cultural fad pp. 145-171

Marco Guerzoni and Massimiliano Nuccio

A two-stage proxy variable approach to estimating movie box office receipts pp. 173-189

Frederick Derrick, Nancy Williams and Charles Scott

A survey of allocation rules for the museum pass problem pp. 191-205

Balbina Casas-Mendez, Vito Fragnelli and Ignacio Garcìa-Jurado

Volume 38, issue 1, 2014

Digital complements or substitutes? A quasi-field experiment from the Royal National Theatre pp. 1-8

Hasan Bakhshi and David Throsby

Trust the artist versus trust the tale: performance implications of talent and self-marketing in folk music pp. 9-42

Brinja Meiseberg

Evaluating the efficiency of public procurement contracts for cultural heritage conservation works in Italy pp. 43-70

Calogero Guccio, Giacomo Pignataro and Ilde Rizzo

How do your rivals’ releasing dates affect your box office? pp. 71-84

Fernanda Gutierrez-Navratil, Víctor Fernández-Blanco, Luis Orea and Juan Prieto-Rodriguez

The auction market for artworks and their physical dimensions: Australia—1986 to 2009 pp. 85-104

Helen Higgs and John Forster

Françoise Benhamou: Économie du patrimoine culturel, Éditions La Découverte pp. 105-108

Luis César Herrero