Bill's bands

Martin Kemp
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Martin Kemp: University of Oxford

Nature, 1997, vol. 390, issue 6657, 239-239

Abstract: Swiss sculptor Max Bill, working in the middle of this century, created forms aiming to visualize intuitively the mathematics of his day, with their structure determined by a sense of the way space could be ‘energized’.

Date: 1997
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DOI: 10.1038/36754

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